Elements of 20th Century Musical Style Flashcards

1
Q

Post-Romanticism

A
  • late romantic characteristics extended into the 20th century
  • expansive melodies, chromatic harmonies, lush orchestrations, affinity for programmatic elements
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2
Q

electronic music

A
  • any type of music created whole or in part by electronic means
  • may utilize recording devices (tape recorder), synthesizers, and more recently, computers
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3
Q

Jazz

A
  • a uniquely American musical style developed initially by African Americans in New Orleans, Chicago, and New York
  • emphasized syncopation
  • inflected melodies (including “blue” notes Flat3, Flat5, and Flat7) and improvisation
  • ex. “West End Blues”, Louis Armstrong
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4
Q

Serialism

A
  • a compositional approach developed in the 20th century by the Second Viennese School
  • any number of musical parameters (such as pitch, rhythm, dynamics, tone colour) are organized using a specific ordering (set) that undergoes manipulation
  • sometimes used as a synonym for dodecaphonic (or twelve-tone) music
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5
Q

Expressionism in music

A
  • early 20th century German style
  • marked by extreme dissonance, angular melodies, irregular rhythmic groupings
  • explored deeply psychological themes
  • ex. “Erwartung” op. 17, Arnold Schoenberg
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6
Q

Indeterminacy, aka aleatoric music

A
  • a style that evolved in the mid-20th century

- relied on randomness and chance to determine some of the aspects of the music and its performance

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7
Q

Impressionism in music

A
  • late 19th and early 20th century French style associated most closely with the music of Claude Debussy and Maurice Ravel
  • often programmatic
  • use of non-traditional scales: modes, whole tone, pentatonic
  • 9th chords, parallel harmonies
  • blurring of the metrical pulse
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8
Q

neo-Classicism

A
  • a post WWI style marked by a return to absolute music and traditional formal structures
  • cultivated a less emotional (more detached) sensibility
  • ex. Symphony No. 1, op. 25 “Classical” first movement, Sergei Prokofiev
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9
Q

minimalism in music

A
  • a style o music that evolved in the latter half of the 20th century
  • generally characterized by he seemingly endless repetition of short melodic patterns, complex cross-rhythms, and a return to tonal/modal principles
  • its adherents include Steve Reich, Philip Glass, John Adams, and Michael Nyman
  • ex. “Six Pianos”, Steve Reich
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10
Q

neo-Romanticism

A
  • generally, a late 20th century style
  • a return to tonal principles, lush orchestration, and expansive melodies
  • characterized by heightened emotionalism
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11
Q

Second Viennese School

A
  • the trio of early 20th century composers formed by Schoenberg and his disciples Alban Berg and Anton Webern
  • works demonstrate Expressionism
  • developed twelve-tone method
  • music marked by atonality and contrapuntal textures
  • ex. Violin Concerto, first movement, Alban Berg
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