Brainscape's Knowledge GenomeTM

Browse over 1 million classes created by top students, professors, publishers, and experts.


See full index

LC Art History > Early Christian Ireland > Flashcards

Early Christian Ireland Flashcards

You may prefer our related Brainscape-certified flashcards:
AP® U.S. History flashcards World History 101 flashcards European History 101 flashcards AP® European History flashcards AP® World History flashcards World History 102 flashcards U.S. History 101 flashcards U.S. History 102 flashcards
1
Q

Early Christian Ireland sections

A

metalwork
manuscripts
stone work

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Relic

A

Object associated with a saint, can be body part

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Reliquaries

A

vessels to hold relics

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Shrine

A

decorated case for enclosing a relic that would be put on display in a monastery

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

True Cross

A

name for physical remnants which are believed to be from cross upon which Jesus was crucified

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Motif

A

design/pattern used to decorate an artefact

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Tapering

A

to gradually widen/become narrower

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Zoomorphic

A

deco of stylised animal/beast forms

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

interlacing

A

decoration of intertwined lines that create an illusion of woven strands passing over + under each other (line basketry)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

insular art

A

type of art found in Ireland, Scotland, England, Mediterranean + La Tene styles, contributed to Insular Art style

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

metalwork techniques

A 
casting
chipcarving (kerbshnitt)
enamelling
champleve
cloisonne
engraving/incision/die stamping
gilding/silvering
gold filigree
millefiori
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

casting`

A

3D form created by pouring molten metal into clay/stone mould left to harden

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

chipcarving / kerbschnitt

A

small chips of gold carved out from flat gold surface w/ fine chisels + knives.
creates patterns in high relief, imitate wood carving

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

enamelling

A

enamel - glaze made from powdered glass fused by intense heat to metal surface
colours achieved by mixing in minerals eg. cobalt. long-lasting gloss finish

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

two methods of enamelling

A

champleve

cloisonne

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

champleve

A

hollows made in metal + filled with paste of powdered enamel

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

cloisonne

A

method of enamelling that separates the colours w/ thin strips of metal

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

engraving/incision/die stamping

A

cutting lines into metal w/ pointed metal scriber

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

gold filigree

A

fine metal wires used to create geometric patterns or intertwined creatures + were delicately soldered to a sheet of same metal

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

gilding/silvering

A

done by overlaying copper/bronze w/ thin sheet of gold/silver

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

millefiori

A

millefiori glass produced by fusing glass rods of diff colours in intense heat.
Millefiori glass stretches into thin lengths.
Cross sections sawn out yielding flower like patterns

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

5th - 10th century artefacts

A 
Ballinaderry Brooch
Tara Brooch
Rinnegan Crucifixion Plaque
Ardagh Chalice
Derrynaflan Chalice
Derrynaflan Patten
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

11th - 12th century artefacts

A

Cross of Cong
St Patricks Bell Shrine
Lismore Crozier
St Lachtin’s Arm Shrine

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

Period in which 5th to 10th century artefacts were produced

A
  • St Patrick came to Ireland
  • Ireland gradually became Christian
  • Mediterranean, La Tene, Anglo Saxon art styles fused by Irish artists to create Insular Art style
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
25
Q

Period in which 11th to 12th century artefacts were produced

A
  • Irish Artists adopted aspects of Viking decorative Urnes style which was typified by intersecting zoomorphic imagery
  • Vikings brought new metalwork techniques, large supply of silver, new brooch designs
  • Most of artefacts were commissioned by church or local kings/chieftanssz
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
26
Q

Ballinaderry Brooch - LOCATION

A

Co. Offaly

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
27
Q

Ballinaderry Brooch - FORM

A

-Pennanular brooch (has a gapped ring) with sharp pin through it

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
28
Q

Ballinaderry Brooch - FUNCTION

A

ed to hold garment closed

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
29
Q

Ballinaderry Brooch - DECORATION

A

-Decorated w/ bands of lines, hatchings, herringbone design

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
30
Q

Ballinaderry Brooch - METALWORK TECH

A
  • Millefiori glass inlaid in little plate on terminals of brooch, along w/ sunken areas of red enamel
  • Millefiori -‘thousand flowers’ in Italian
  • Millefiori glass produced by fusing glass rods of diff. colours in intense head. Molten glass streatched into thin lengths. Cross-secions sawn out yielding flower-like patterns
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
31
Q

Tara Brooch - LOCATION

A

Bettystown, Co. Meath

32
Q

Tara Brooch - FORM

A

-No gap in ring
-Three main sections:
•Pin w/ traingular head + swivel mechanism
•Ring w/ crescent-shaped decorative area on one side + empty space in remaining area
•Woven silver chain attached to stylised head

33
Q

Tara Brooch - FUNCTION

A
  • Decorative than functional
  • High quality brooches (like this) reserved for high social statues.
  • Woven silver chain shows - probably one of pair
34
Q

