Elements & Principles of Design Flashcards

1
Q

What are the building blocks of art, the elements of design?

A

shapes, forms, colors, line, textures, and space

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2
Q

Name the principles of design.

A

Balance, emphasis, rhythm, unity, harmony, movement, variety, proportion.

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3
Q

Each of the principles of design can be applied to each of the elements of design. Give examples.

A

Balance of color, balance of shape; variety of forms,

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4
Q

What is harmony?

A

using similar or compatible elements of design to achieve a feeling of coherence. All the elements and principles work together. Suggests carrying through a single unifying theme. a unique blend of unity & variety.

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5
Q

What is unity?

A

The coherence of all the parts of design that work together to create harmony. achieved by repetition, similarity or congruence of parts in a composition. This may be furniture similar in lines or styles, colors, patterns, or motifs.

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6
Q

What is the difference between unity and harmony?

A

Unity is the use of one particular element, such as texture or color, throughout the design. Harmony is a blended of elements, such as a family of colors.

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7
Q

What is meant by variety?

A

The use of differences or contrasts. Variety brings vitality, diversity, and stimulation to design. It may be subtle or a surprising contrast.

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8
Q

What is proportion?

A

Proportion encompasses both the relationship of one part of an object to its other parts or to the whole, as well as the relationship of one object to another.

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9
Q

What is the Golden Section or Divine Proportion?

A

A Greek philosophy or mathematical idea that there is a divine measurement, a ratio, that is most pleasing to the eye because it is divine and is seen all in nature.

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10
Q

What is the ratio of the Golden Section?

A

1:1.618;

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11
Q

How do you draw a Golden Section rectangle?

A

Draw a square, put a point at the center of the bottom side, then draw a diagonal line from that point to the top corner. Using the top corner and the original center point at the bottom, with a compass draw an arc from top to bottom. Then draw a top line from the top corner of the square the same length as the point derived by the arc.

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12
Q

Explain how proportion is constant when using the Golden Section?

A

When the rectangle is divided into a square and a rectangle (the leftover part), the ratio remains 1:1.618. When each rectangle is further divided this way, the two sections created always remain a ratio of 1:1.618.

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13
Q

How is a spiral drawn from the Golden Section?

A

An arc is drawn from the two opposite corners of each square continually towards the center.

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14
Q

Why is the Golden Section called Divine Proportion?

A

Because it is found in all of creation from galaxies to seashells, pine cones, animal life,

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15
Q

How is balance achieved?

A

That quality in a room that establishes a sense of equilibrium and repose. It is a sense of weight as the eye perceives it. When the elements have an equality of importance or weight.

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16
Q

What is meant by emphasis?

A

Special attention or importance given to one part or element in a room, a focal point.

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17
Q

How can emphasis be achieved?

A
  • placement, as in a one-point perspective;
  • contrast, as in using light and dark;
  • size;
  • methods.
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18
Q

What is meant by rhythm?

A

The repetition of elements to create the illusion of movement. It assists the eye in moving easily about a room from one area to another, creating a flowing quality.

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19
Q

Define the design element “space”.

A

area found within an enclosure, either real or perceived. (Fence, walls, borders, personal space).

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20
Q

What are the two most common problems regarding space?

A

Either the lack of space or too much space.

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21
Q

What are some things a designer can do to create apparent space?

A

1) Uncluttered openings can allow the eye to travel into other spaces.
2) Place large pieces of furniture near walls so that they do not interrupt the open space.
3) Use small-scale furniture, texture, and patterns.
4) Keep furnishings and accessories few in number.
5) Expose as much floor as possible.
6) Use mirrors to create an illusion of depth.
7) Unify the space as much as possible; wall to wall floor covering, floor to ceiling window treatments, and use colors, textures and patterns that blend rather than contrast.
8) Select light, cool colors that seem to expand space.
9) Light the perimeter of the room.

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22
Q

When space lacks definition, seeming to have no beginning or end, how can the designer make it appear more secure and intimate?

A

1) Subdividing the space physically and visually by placing furnishings perpendicular to walls.
2) Choose furnishings that vary in height to obstruct views.
3) Group furniture in clearly defined areas of activity.
4) Select large-scale furniture and pieces that sit on solid base skirts, obscuring the floor.
5) Break up the expansive area of wall and floors with contrasting colors, textures, and patterns.
6) Use warm, dark colors.
7) Use soft and rough textures to absorb sound and further feelings of privacy and intimacy.

