Drama 1 Flashcards

1
Q

characteristic of the Genre

A
  • in contrast to other literary genres, drama is marked by immediacy (Unmittelbarkeit)
  • there’s no narrator - the action is presented without a mediator –> instead, we witness + experience what is happening in a direct way
  • there can be narrative elements on drama as well, though, the Greek chorus, for instance, a group of non-individualized performed who comment a collective voice
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2
Q

What defines the secondary text (Nebentext)?

A
- consist of all textual elements that do not belong to the primary text 
   ° play's title + subtitle 
   ° list of roles 
   ° historical notes 
   ° stage directions
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3
Q

What defines the primary text (Haupttext)?

A
  • direct communication of characters
  • in dialogue
  • monologue/soliloquy
  • prologues/epilogues
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4
Q

dramatic text vs. theatrical performance

A
  • theatrical performance: the individual reader’s imagination is replaced by how the producer, director, technicians + actors realize the dramatic text
  • dramatic text: own imagination while reading the drama
  • a performance always exceeds the text by turning it into a multimedia even adding sound, light, stage props, mask, costume etc. to a text
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5
Q

internal vs. external communication

A
  • internal communication: refers to the communication between the characters on stage
  • external communication: refers to the communication between the whole performance + the audience (if you just read the dramatic external communication is between author + reader)
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6
Q

What defines the dramatic history?

A
  • refers to a discrepancy between the internal + external communication when the audience is aware of the implications + consequences of an act or an utterance that the character on stage is unaware of
  • refers to the instances when the words or acts of a character in a play carry a meaning unperceived by himself but understood by the audience
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7
Q

What defines the verbal communication?

A
  • Talking in turns by two or more speakers (dialogue or polylogue) characterizes drama + serves the function to
    ° present a figure directly to the audience
    ° characterize other figures
    ° exchange information
    ° plan or perform actions
    ° create a particular mood or atmosphere
    ° negotiate relationships
  • we can analyze –> the content (what), the manner (who), the function (why)

monologue:

  • expresses the character’s inner life to the audience –> isn’t addressed to someone on stage but the other characters can hear it
  • is called soliloquy if speaking character is alone on stage
  • in addition to expressing emotions, it serves to provide audience w/ information about off-stage characters, past or future events + intentions
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8
Q

Aristotelian drama vs. epic drama

A

Aristotelian drama:
- defined by the immediate presentation of characters in speeches + coherent sequence of action

epic drama:

  • uses narrative techniques, e.g. a narrative figure that introduces characters
  • makes use of epic devices

–> both may use epic devices such as prologue + an epilogue

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9
Q

prologue vs epilogue

A
  • spoken by character ex parte (outside his acting part, his or her role) or by a chorus
  • frame the dramatic world + lead the spectators into + out of the dramatic illusion
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10
Q

asides and reports

A
  • either overheard by audience or actor addresses the audience directly to provide them with extra information
  • similar to soliloquy in that other characters on stage cannot hear it but is a much shorter comment
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11
Q

What defines the characters?

A
  • drama constructs the character as a complex interplay of external appearance, speech, action, relationship to other characters
  • conception of a character + styles of acting influence how we perceive the figure
  • a fictional character in drama, in other words, isn’t only constructed verbally but through non-verbal communication such as gestures, mimic, body language
  • when we analyze characters –> we have to watch out for wether the actions + verbal utterances of a character match or differ
  • have to compare how she/he acts to what she/he says to whom in which manner + style
  • have to watch out for dialect + sociolect, for verbal idiosyncrasies
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12
Q

What defines the acting?

A
  • actor either impersonates a character + identifies with the role
  • shows the character, maintaining a distance to the role
  • these different styles of acting are related to the different functions of a character in a certain genre + specific production

an actor’s perforce is marked by:

  • Manner + timing of entrances and exits
  • his appearance: stature, costume, makes, hairstyle
  • body language: facial expressions, gesture, movement
  • vocal qualities: timbre, pitch, volume, pace in delivering speeches, rhythm, emphasis, tone
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13
Q

What defines the character constellations?

A
  • a performance reveals the character’s relationship to others
  • often characters appear in pairs revealing similarities + differences between them such as master and servant, husband and wife
  • a character can serve as a mirror or foil for another
  • central conflict is revealed between the protagonist + antagonist
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14
Q

Who is Ministrel Snow?

A
  • an American form of entertainment which became popular in the 1830s before the Civil War + lasted till the return of the century
  • was performed by white people in blackface + later by black people in blackface
  • burlesque comedy with stock characters that lampooned blacks as ignorant, dumb, lazy, superstitious and musical
  • included a lot of dancing + singing and was replaced by the vaudeville
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