Directors And Actors Flashcards

1
Q

Playwright

A

Creator of plays, body language, tone, vocal

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2
Q

Script

A

Blue print

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3
Q

Plays were written to be what

A

Performed not read

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4
Q

Plot

A

Engage the audience, human action, can take on different forms and styles

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5
Q

Character

A

Consistent with character, believable; grow develop and change

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6
Q

Diction

A

Time and place, individual characters

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7
Q

Theme

A

Human action

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8
Q

Find a property

A

The finished written work

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9
Q

Six types of rehearsals

A
Read through rehearsal 
blocking rehearsal 
off book rehearsals 
review rehearsals 
running rehearsal 
technical rehearsal
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10
Q

Read through rehearsal

A

Cast reads through the entire play and the concept is discussed

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11
Q

Blocking rehearsal

A

Breaking the script into working units

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12
Q

Off book rehearsal

A

Actors rehearse the roles without their script

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13
Q

Review rehearsal

A

Allows actors to review previous off bookwork

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14
Q

Running rehearsal

A

Large sections of player performed to give the company a sense of timing for the play

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15
Q

Technical rehearsal

A

Coordinating the efforts of light sound and seen shift crews

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16
Q

Four responsibilities of directors

A

Select a script to apply they want to do, translate script into design, they have a production meeting, and casting is the next step

17
Q

Auditions

A

Process where the actors perform before the Director so that they may determine their role

18
Q

Call backs

A

Second level of audition where the Director ask pacific actors to return for further auditions

19
Q

Cast list

A

Document that serves as official announcement of cast

20
Q

Blocking

A

General movement and specific location of actors at a given moment

21
Q

Business

A

Specific activity in which actors engage to reveal the nature of their character

22
Q

Strongest area

A

Down center

23
Q

Body positions

A

Full front position,1/4/shared position, profile position, three-quarter or fullback position

24
Q

Historical development of actors

A

Greeks/1st actor created by player at the thesibis
Middle Ages/ Church then moved outside
Elizabethan slash all male actors, women played by young man boys, 17th century France first woman actor

25
Q

Actors

A

Unique cannot be separate from work

26
Q

Modern acting - Stanislavsky

A

Created the system and emotional memory take something that you experience and use it in your character

27
Q

Lee Strausburg

A

Method acting which is the psychological effect

28
Q

Spin? I don’t know

A

Oh no

29
Q

External acting

A

Playing for effect

30
Q

Internal acting

A

Praying for truth

31
Q

Virtuosity

A

Best you can be

32
Q

Magic

A

Mesmerized is the audience

33
Q

Tools for acting 6

A
Physiological (voice and movement)
Psychological, 
imagination; willing to use it, 
In situation of play; making it based on your you are a real person, 
Unique giving character life, 
discipline
34
Q

The actors process 4

A

Analysis - character and play,
rehearsal – which traits want to show and not, performance and sustaining the performance -influence of audience,
sustaining a performance play last a week or month and a fresh rehearsal

35
Q

Business of acting 5

A
Schedules - long hours,
Pay ——not a lot
Frustration
Audition-cattle calls, cold readings, prepared
Professional unions-Can only act
36
Q

Evaluating actor 4

A

External
Internal
Credibility-said Who they said they were
Curtain call-transition from play to outside world