Duchess of Malfi critical quotes (ao5) Flashcards

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1
Q

the Duchess - Susan Baker

“The Duchess does not…”

A

the Duchess does not develop, or grow, or learn anything significant from any of her experiences

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2
Q

the Duchess - Elizabeth Oakes

“The Duchess’ widowhood is not..”

A

the Duchess’ widowhood is not the cause but the context of her martyrdom

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3
Q

the Duchess - P.Murray

“the radiant spirit…”

A

the radiant spirit of the Duchess cannot be killed

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4
Q

the Duchess - Elizabeth Oakes

“The Duchess becomes the woman…”

A

the Duchess becomes the woman carved in stone that Ferdinand wanted her to be

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5
Q

the Duchess - Nanci Roider

“the play is a cautionary…”

A

the play is a cautionary tale which shows what can happen when women marry without the proper consent

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6
Q

the Duchess - Muriel Bradbrook

“Julia is a foil to the Duchess…”

A

Julia is a foil to the Duchess… who takes a man as she feels the impulse

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7
Q

the play - Travis Bogard

“the ultimate tragedy of Webster’s world…”

A

the ultimate tragedy of Webster’s world is not the death of any individual but rather the presence of evil and decay which drags all mankind to death

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8
Q

the play - David Cecil

“all the play’s apparent beauties…”

A

all the play’s apparent beauties are all snares and delusions

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9
Q

the play - T.S.Eliot

“Webster is a great literary and…”

A

webster is a great literary and a dramatic genius directed towards chaos

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10
Q

the play - David Cecil

“the world as seen by Webster…”

A

the world as seen by Webster is, of it’s nature, incurably corrupt

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11
Q

the play - Martha Lofston

“the play does not…”

A

the play does not provide easy answers

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12
Q

Bosola - Christopher Hart

“a twisted…”

A

a twisted misanthrope and cut throat

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13
Q

Bosola - William Beard

“we should never…”

A

we should never climb higher than “our sources permit”

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14
Q

Bosola - Bowers

“a misfit, a man of…”

A

a misfit, a man of worthier talents forced into a degrading position

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15
Q

Bosola - Daniel Weston

“Bosola, it appears, develops into…”

A

Bosola, it appears, develops into something like a fully rounded character, complete with complexities and contradictions

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16
Q

Bosola - Brian Gibbons

“the malcontent is not just a hired…”

A

the malcontent is not just a hired contract killer, he is given much more prominence and stronger motivation

17
Q

Bosola - Muriel Bradbrook

“The Duchess’ death…”

A

the Duchess’ death converts Bosola, the expected miracle

18
Q

Ferdinand - Frank Wigham

“Antonio’s successful move up…”

A

Antonio’s successful move up the social scale has caused Ferdinand’s incestuous feelings for his sister

19
Q

Ferdinand - R.S.White

“he does not exactly repent…”

A

he does not exactly take repent, but rather refuses to take responsibility to the murder he has committed

20
Q

Ferdinand - R.S.White

“Ferdinand’s future degradation into…”

A

Ferdinand’s future degradation into the form of madness of lycanthropy can be seen as a mental refuge from accepting responsibility

21
Q

Ferdinand - Michael Neill

“the inverted wolfskin…”

A

the inverted wokfskin is an image both of secret viciousness and of the inward suffering that ensues from it

22
Q

Ferdinand - Christopher Hart

“the 2 brothers are not driven by…”

A

the 2 brothers are not driven by any sense of possessive outrage, however warped, but by a delight in malice itself

23
Q

Cardinal/Julia - Kathleen McKluskie

“the Cardinal regards Julia…”

A

the Cardinal regards Julia as completely his creature with no independent contribution to make to the affair

24
Q

the Cardinal - Lee Bliss

“rather an automaton…”

A

rather an automaton than a trickster villain

25
Q

the Cardinal - Lee Bliss

“the Cardinal’s cool, unemotional detachment…”

A

the Cardinal’s cool, unemotional detachment is more terrifying than Ferdinand’s impassioned raving

26
Q

the Cardinal - Muriel Bradbrook

“the Cardinal knows…”

A

the Cardinal knows already that he is in Hell

27
Q

Cardinal/Julia - Christina Luckyj

“it is wrong to characterise Julia as a…”

A

it is wrong to characterise Julia as a “wanton, promiscuous and morally reprehensible woman” like in the 1960 RSC production

28
Q

Cardinal/Julia - Christina Luckyj

“Julia’s wooing of Bosola…”

A

Julia’s wooing of Bosola in Act 5 seems deliberately designed to recall the Duchess’ wooing of Antonio in Act 1

29
Q

Cardinal/Julia - William Poel

“Julia is designed to set off to the Duchess; and instance of…”

A

Julia is designed as a set off to the Duchess; as an instance of unholy love in contrast to the chaste love of the Duchess

30
Q

Antonio - John Seltzer

“he is very conscious of his social station…”

A

he is very conscious of his social station; he makes sure that his love is not mistaken for ambition

31
Q

Antonio - Nanci Roider

“with his marriage to the duchess, all social boundaries have been…”

A

with his marriage to the Duchess, all social boundaries have been torn down, and Antonio is left without any usable frame of social reference

32
Q

Antonio - Muriel Bradbrook

“Antonia simply does not belong with the ‘great ones’”

A

Antonio simply does not belong with the “great ones”; his role in the marriage is passive