Doctor Faustus - Act 2, Scene 1 Flashcards

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1
Q

“[in his study]”

A
  • Structural Parallel to Act 1, Scene 1
  • Symbolises knowledge : ironic due to Faustus’ foolish decisions (mirroring)
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2
Q

“Must thou needs be damned”

A
  • Symbolises Calavanist beliefs of predestination
  • Emphasises Faustus’ inner conflict
  • Appeals to the audience
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3
Q

“And canst thou not be saved”

A
  • Juxtaposes the Calvinist belief
  • Symbolic of Lutheranism
  • Presents Faustus’ inner conflict through the antithesis created
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4
Q

“To think of god or heaven?” / “Despair in god” / “turn to god again”

A
  • Repetition of “god” emphasises Faustus’ uncertainty in faith
  • Represents his inner conflict between temptation and virtue
  • Rhetorical questioning potentially emphasises guilt or change in decision
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5
Q

“Abjure this magic”

A
  • Parallel to “abjure the scriptures”
  • Element of conflict provoked
  • Shows understanding of the performative nature of necromancy
  • “Magic” : facade, entertainment not true power, mimicry
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6
Q

“And offer lukewarm blood of new-born babes”

A
  • Gruesome imagery : defies god (blasphemous)
  • Sacrificial emphasising evil
  • Signifies Faustus’ resolution
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7
Q

“Think of honour and wealth” / “Of wealth?”

A
  • Materialistic : presents superficiality and commodification
  • Stichomythia dialogue between both characters (within 10 syllables)
  • Faustus’ response is monosyllabic and robotic, diminishes his intelligence (regressive)
  • Structurally, Evil Angel always speaks last in order to manipulate Faustus which is a trope of the morality play, only answers Evil Angel.
  • Symbolic of his own inner conflict
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8
Q

“Solamen miseris socios habuisse doloris”

A
  • Latin emphasises the corruption of the Catholic Church as it is spoken by devils
  • Further emphasises Mephistopheles as a tempter character
  • Highlights the cunning and manipulative character as intelligent.
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9
Q

“And I will be thy slave” / “And give thee more than thou hast wit to ask”

A
  • Anaphoric repetition : emphasises the subservience
  • Ironic as Mephistopheles is only servant to Lucifer, not Faustus emphasising hypocrisy
  • Manipulation / tempter
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10
Q

“(Cutting his arm)”

A
  • Stage direction : conveys vulnerability and severity, complete commitment to transgression
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11
Q

“My blood congeals, and I can write no more”

A
  • Symbolic of warning : unnatural act
  • Provokes physical aversion highlighting Faustus’ inner conflict
  • Intrinsic prevention
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12
Q

“I’ll fetch thee fire to dissolve it straight”

A
  • Hellish imagery
  • Element of subservience in order to uphold deal
  • Controlling of character : tempter
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13
Q

“Consummatum est”

A
  • Alludes to Jesus on the cross
  • Meaning ‘Fly man’
  • Highlights the hypocrisy of Faustus presenting him as arrogant for partaking in act
  • Faustus willingly went along presents him as hubristic for relating himself to centre of Christianity (irony)
  • Foreshadows that Faustus cannot be saved
  • Emphasises the inner conflict, still some association with religion (potential regret)
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14
Q

“He’ll throw thee down to hell”

A
  • Symbolic of Calvinism : presents Faustus conflict with inner conscience
  • Sense of revaluation
  • Element of fear, still religiously thinking (regret)
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15
Q

“(Aside) O, what will not I do to obtain his soul?” / “(Aside) I’ll fetch him somewhat to delight his mind”

A
  • Revelation : reveals true intention to audience
  • Duplicitous character
  • Tempter
  • Parallel to 1.3 he tried to prevent Faustus from transgressing
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16
Q

“I think hell’s a fable”

A
  • Ironic : see’s hell as a myth despite having made a deal with devil
  • Highlights Faustus’ foolishness (delusion)
  • Parallel to Act 1
  • Faustus has regressed
17
Q

“The fairest maid in Germany”

A
  • Superlative : emphasises Faustus’ base desires
  • Emphatic of the tragic hero : noble aims, wants a wife.
  • Parallels Robin’s base desires of “pretty wenches plackets”
  • Necessity for extravagance
18
Q

“[Enter MEPHISTOPHELES with a DEVIL dressed like a woman, with fireworks]”

A
  • Stage direction : parallels previously, M no longer subservient entirely.
  • Equivocating Faustus : emphasises the inferiority of Faustus highlighting his foolishness