ELEMENTS AND PRINCIPLES OF ART Flashcards

1
Q

Parallel to the horizon, they suggest width and calmness.

A

HORIZONTAL LINE

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2
Q

Perpendicular to horizontals, they imply strength and stability.

A

VERTICAL LINES

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3
Q

Between vertical and horizontal, they convey movement or tension.

A

DIAGONAL LINES

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4
Q

Organic and natural, they represent fluidity and grace.

A

CURVED LINES

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5
Q

WHAT ARE THE PROPERTIES OF COLOR?

A

HUE
VALUE
INTENSITY OR SATURATION

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6
Q
A
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7
Q

The name of a color, determined by its wavelength. Examples include red, orange, and blue.

A

HUE

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8
Q

The lightness or darkness of a color. Adding white creates tints, while adding black creates shades

A

VALUE

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9
Q

How pure a color is.

A

INTENSITY OR SATURATION

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10
Q

WHAT ARE THE PRIMARY COLORS?

A

RED
BLUE
YELLOW

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11
Q

WHAT ARE THE SECONDARY COLORS?

A

ORANGE
GREEN
VIOLET

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12
Q

Colors between primary and secondary.

A

INTERMIDIATE COLOR

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13
Q

Made by combining secondary colors or byneutralizing with a complementary color.

A

TERTIARY COLORS

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14
Q

Colors like black, white, and gray that don’t show color.

A

NEUTRALS

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15
Q

These shapes have precise, mathematical definitions and often associated with man-made objects and architectural forms.

A

GEOMETRIC SHAPES

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16
Q

Also known as freeform or irregular shapes, organic shapes are naturally occurring and often lack defined edges or angles.

A

ORGANIC SHAPES

17
Q

This technique involves using converging lines to create the illusion of depth and distance.

A

LINEAR PERSPECTIVE

18
Q

By placing objects in front of one another, artists can create the illusion of depth.

A

OVERLAPPING

19
Q

This technique mimics the way distant objects appear less distinct and lighter in color due to atmospheric haze.

A

ATMOSPHERIC PERSPECTIVE

20
Q

The brightest area in a composition where light directly hits an object.

A

HIGHLIGHT

21
Q

The middle range of values between the highlights and shadows.

A

MIDTONE

22
Q

The darkest areas in a composition where light is blocked or absorbed by an object.

A

SHADOW

23
Q

This refers to the physical texture that can be felt or touched, such as the roughness of canvas, the smoothness of glass, or the raised surface of a sculpture.

A

ACTUAL TEXTURE

24
Q

this type of texture is created through artistic techniques such as shading, brushstrokes, or patterns to give the illusion of texture without being physically present.

A

IMPLIED TEXTURE

25
Q

are precise and regular shapes that can be defined by mathematical equations.

A

GEOMETRIC FORM

26
Q

are irregular and asymmetrical shapes that are found in nature.

A

ORGANIC FORM

27
Q

refers to the distribution of visual weight within a composition

A

BALANCE

28
Q

the principle of creating a sense of cohesion and completeness within a composition.

A

HARMONY

29
Q

refers to the relative size, scale, and ratio of elements within a composition.

A

PROPORTION

30
Q

is the principle of drawing attention to a specific area or element within a composition.

A

EMPHASIS

31
Q

refers to a way of combining visual elements to achieve intricate and complex relationships.

A

VARIETY

32
Q

refers to the visual flow or sense of motion created within a composition.

A

MOVEMENT

33
Q

the repetition and variation of visual elements to create a sense of movement and continuity within a composition.

A

RHYTHM