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23
Q

What is meant by “line”?

A

Line forms the direction or feeling of a design.
Theoretically, line has only one dimension, but designers often use the term to describe the outline of a shape, space or dominant direction.

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24
Q

How can a designer skillfully utilize line?

A

Line can be used to:
(1) create a mood or feeling; (2) give direction to a room; (3) create an optical illusion; (4) achieve a feeling of balance and rhythm; (5) support a room’s focal point by directing the eye toward that feature; (6) give variety and unity to a room through the skillful blending of the various line types; and (7) seemingly alter the proportion of an object or entire room.

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25
Q

What effect can too much line have?

A

It can evoke a feeling of instability or chaos.

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26
Q

What type of psychological effect do vertical lines have?

A

They provide a feeling of height, strength, dignity, formality, and stabilized resistance to gravity. (Ex.: Columns, Furniture, Window Treatments)

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27
Q

What type of psychological effect do horizontal lines have?

A

They can create a feeling of repose and solidity, restfulness, relaxing, informality, and like vertical lines, also provide strength. (Ex.: Moldings, Beams, Bookcases, long, low furniture)

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28
Q

What type of psychological effect do diagonal lines have?

A

They give a room a feeling of action and movement. They are visual excitement. Diagonals may be used to make an object appear larger. Too many diagonals in a room may create a feeling of unrest (Ex.: Ceilings, stairs).

29
Q

What type of psychological effect do circular lines have?

A

They have graceful and delicate effect on a room. (Ex.: Arches, Domes, Drapery Swags).

30
Q

Circular lines fall into what 4 categories?

A

Large convex (upward); large concave (downward); long, flowing horizontal; and small curves (patterns).

31
Q

What type of psychological effect do large convex circular lines have?

A

They tend to provide an uplifting feeling. (stairs)

32
Q

What type of psychological effect do large concave circular lines have

A

They often give a feeling of solidity or sadness. (dome)

33
Q

What type of psychological effects do long, flowing horizontal circular lines have?

A

They can imply restfulness.

34
Q

What type of psychological effects do small circular patterns have?

A

They can add life and character.

35
Q

What is the difference between shape and mass?

A

The contour of an object is represented by it’s shape.
When a 2-dimensional shape takes on a third dimension, it becomes a mass. Mass is perceived as objects such as furniture.

36
Q

Basic masses or shapes fall into what categories?

A

1) Rectangles and squares (most dominant)
2) Angular forms
3) Curved forms

37
Q

What psychological effect do the use of rectangles and squares have?

A

They provide a sense of stability and are easy to work with and they may be arranged to conserve space. Too many rectangular and square shapes may create monotony.

38
Q

What psychological effect do the use of angular shapes have?

A

They can provide a dynamic effect and appear to increase apparent size.

39
Q

What psychological effects do the use of circular shapes have?

A

They are constant, unifying and pleasing. Curves may give relief and variety to a room with a predominance of angular and rectilinear forms.

40
Q

How is texture defined?

A

It refers to the surface quality of objects.

41
Q

What are the 3 types of texture?

A

Actual (feels rough); smooth (feels smooth); visual (looks rough but feels smooth)

42
Q

What are some ways texture affects us?

A
  • It influences light reflection and the appearance of color. Smooth materials reflect light, attract attention, and makes color look clear and strong. Rough surfaces absorb light unevenly making colors look darker.
  • Sound quality -Hard, smooth surfaces magnify sound while soft, porous textures absorb sound.
  • Texture is a factor in maintenance. The shiny surfaces are easy to clean, but show all dirt.
43
Q

What are some ways light affects us?

A
  • Light affects the physical, as well as the emotional comfort of the user.
  • The mood and appearance of a room can be greatly altered through the use of light.
  • A room must have sufficient light; however, too much light or the inappropriate use of light can cause headaches and inhibit productivity.
  • Uniform light can lead to boredom and lack of energy
  • Light variations create interest in a room, but can also affect the perceived color of the interior
44
Q

What are 3 uses of light?

A

task, ambient, accent

45
Q

What are the types of light?

A

natural or artificial

46
Q

What design element is dependent on light?

A

color

47
Q

What are some ways color affects us?

