emancipation of expressionism Flashcards

1
Q

who is the choreographer?

A

kenrick H2O sandy

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2
Q

what is the name of the dance company that performed the piece?

A

Boy Blue entertainment

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3
Q

how long is the piece?

A

11 minutes

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4
Q

how many sections are there?

A

4 sections

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5
Q

what is section 1?

A

genesis

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6
Q

what is section 2?

A

growth and struggle

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7
Q

what is section 3?

A

connection and flow between people

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8
Q

what is a stimulus?

A

a starting point for a choreographic piece

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9
Q

what is section 4?

A

empowerment

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10
Q

what were kenrick’s 5 stimuli?

A
  1. accompaniment
  2. title
  3. end section created first
  4. use of hiphop movement
  5. expressing individuality
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11
Q

5 choreographic intentions…

A
  1. order and chaos
  2. expressing individuality
  3. journey through life
  4. hiphop in art form
  5. hiphop in theatrical form
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12
Q

styles of dance in the piece

A
  • hiphop
  • popping
  • locking
  • waacking
  • krumping
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13
Q

how does the choice of performance environment enhance the piece?

A
  • full focus on dancers
  • hip hop in a theatrical setting
  • lighting matches mood
  • can’t see people in wings
  • heightens quality
  • goes against hip hop stereotype/ not in urban setting
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14
Q

FISCAL description of costume..

A

Fabric- the dancers wear denim jeans
Idea- modern day, all identical
Style- dancers have an urban look
Colour- clothes are blue
Accessories- long hair tied back, high top grey trainers with a white sole
Line/fit- short sleeved, loose fitting t-shirts

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15
Q

CHOSEN analysis of costume..

A

Character- all dressed in unison, not all characters
Historical-
Other elements-
Supports choreographic intent- all wear the same to show chaos and order
Enhances movement- short sleeves so you can clearly see arm movement, loose fit so dancers are free
Narrative-

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16
Q

types of aural setting..

A
  1. found sound
  2. silence
  3. natural sound- made in nature
  4. music- instrumental
  5. voice- spoken word or singing
  6. electronic sound- made digitally
17
Q

style description

A

also defined as genre

18
Q

instrumentation description

A

the selection of instruments

19
Q

dynamics description

A

the volume and how the music is played

20
Q

timbre description

A

the character of sound differentiating one from another

21
Q

tempo description

A

the speed of accompaniment

22
Q

pitch description

A

the frequency of the notes (eg. high or low)

23
Q

rhythm description

A

the arrangements of beats and patterns they form

24
Q

texture description

A

the combination of melody, rhythm, harmony, instrumentation

25
melody description
the range and arrangement of notes
26
pulse description
the phrasing and time signature and how strong the phrasing is
27
what are some different enhancements that an aural setting can bring?
- enhances choreographic intent - forms the structure - identifies a character - sets the mood - creates suspense - shows the time period (historical setting) - helps narrative - highlights dancers - supports genre - enhances flow
28
describe the accompaniment in Genesis
- steady rhythm - slow tempo - dynamic - electronic drum beats - links to choreographic intent
29
describe the accompaniment in growth and struggle
- slow tempo - melody (notes repeat) - sets the mood - timbre (speaking over the top)
30
describe the accompaniment in connection and flow between people
- very textured - high pitch violin - instrumentation - fast tempo
31
describe the accompaniment in empowerment
- change of rhythm - different pitches - style/genre switches from static and slow - fast pace - textured
32
action (what)
elevation gesture transfer of weight balance/ stillness turn travel floor work use of different body parts
33
dynamics (how)
strong/light fast/slow sudden/sustained acceleration/deceleration direct/indirect flowing/abrupt
34
spatial design (where)
pathways levels directions patterns size of movement spatial design
35
dance relationships (who+when)
lead and follow mirroring action and reaction accumulation complement and contrast counterpoint contact formations