Tara Brooch - DECORATION

A

-Done in minute detail, only clearly visible when magnified

-Front shows:
•Gold filigree panels w/ zoomorphic interlaced animals
•Panels separated by amber, glass, enamel studs

-Reverse shows:
•Cast gold spirals + interlaced serpents
•Black + red cloisonne enamel studs
•La Tene triskeles

-Pin shows:
•Elaborately deco w/ filigree panels
•Cast head of creatures w/ spirals

-Chain swivel mech. shows:
•cast animal heads + human heads of moulded glass

35
Q

Tara Brooch - METALWORK TECH

A
  • Parts individually soldered to ring + pin
  • Techniques: filigree, enamelling, gilding, inlaying, casting
  • Materials: gold, silver, gilded bronze, enamel, amber, glass
36
Q

Rinnegan Crucifixion Plaque - LOCATION

A

Co. Roscommon

37
Q

Rinnegan Crucifixion Plaque - FORM

A
  • Metal plaque w/ Crucifixion scene in low relief

- Cut away copper alloy sheeting around shapes of Christ, angels, soldiers

38
Q

Rinnegan Crucifixion Plaque - FUNCTION

A

-Small holes show - originally attached to book cover/shrine/altar/wooden cross

39
Q

Rinnegan Crucifixion Plaque - DECORATION

A

-Use of La Tene spirals, trumpets, triskeles.
-Interlaced strapwork on Christ’s tunic.
-Herringbone pattern on angels’ wings
-Human figure:
•stylised figures
•Christ larger, emphasise importance
•soldiers’ heads tilted (sorrow?)

40
Q

Rinnegan Crucifixion Plaque - METALWORK TECH

A
  • Copper alloy sheet chased + engraved on front
  • Motifs applied using repousse
  • Finished plaque gilded w/ gold leaf
41
Q

Ardagh Chalice - LOCATION

A

Co. Limerick

42
Q

Ardagh Chalice - FORM

A 
-4 main sections:
•Broad bowl, nearly hemispherical
•2 looped handles
•central stem joining base + bowl
•broad conical base w/ foot ring for balance
43
Q

Ardagh Chalice - FUNCTION

A
  • Sacred altar vessel
  • Used for dispensing wine during Christian sacrament of Eucharist
  • Lavish ornamentation suggest only used on religious feast days
44
Q

Ardagh Chalice - DECORATION

A
  • Decorative panels contrasted against plain silver areas
  • Bands of ten gold filigree panels separated by coisonne enamel studs
  • Interlaced abstract patterns + stylised animal forms
  • Names pf apostles (excl. Judas) engraved below decorative band
  • Two circular medallions containing shape of Greek cross on each side
  • Crosses decorated w/ cloisonne enamel studs
  • Ring of La Tene triskeles at stem + around rock crystal
45
Q

Ardagh Chalice - METALWORK TECH

A
  • Over 250 parts
  • Materials: gold, brass, bronze, copper alloy, silver, silver gilding, enamel, malachite, amber, coloured glass, natural rock crystal
  • Bowl + base made of hammered silver polished on a lathe
  • Stem cast in copper alloy + gilded w/ gold foil
46
Q

Derrynaflan Hoard

A
  • Comprises: silver chalice, silver paten, paten stand. bronze wine strainer
  • Found buried under bronze basins in Derrynaflan monastery
47
Q

Derrynaflan Chalice - LOCATION

A

Co. Tipperary

48
Q

Derrynaflan Chalice - FORM

A
  • Taller than Ardagh Chaice, similar form + decorated similarly
  • Decorative panels on rim, handles, central stem, foot ring + underneath base
49
Q

Derrynaflan Chalice - DIFF BETWEEN DERRYNAFLAN + ARDAGH CHALICE

A
  • No ing
  • Amber studs instead of enamel
  • No circular medallions on each side
  • Underside not as lavishly deco
  • Filigree more free flowing, somewhat crudelu executed
  • Less complex animal motifs in filigree panels
  • Use of cast ornamental panels on foot-ring
50
Q

Derrynaflan Chalice - METALWORK TECH

A
  • Assembled from over 300 parts
  • Made using same techniques as Ardagh Chalice
  • Use of amber studs new development, shows viking influence
51
Q

Derrynaflan Paten - LOCATION

A

Co. Tipperary

52
Q

Derrynaflan Paten - FORM

A

-3 main sections:
•Silver dish
•Circle of gold panels encircling dish rim
•Supporting gilded bronze ring under dish

53
Q

Derrynaflan Paten - FUNCTION

A

-Sacred plate, used for distributing Communion bead, possibly only on religious feast days

54
Q

Derrynaflan Paten - DECORATION

A
  • Ring of gold filigree panels along rim of dish
  • Ring of panels framed by intricately woven silver wire
  • Filigree panels have interlaced stylised animals + snakes
  • Panels separated by circular blue, red, yellow enamel studs
  • Pairs of kneeling men w/ interlaced beards on some panels
55
Q

