EAPP Flashcards

mag-aral ka kung gusto mo mag with honors

1
Q
  • formal genre of writing
  • one is expected to use strict
    style, registers, and formats
  • commonly used for textbooks, essays, research paper, book report, academic journal, in classroom and any other discipline related to academic.
A

ACADEMIC TEXT

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2
Q

dignified stance in writing as a member of the academic community where the language use requires precision

A

FORMALITY

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3
Q
  • main emphasis should be on the information that one wants to give and the arguments one wants to make, rather than oneself.
  • the thoughts and beliefs should be based on lectures, reading, discussion and research.
A

OBJECTIVITY

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4
Q

uses appropriate signposting strategies which allow readers to trace the relationship of various parts in the study.

A

EXPLICITNESS

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5
Q

shortened passage which retains the essential information of the original text, thus without using value judgments.

A

SUMMARY

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5
Q

needed to avoid sweeping generalizations because an academic writing requires care since knowledge is built from proven theories and concepts.

A

CAUTION

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5
Q

This is also known as time, sequence, or temporal order. This structure is organized from one point in time to another.

  • first, next, later, and finally
A

CHRONOLOGICAL ORDER

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5
Q

the internal organization of a text.

A

TEXT STRUCTURE

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5
Q

Presents a problem and shows how it can be or has been solved. This has always have solutions, while cause and effect does not.

  • problem, solution, solve, effect, hopeful, and so forth
A

PROBLEM AND SOLUTION

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5
Q

Explains reasons why something happened or the effects of something.

  • cause, effect, as a result, consequently, because
A

CAUSE AND EFFECT

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5
Q

Divide the notepaper into two columns. On the left-hand side, write the main points, in the right-hand column write down important explanations or details about the main point.

A

THE CORNELL METHOD

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5
Q

Pertains to how or two or more ideas or items are similar or different.

  • like, similar, unlike, on the other hand, also, and too
A

COMPARE AND CONTRAST

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5
Q

Shows what an item or place is like.

  • next to, on top of, beside, below that, above that, to the right of
A

DESCRIPTION

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5
Q

summarizing texts require adequate understanding of the experimental methods and discussions. Some articles usually the report follows the order; purpose, method, results and conclusion.

A

SUMMARIZING AN EXPERIMENTAL REPORT

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5
Q

One needs to follow the author’s main line of reasoning, spot his arguments, identify the counterarguments he puts forward to refute another argument, differentiate between main ideas, and evidence provided to support or refute arguments.

A

SUMMARIZING ARGUMENTATIVE / THEORETICAL TEXT

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6
Q

Make sure the summary is:

have included the author’s major ideas, assertions and findings.

A

COMPREHENSIVE

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7
Q

Make sure the summary is:

did not misinterpret the author’s ideas through own words or paraphrasing.

A

ACCURATE

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8
Q

Make sure the summary is:

did not include own evaluation or comments as being fair and objective.

A

NEUTRAL

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9
Q

Make sure the summary is:

A person who has not read the source text can understand what have been written as a summary.

A

INDEPENDENT

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10
Q

the primary point of the reading is conveyed indirectly, in multiple locations throughout the work; you can create it based on your understanding

A

IMPLICIT THESIS STATEMENT

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11
Q

included as a sentence part of the text

A

EXPLICIT THESIS STATEMENT

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12
Q

organize notes and ideas by arranging them using numbers or letters

A

OUTLINING

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13
Q

a brief outline using keywords. under the heading are several words served as sub-topics that will be discussed in the paper.

A

TOPIC OUTLINE

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14
Q

the topic for each paragraph is written in sentence form instead of keywords.

A

SENTENCE OUTLINE

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15
Q

called lenses, are different perspectives we can consider when looking at literary pieces.

  • These approaches reveal how or why a particular work is constructed and what its social and cultural implications are.
A

CRITICAL APPROACH

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16
Q

a way in which the reader can approach, analyze and understand using the inherent features of a text.

A

FORMALISM APPROACH

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17
Q

uses details about an author’s personal life to analyze the author’s work.

