Directors Flashcards

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1
Q

At one point in this film, a group of women dressed as soldiers help load a cannon before they all wave their hats together. One man in this film places his umbrella into the ground, upon which it promptly turns into a giant mushroom. Thomas Edison made secret copies of this film, earning a fortune off of it while its European director went bankrupt. Its most iconic scene features an object shaped like a face slowly getting closer to the viewer until a bullet-shaped vessel hits its eye. This film begins at a conference where a group of skeptical astronomers eventually approve the title event. For 10 points, name this science-fiction film directed by Georges Melies, a pioneering film in the genre about an expedition to Earth’s only satellite.

A

Le Voyage dans La Lune

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2
Q

Two brothers from this country invented the Cinematograph that they used in their black and white film Exiting the Factory. The word “RAILOWSKY” can be seen in the background twice in a photograph from this country. A blurry figure rides a bicycle next to a spiral staircase in a photograph by an artist from this country; that photograph was included alongside one of a man jumping from a ladder to a puddle in a book that was prefaced by a philosophical definition of the title

A

France

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3
Q

This technique is used in the interludes shot from the back of a moving train in Lee Chang-dong’s film Peppermint Candy. The first use of this technique was in the Lumière brothers’ Demolition of a Wall. This technique is applied to the stock footage used in Flyora’s hallucinations at the climax of Elem Klimov’s Come and See. Cégeste placing a death mask onto the Poet’s face in The

A

Reverse motion

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4
Q

One of these objects can be seen behind a brick wall on the left of De Chirico’s The AnxiousJourney. The right side of a painting of one of these objects depicts a tiny hunter and his two dogs. One of these objects is the depicted in the most famous of the early Lumière Brothers films. Pedestrians and white-gray clouds surround two of these objects in a Monet painting of the

A

Trains

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5
Q

This director wrote the lyrics to the song “La Complainte de la Butte” (“lah com-PLENT duh lah BOOT”) for a film whose visual style was influenced by the paintings of Degas. In a film by this director, a commedia dell’arte (“koh-MAY-dee-ah del-AR-tay”) troupe arrives at the same time as the lavish title object, which was purchased by a Peruvian viceroy. Jonathan Rosenbaum has used the phrase “Trilogy of Spectacle” for this director’s mid-50s Technicolor period pieces:

A

Jean Renoir

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6
Q

In a scene from this film, characters expecting a shipment of caviar and vodka instead receive a crate of books, which they angrily set on fire. During a Christmas scene, a character in this film repeatedly practices saying “Lotte hat blaue Augen” (“LOT-tuh haht BLAO-uh AO-gun”) in halting German. To create a diversion, characters in this film noisily play flutes, and, after they’re confiscated, bang pots and pans. In this film, after a character interrupts a vaudeville show with news that Fort

A

La Grande Illusion

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7
Q

This man painted two versions of the nude portrait Blonde Bather, both using as model his future wife Aline Chargot. Chargot also appears in this painter’s most famous work, looking into the face of a little Affenpinscher dog while sitting across from the painter Gustave

A

Pierre-Auguste Revoir

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8
Q

In this film, a shot of a news bulletin posted in two languages pan right, then left to follow a singing man before resting on the main characters leaning out a window listening to the music. The first shot of this film tilts up from a spinning record on a gramophone to a man singing along to the song Frou Frou. A shot in the film moves past men singing It’s a Long Way to Tipperary to men inspecting stage props and costumes; that scene ends with a shot of surprised

A

La Grande Illusion

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9
Q

During the production of a film from this country, a snowstorm along a central canal caused continuity issues, causing cinematographer Boris Kaufman to point his camera towards the sky to frame characters. In a film from this country, a talking statue tells an artist that to escape his studio he must pass through a mirror, an action accompanied by disembodied shouting. A different film from this country used slow motion to show a dormitory pillow fight. The

A

France

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10
Q

In a film from this country, a nobleman lets his lower-class poacher friend smoke in his face while adjusting his tie. In another film, an enemy officer laments the death of the nobility with an imprisoned officer from this country, who he’s later forced to shoot in the stomach. The son of a painter from this country directed and starred in a 1939 film set at an aristocrat’s country estate. A film from it ends with its boy protagonist escaping a