A

Color can alter the perceived shape, size, and location of an object, and it can create the illusion of texture, stimulate interest, or calm a busy environment.

48
Q

What is “pattern” and how does it affect us?

A

Pattern is a decorative design, figure, or motif created through the use of space, line, shape, light and color. It can create interest, but too much pattern can make a room too busy and uncomfortable. In contrast, a room devoid of pattern may be stark and uninviting.

49
Q

Define “scale”.

A

Scale compares an item or space to something of a known size. (Ex. Children’s furniture)

50
Q

Regarding scale, what is the most common source of reference in interior projects?

A

The human form

51
Q

How can furniture be scaled in a room?

A

Furniture should be scaled to fit a room. Large-scaled furniture appears to crowd a small room and make it appear smaller. Small-scaled furniture looks out of place in a large room. Mixing the two can sometimes be awkward. Imagine a room with small-scaled furniture; one overstuffed chair would appear much larger and out of place. Side tables should be in scale with the chair or sofa next to it. Accessories must also be in scale with the object it is to be used with.

52
Q

Which proportion of a room is the least pleasing and most difficult to design?

A

Square

53
Q

What is the Golden Rectangle ratio?

A

2:3

54
Q

What are some general rules for achieving balance?

A
  • Large objects appear heavier than small ones, but a grouping of small objects can counterbalance a large mass.
  • Physically heavy materials such as stone have greater visual weight than lighter materials.
  • Opaque materials look heavier than translucent materials.
  • Bright, warm and dark colors hold attention longer than smooth plain surfaces.
  • Heavy, unusual textures draw ones attention.
  • Unique irregular shapes have importance beyond their size.
  • Objects placed above eye level appear heavier than those placed below.
  • Brightly lighted areas attract more attention than dim ones.
55
Q

What are 3 types of balance?

A

symmetrical, asymmetrical, and radial

56
Q

Describe symmetrical balance.

A

Symmetrical balance is achieved when one side of something is the exact reverse (mirror image) of the other half. Identical objects are arranged equally on each side of an imaginary line.-This type of balance is traditional and formal.

57
Q

What effect can symmetry in a room have on someone?

A

Symmetry gives a sense of dignity to an interior. It is restful and peaceful.-Too much symmetry can create a dull interior.

58
Q

Describe asymmetrical balance.

A

Asymmetry is achieved when one side is different than the other side, but is still equivalent. Heavy objects near to the center can balance smaller ones farther away.

59
Q

What effect can asymmetrical balance in a room have on you?

A

This type of balance holds a person’s attention longer, provoking thought. It takes more thought and imagination on the designer’s part to effectively utilize asymmetrical balance. It creates a sense of informality.

60
Q

Describe radial balance.

A

Radial balance is achieved when all parts of a composition are balanced and repeated around the center.

61
Q

What are the ways rhythm can be achieved?

A

By repetition, transition, progression (gradation), and opposition & contrast.

62
Q

What is meant by repetition?

A

Repetition is rhythm established by repeating color, pattern, texture, line, light or form.

63
Q

What are some useful guides to using “repetition” in design?

A
  • Repeat consistently the forms, colors that underline the basic character of the design.
  • Avoid repeating that which is common or ordinary.
  • Too much repetition, unrelieved by contrast, leads to monotony.
  • Too little repetition lacks unity and leads to confusion
64
Q

What is meant by “transition”?

A

Transition is rhythm created by increasing or decreasing one or more qualities. This can be found in a curved line such as an arch or a drapery swag.

65
Q

How is rhythm achieved through progression?

A

Progression (gradation) suggests onward motion through successive changes toward a goal. (Ex. Nesting tables, candle sticks).

66
Q

How is rhythm achieved by opposition and contrast?

A

Opposition & Contrast is the deliberate placing of forms or colors to create an abrupt transition instead of a gradual one.

67
Q

What are some guidelines when it comes to using emphasis in a room?

A
  • A focal point should be supported by other elements so that it is not the only area of interest.
  • No single feature in a room should demand constant attention or else the whole will lack balance.
  • When there is a lack of emphasis in a room, boredom from a visually uninteresting space occurs.
  • Too many focal points in one room creates chaos and unrest.
68
Q

What affect does the improper use of variety in design have?

A

Excessive diversity/variety without an apparent underlying theme can appear chaotic, cluttered and confusing. Not enough variety can appear monotonous.