A

BIOGRAPHICAL APPROACH

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18
Q

also known as New Historicism, investigates the social, cultural, and intellectual context that produced a work. While this may include the author’s biography, it focuses more on how time and place of creation affect meaning in the work

A

HISTORIAL APPROACH

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19
Q

It looks either at the psychological motivations of the characters or of the authors themselves. In other words, it looks into the minds of the characters or the author to understand what the work means.

A

PSYCHOLOGICAL APPROACH

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20
Q

It focuses on the act of reading and how it affects the readers’ perceptions of a text. To put it simply, it suggests that meaning is not created by the text nor the author. Meaning is created by the reader.

A

READER-RESPONSE APPROACH

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21
Q

To put it simply, it is concerned with issues of class conflict, wealth, work, and the various ideologies that surround these things.

A

MARXIST APPROACH

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22
Q

Reveals the ways in which literature portrays the economic, political, social, and psychological oppression of women.

A

FEMINIST APPROACH

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23
Q

Aims to understand the work’s purpose,
intended audience, development of argument, structure of evidence or creative style.

Aims to know the strengths and weaknesses of the work.

A

CRITIQUE

24
Q

STEPS IN WRITING CRITIQUE

Examine the materialTake notes as you read or examine your subject

Do some research – In order to elaborate on how the work relates to an issue, you will need to know what it is responding to, what context it was created in,

A

STEP 1: PREPARE

25
Q

STEPS IN WRITING CRITIQUE

Give the basic information about the work
Provide a context for the work
Summarize the creator’s purpose in creating the work
Summarize the main points of the work
Present your stand

A

STEP 2: WRITE THE INTRODUCTORY PARAGRAPH/S

26
Q

STEPS IN WRITING CRITIQUE

Choose an approach
Organize your points
Discuss the techniques or styles used in the work
State your arguments and evidences
Use examples for each point

A

STEP 3: WRITE THE BODY PARAGRAPHS

27
Q

STEPS IN WRITING CRITIQUE

State your overall assessment
Summarize your key reasons for this assessment
Recommend any areas for improvement

A

STEP 4: WRITE THE CONCLUDING PARAGRAPH

28
Q

FELDMAN’S METHOD OF ARTWORK CRITIQUE

pointing out surface information

A

STEP 1: DESCRIPTION

29
Q

FELDMAN’S METHOD OF ARTWORK CRITIQUE

focusing on the elements of art and principles of design

A

STEP 2: ANALYSIS

30
Q

FELDMAN’S METHOD OF ARTWORK CRITIQUE

stating what the artwork means based on steps 1 and 2

A

STEP 3: INTERPRETATION

31
Q

FELDMAN’S METHOD OF ARTWORK CRITIQUE

expressing opinions on the artwork

A

STEP 4: JUDGEMENT

32
Q

brief summary of a research project written by a university student who is about to conduct a certain research.

summaries of projects or issues that reflect the interests, experience and expertise of the writer or organization.

a short summary that tells the reader what the project is, why it is important, and how it will be carried out.

A

CONCEPT PAPER

33
Q

It clarifies the meaning of a word or a concept and it also limits the scope of the particular word or concept.

A

CONCEPT BY DEFINITION

34
Q

TECHNIQUES OF DEFINING

You define the term by giving the class where the word/ term belongs (the genus) and the characteristics that distinguish the term from the other terms, known as differentia.

A

FORMAL DEFINITION

35
Q

TECHNIQUES OF DEFINING

It is needed to define abstract concepts. It allows you to broaden your definition by using analogy, metaphors, comparison and contrast, descriptions, analysis,
functions, etymology and semantic origin.

A

EXTENDED DEFINITION

36
Q

TECHNIQUES OF DEFINING

Uses familiar / common words and examples.

A

INFORMAL DEFINITION

37
Q

A method of explaining that borrows sentences, verses, or passages from an academic or literary work and explaining these thoroughly in relation to the concept being explained.

A

CONCEPT BY EXPLICATION

38
Q

This involves organizing ideas from abstract. Involves analyzing the concept by looking at the examples and then drawing out a definition based on this information.

