DOM + SCND Critical Views Flashcards

1
Q

DM - Whigham

A

‘manifestation of his inability to control his obsessive need for dominance over his sister’

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2
Q

S - Elliot

A

‘the bathing symbolises Blanche’s need to wash herself clean of the past’

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3
Q

S - Chapman

A

‘takes gallant and desperate refuge in a magical life she has invented for herself’

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4
Q

DM - Gunby

A

‘commentary on the abuse of power’

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5
Q

DM - Jankowski (identity)

A

‘examines the consequences of a women who attempts to create her own social and sexual identity’

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6
Q

DM - Marcus

A

‘expresses both fear and fascination with social mobility

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7
Q

S - Churman (Blanche)

A

‘Blanche symbolises the old South, romantic, self-deluded, decayed’

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8
Q

S - Churman (Stanley)

A

‘represents the new, brutish, materialistic world that is taking over’

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9
Q

S - Gossner

A

‘illustrates a violent struggle between primitive forces and the fragile remnants of culture’

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10
Q

S - Bray

A

‘he embodies a powerful form of masculinity that appealed to the post war era’

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11
Q

S - Miller

A

‘dichotomy between sexual desire and self destruction

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12
Q

DM - Jankowski (language)

A

‘no language exists for women as rulers, yet is did on women within marriage’

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13
Q

Aural devices - Williams

A

‘This ‘blue piano’ expresses the spirit of life which goes on there’

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14
Q

DM - Mann

A

‘The Duchess creates her own tragedy by her actions, preferring to live her sexual life to the full’

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15
Q

S - Tapp (battle)

A

‘dramatises the battle between sexes’

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16
Q

DM - Callaghan

A

‘perpetually clandestine’

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17
Q

S - Shead

A

‘Stanley’s intrusion into the trunk marks the beginning of an invasion of Blanche’s self’

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18
Q

S - Pagan

A

‘like Blanche, Williams has a tendency to lie […] shared propensity to mislead people concerning their age’

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19
Q

DM - Orlin

A

‘privacy seemed a menace to the public well-being’

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20
Q

DM - Densens

A

‘repeating the historic transgression of Eve’

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21
Q

DM - White (heroism)

A

‘a virtuous woman achieved heroism through her death’

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22
Q

S - Quirino

A

‘the master player and Darwinian survivor’

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23
Q

S - Elliot

A

‘is the equivalent of heaven in Greek mythology’

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24
Q

DM - Eliot

A

‘Webster was much possessed by death, and saw the skull beneath the skin’

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25
DM - White (poetic justice)
'[villains] meet their death in ways which satisfy poetic justice'
26
DM - Bogard
'the presence of evil decay which drags all mankind to death'
27
DM - Gibbons
'the system devours those who serve'
28
DM - Smith
'Bosola becomes a figure of class anxiety'
29
DM - Jankowski (burden)
'in this double position of wife and ruler, the Duchess becomes an uneasy and threatening figure'
30
S - Tapp (Southern Belle)
'a victim of the mythology of the Southern Belle'
31
S - Koprinee
'macho need for control leads him to abuse Stella emotionally and physically'
32
DM - Windsor
'when confronted with female power and sexual desire, more characters react with extreme violence'
33
S - Bottoms
'where he cannot dominate sexually Stanley uses force'
34
S - McGlinn
'Stanley, in his ignorance and insensitivity, destroys both Blanche's hope and illusion'
35
DM - Neill
'tragic energy derives from the collision between private will and public duty'
36
DM - Jankowski (virtue)
'redefines female virtue as integrity not chastity'
37
S - Thompson
'Blanche's downfall is not due to her lies but to the world's refusal to accept her need for illusion'
38
S - Showalter
'The play exposes the fragility of the female psyche in a patriarchal culture'
39
S - Raymond Williams
'the collision of tradition and modernity'
40
DOM feminist literary criticism - Jankowski
The Duchess is understood by her political role primarily, giving her power not usually afforded to women in this context - challenges patriarchal structure
41
DOM feminist literary criticism - Callaghan
The downfall of the Duchess is not due to a hamartia but due to her placement in a fatalistic structure
42
How does the Duchess subvert Jacobean gender roles?
- declines the anticipated female role as marital currency - has her own sexual agency
43
How may feminist readings argue Webster presents the Duchess?
Uses her to satirise the position of women in the 17th century
44
Blanche positive feminist interpretation
Can be argued as a champion of proto-feminist values as she strives not to be repressed by patriarchal sexual convention - her downfall is a result of this repression
45
Blanche negative feminist interpretation
She is heavily dependent on men, trying to please them and relying on them for her salvation
46
Other negative feminist interpretation SCND
Stella endorses the patriarchal world as she does not oppose Stanley's abusive treatment of her. The Nurse destroys Blanche's liberty and femininity
47
How may Bosola be viewed through a Marxist lens?
A hero of the proletariat and a victim of his lack of autonomy within the social paradigm
48
How is Marxism contextually relevant to the Duchess of Malfi?
Written at a time of growing republicanism, just before the Civil War
49
DOM - Marxist view
Draws upon the corruption of the bourgeoisie and their focus on material gain
50
How may Blanche be viewed through a Marxist lens?
The personification of the bourgeoisie, her downfall presenting the inevitable collapse of the elite
51
SCND - Marxist theory
Presents a class struggle representative of 1940s USA, suggests the danger of crossing social boundaries
52
How may the character of Ferdinand by psychoanalysed?
He expresses incestuous desire toward his sister, manifesting in his obsessive concern over her marital status and his references to sexual fantasies involving her - his 'id'
53
What is psychoanalysis?
Freud - the suggestion that our thoughts, actions, feelings and behaviour are informed by the subconscious part of the mind consisting of repressed desires
54
How may Stanley be psychoanalysed?
He is both deterred and somewhat sexually stimulated by Blanche's character
55
How may Blanche be psychoanalysed?
She is both repulsed and attracted by Stanley's animalistic masculinity, perhaps as a consequence of her marriage to Alan Grey
56
What is the id?
Instinct driven, pleasure seeking part of the mind
57
What is the ego?
The mediator between impulse and real constraints
58
What is the superego?
Moral conscience presenting social standards and striving for ideal behaviour
59
How does Stanley reflect the 'id'?
Driven by desire and instant gratification, becomes violent and aggressive when this is not fulfilled
60
How does Stella reflect the 'ego'?
Mediates between Blanche and Stanley as well as her own id and superego
61
How does Blanche reflect the 'superego'?
Presents an internalised sense of morality from social standards and strives to maintain a certain outward appearance
62
How may Streetcar be psychoanalysed as a whole?
The characters may be seen as expressions of Williams' own psyche
63
S - Leeney
'ultra-realist'