Impact of Viking invasions

A
  • After worst of Viking raids, monasteries became centres of learning + art again
  • 11th + 12th centuries - irish arts - adopted Viking decorative Urnes style (typified by intersecting zoomorphic imagery)
  • Vikings brought new metalworking techniques, large supply of silver, new brooch designs
  • Surviving metalwork consists: croziers, reliquaries, shrines
56
Q

Cross of Cong - LOCATION

A

Co. Mayo

57
Q

Cross of Cong - FORM

A

-Large cross decorated w/ zoomorphic interlacing + rock crystal in centre

58
Q

Cross of Cong - FUNCTION

A
  • Commissioned by High King of Ireland, to enshrine piece of True Cross
  • Used for outdoor processions + as altar cross
59
Q

Cross of Cong - DECORATION

A
  • Panels of cast bronze w/ Urnes-style fig-of-8 interlaced gold filigree animals
  • Deocrative glass + enamel studs
  • Large, polished rock crystal set into smeiconical mount on front
  • Head of biting creature - shaft joins cross
  • Ornamental animal heads cover nails attacking parts of cross to oak core
60
Q

Cross of Cong - METALWORK TECH

A
  • Strapwork intelacing - cast in bronze + gilded
  • Cross outlined by fluted silver edging
  • Used bronze, rock crystal, glass, gold, oak, silver, niello
  • Niello - black paste made from mix of silver, copper, lead, sulphur. Rubbed into engraved designs + after heating, leaves black line on metal
61
Q

St Patrick’s Bell Shrine - LOCATION

A

Co. Armagh

62
Q

St Patrick’s Bell Shrine - FORM

A
  • Sloping body w/ curved top (covers handle)
  • Front, back, sides - decorated panels
  • Rings on two sides (carring shrine)
63
Q

St Patrick’s Bell Shrine - FUNCTION

A
  • Commissioned by High King of Ireland

- Hold a bell said to belong to St. Patrick

64
Q

St Patrick’s Bell Shrine - DECORATION

A

-Mainly Viking Urnes-style
-Front:
•Panels of gold filigree
•Zoomorphic fig-of-eight deco
•Circular + oval amber studs
-Top, sides, back
•Curved, stylised peacocks on top
•Silver panel of hollowed-out crosses on back
•Inscription in Irish engraved on silver panel
•Zoomorphc fig-of-eight filigree panels w/ interlaced snakes, elongated beasts on sides

65
Q

St Patrick’s Bell Shrine - METALWORK TECH

A
  • Amber, bronze, gold, rock crystal, silver used
  • Body constructed from bronze
  • Bronze plates joined by fluted copper/edging
  • Decorative panels riveted to bronze body
66
Q

Lismore Crozier - LOCATION

A

-Found Lismore Castle

67
Q

Lismore Crozier - FORM

A
  • Similar to shepherd’s staff, ending w/ curved crook

- Name of Neachtain (craftsman) inscribed on crook

68
Q

Lismore Crozier - FUNCTION

A
  • Made for Bishop of Lismore

- Symbol for his high power + authority

69
Q

Lismore Crozier - DECORATION

A
  • Gilt w. fine gold sheet
  • Circular panels - blue, red, white millefiori glass
  • Cord pattern around panels
  • Animal head w/ blue glass eyes + 3 creatures w/ open mouths, forms decorative crest on crook
  • Zoomorphic deco - Viking influence
70
Q

Lismore Crozier - METALWORK TECH

A
  • Bronze, glass, millefiori, silver, wood used
  • Hollow crook cast in single piece
  • Cylindrical sheets bronze fixed around oak staff
71
Q

Shrine of St. Lachtin’s arm - LOCATION

A

Donaghmore, Co. Cork

72
Q

Shrine of St. Lachtin’s arm - FORM

A
  • Shape of forearm

- Extends from elbow to closed hand

73
Q

Shrine of St. Lachtin’s arm - FUNCTION

A
  • Hold bone of St. Lachtin’s forearm
  • Inscription on vertical bronze strip
  • Commemorate three kings of Munster
74
Q

Shrine of St. Lachtin’s arm - DECORATION

A
  • Hand section - interlacing on triangular silver panels
  • Fingers - silver nails
  • Arm- Urnes style interlaced beasts + serpents
75
Q

Shrine of St. Lachtin’s arm - METALWORK TECH

A
  • Cast bronze
  • Bronze plates held by cast decorative panels
  • Hand + plates secured to wooden core w/ riverts
  • Interlaced panels filled w/ black niello + made to stand out

LC Art History (17 decks)

Brainscape helps you reach your goals faster, through stronger study habits.
© 2024 Bold Learning Solutions. Terms and Conditions