A

CONCEPT BY CLARIFICATION

39
Q

METHODS OF DEVELOPMENT

an extended definition; especially helpful if the concept you are explaining involves difficult or unfamiliar

A

DEFINING

40
Q

METHODS OF DEVELOPMENT

a description of how your concept fits into a particular category or how it can be broken down into parts that can be described more easily; this is useful in showing your reader how your concept fits into a “big picture” and how it can be divided.

A

CLASSIFYING/DIVIDING

41
Q

METHODS OF DEVELOPMENT

examples of how your concept is similar or different from other concepts/ideas with which the reader may be familiar.

A

COMPARING/CONTRASTING

42
Q

METHODS OF DEVELOPMENT

a step-by-step explanation of how a process works or how a concept is used in practice.

A

NARRATING PROCESS

43
Q

METHODS OF DEVELOPMENT

the use of examples, anecdotes, and other details that may help your reader to better understand your concept.

A

ILLUSTRATING

44
Q

METHODS OF DEVELOPMENT

a how a particular event leads to another and how concepts are related to each other.

A

REPORTING CAUSES OF EFFECTS

45
Q

STEPS IN WRITING A CONCEPT PAPER

this provides the readers with a clear title to your proposal as
well as any other specific information is requested

A

TITLE PAGE

46
Q

STEPS IN WRITING A CONCEPT PAPER

this is a study of the literature is available around the subject of your intended analysis. Usually, you start with a broad view of the topic and then focus into look at the specific issue you be investigating.

A

PRELIMINARY LITERATURE REVIEW

47
Q

STEPS IN WRITING A CONCEPT PAPER

this gives the reader a clear idea of what you hope to achieve through the article you intend.

A

GOAL STATEMENT

48
Q

STEPS IN WRITING A CONCEPT PAPER

these are the specific questions you seek to answer through your intended work.

A

RESEARCH QUESTIONS

49
Q

STEPS IN WRITING A CONCEPT PAPER

you need to show and justify the methodology you’ll be looking to use to conduct your research.

A

ABRIGED METHODOLOGY

50
Q

STEPS IN WRITING A CONCEPT PAPER

show you have thought about your analysis with care and provide a timeline with clear milestones to show what be achieved and
when.

A

TIMELINESS

51
Q

STEPS IN WRITING A CONCEPT PAPER

you should always provide a full list of all of the sources of information you have used and cited within your article using the correct
format.

A

REFERENCES

52
Q

Writing our own version of the original statement, but retaining the same thought of it.

A

PARAPHRASING

53
Q

Present information visually (by being seen) such as graphs, charts, videos, etc.

A

VISUAL AIDS

54
Q

TYPES OF VISUAL AIDS

computer application where you attach a lot of visual items in slides.

A

POWERPOINT

55
Q

TYPES OF VISUAL AIDS

white boards and black boards

A

INSTRUCTIONAL WRITING BOARDS

56
Q

TYPES OF VISUAL AIDS

papers/printouts that contain important information.

A

HANDOUTS

57
Q

TYPES OF VISUAL AIDS

adds motions images, and audio into a presentation.

A

VIDEO CLIPS

58
Q

TYPES OF VISUAL AIDS

larges sheets of papers, usually positioned on a tripod, to be used with thick; colored markers.

A

FLIPCHARTS

59
Q

TYPES OF VISUAL AIDS

present visual devices in manila paper or cartolina

A

POSTERS

60
Q

TYPES OF VISUAL AIDS

real-life products, objects or atifacts

A

REALIA

61
Q

compare independent variables among categories

A

BAR GRAPH

62
Q

visualizes the value over time

A

LINE GRAPH

63
Q

shows proportion and percentages

A

LINE GRAPH

64
Q

used to show distribution of variables

A

HISTOGRAM

65
Q

shows where elements are placed in different regions

A

MATRIX ARRANGEMENT

66
Q

presents info sequentially

A

TIMELINE

67
Q

shows processes

A

FLOWCHART

68
Q

shows how elements are ranked

A

HIERARCHY

69
Q

shows connections between one big idea and other related ideas

A

MIND MAP

70
Q

shows similarities and differences between among concepts or ideas

A

VENN DIAGRAM

71
Q

shows things that fit together to form a larger concept

A

JIGSAW

72
Q

shows a push-pull relationship between two ideas or concepts

A

BALANCE DIAGRAM