Editing Techniques Flashcards

1
Q

The ‘Cut’

A

A ‘cut’ is a sudden change of shot from one viewpoint or location to another.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

What can a ‘cut’ be used for?

A

It can be used to:

  • Change the scene;
  • Compress time;
  • Vary the point of view; or
  • Build up an image or idea.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Matched ‘cut’

A

In a ‘matched cut’ a familiar relationship between the shots may make the change seem smooth:

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

When are ‘cuts’ usually made?

A

The cut is usually made on an action (for example, a person begins to turn towards a door in one shot; the next shot, taken from the doorway, catches him completing the turn). Because the viewer’s eye is absorbed by the action he is unlikely to notice the movement of the cut itself.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Why are matched ‘cuts’ used?

A

They can be used for:

  • Continuity of direction
  • Completed action
  • A one-step change of shot size (e.g. long to medium);
  • A change of angle (conventionally at least 30 degrees).
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Jump cut

A

Abrupt switch from one scene to another which may be used deliberately to make a dramatic point. Sometimes boldly used to begin or end action. Alternatively, it may be result of poor pictorial continuity, perhaps from deleting a section.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Motivated cut

A

Cut made just at the point where what has occurred makes the viewer immediately want to see something which is not currently visible (causing us, for instance, to accept compression of time)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

What case are motivated cuts usually used in?

A

A typical feature is the shot/reverse shot technique (cuts coinciding with changes of speaker). Editing and camera work appear to be determined by the action. It is intimately associated with the ‘privileged point of view’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Cutting rate

A

Frequency with which cuts are made. Frequent cuts may be used as deliberate interruptions to shock, surprise or emphasize.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Cutting Rhythm and its effects

A

A cutting rhythm may be progressively shortened to increase tension. Cutting rhythm may create an exciting, lyrical or staccato effect in the viewer.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Cross-cut

A

A cut from one line of action to another. Also applied as an adjectuve to sequences which use such cuts.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Cutaway/cutaway shot (CA)

A

A bridging, intercut shot between two shots of the same subject. It represents a secondary activity occurring at the same time as the main action.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

When and why would ‘cutaway’ shot be used?

A

It may be used to avoid the technical ugliness of a ‘jump cut’ where there would be uncomfortable jumps in time, place or viewpoint. It is often used to shortcut the passing of time.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Reaction shot

A

Any shot, usually a cutaway, in which a participant reacts to action which has just occurred.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Insert/insert shot

A

A bridging close-up shot inserted into the larger context, offering an essential detail of the scene (or a reshooting of the action with a different shot size or angle.)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Buffer shot (neutral shot)

A

A bridging shot (normally taken with a separate camera) to separate two shots which would have reversed the continuity of direction.

17
Q

Fades

A

Both fades and dissolves are gradual transitions between shots. In a fade the picture gradually appears from (fades in) or disappears to (fades out) a blank screen.

18
Q

The Speed of a Fade

A

A slow fade-in is a quiet introduction to a scene; a slow fade-out is a peaceful ending. Time lapses are often suggested by a slow fade-out and fade-in.

19
Q

A Dissolve (or mix)

A

A dissolve (or mix) involves fading out one picture while fading up another on top of it. The impression is of an image merging into and then becoming another.

20
Q

The speed of a dissolve/mix

A

A slow mix usually suggests differences in time and place. Defocus or ripple dissolves are sometimes used to indicate flashbacks in time.

21
Q

Superimpositions

A

Two of more images placed directly over each other (e.g. and eye and a camera lens to create a visual metaphor)

22
Q

Wipe and its effects

A

An optical effect marking a transition between two shots. It appears to supplant an image by wiping it off the screen (as a line or in some complex pattern, such as by appearing to turn a page). The wipe is a technique which draws attention to itself and acts as a clear marker of change.

23
Q

Inset

A

An inset is a special visual effect whereby a reduced shot is superimposed on the main shot. Often used to reveal a close-up detail of the main shot.

24
Q

Split screen

A

The division of the screen into parts which can show the viewer several images at the same time (sometimes the same action from slightly different perspectives, sometimes similar actions at different times).

25
Q

What can be the effects/risks of a split/screen?

A

This can convey the excitement and frenzy of certain activities, but it can also overload the viewer.

26
Q

Stock shot

A

Footage already available and used for another purpose than the one for which it was originally filmed.