A

France

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11
Q

Harriet develops a crush on the visiting Captain John in this country in The River, the first color movie by Jean Renoir. A film from this country has a long close-up of water bugs skimming on a pond. In a film from this country, a character played by Johnny Walker sings a song to a struggling poet about massaging peoples’ heads with oil. Two siblings in a film from this country chase a train through a field of flowers and return to find their elderly neighbor

A

India

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12
Q

A character in a film from this country says that his ambition is life is to become immortal and then die. One film from this country features a juvenile who is imprisoned after stealing a typewriter. Characters in a film from this country burst into singing a national anthem while in a POW camp. This country, the home of a director who created the

A

France

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13
Q

A character in this film is introduced by a tracking shot that moves from a chapel’s crucifix, to a military portrait, to spurs and swords on a table, and eventually to that man at a breakfast table. The set designer’s chance discovery of a potted geranium in this film’s shooting location led its director to incorporate it into a scene where a character cuts the flower in mourning for his friend’s death. Two characters in this film build a nativity scene on Christmas Eve while staying in Elsa’s farmhouse. In a scene of this film, the camera pans over men frozen in silence at the sight of a man in a dress as they prepare for a vaudeville show, at which news about

A

La Grande Illusion

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14
Q

A film in this language includes a piano-accompanied, dress-up dance of death, and a quick-cut montage of rabbits and pheasants being shot by a hunting party. That film in this language ends after Schumacher shoots Andre in a greenhouse, and opens with Andre’s plane landing. Another film in this language shows its protagonist flourishing a revolver in a convertible using an innovative series of

A

French

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15
Q

A film from this country opens with a joke about a man falling from a skyscraper repeatedly saying “So far so good.” That film from this country depicts a day in the lives of three troubled youths. Another film from this country features a shootout with unusual jump cuts and centers around a criminal who fashions himself after Humphrey Bogart. This home country of the films Hate and Breathless is also the setting of a film about a delinquent who is caught plagiarizing and steals a typewriter. That film from this nation is The 400 Blows. For 10 points, identify this country home to a namesake ‘New Wave’ of cinema and directors François Truffaut and Jean Renoir.

A

France

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16
Q

This director produced a film that opens with a close-up shot of a turntable playing a song and zooms out to show an officer who sings along. That film ends with the protagonists trudging through the snow humming “There Once Was a Little Ship”, a song that had earlier been played to distract guards by de Boeldieu. Hundreds of rabbits were killed during production of a hunting sequence in a film by this director in which a character asserts that “The awful thing about life is” that “everyone has their reasons.” This man directed a film in which Maréchal and Rosenthal escape from Wintersborn and a film that opens with Octave revealing that Christine has not come to Le Bourget Airfield to greet Andre Jurieux. For 10 points, name this director of Grand Illusion and The Rules of the Game, the son of the painter of Luncheon of the Boating Party.

A

Jean Renoir

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17
Q

A chef in this flm justifes cooking with regular salt, despite a lady’s request for sea salt, because he’ll “put up with diets, not fads.” The tension between a man’s wife and his mistress in this flm briefy dissipates when they express mutual distaste at his habit of smoking in bed. In this movie, four skeletons dance to a player piano rendition of Danse macabre during a masquerade ball, afer which a main character is repeatedly thwarted in his attempts to remove his bear costume. A Jewish character in this flm obsessively collects mannequins that play music. In an extended scene in this flm, servants pass through a wood, lightly tapping trees with sticks, to drive rabbits and pheasants out toward the fring line of waiting hunters. A woman wears her maid’s cape and hood during a liaison at a greenhouse, tragically inciting that maid’s husband to mistakenly kill the woman’s lover, who at this flm’s beginning returns to home to Paris from a successful transatlantic fight. This flm is set at La 4 Coliniere, the estate of Robert, the husband of Andre Jurieux’s mistress Christine. For 10 points, name this 1939 flm satirizing French high society, directed by Jean Renoir.

A

La Règle du Jeu

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18
Q

In one film from this country, Robert explains that Andre’s death at the hands of Schumacher was an accident. In another film from this country, the main character is accused of plagiarism by the teacher Sourpuss, causing him to run away. The magazine Notebooks on Cinema was important to a cinema movement in this country. Rick Blaine originally met Ilsa in this country in Casablanca. In a film set here, the film-loving Michel is betrayed to the police by Patricia, and that film, Breathless, is an example of this country’s “New Wave.” For 10 points, name this country home to Jean Renoir and Francois Truffaut, the latter of whom set most of The 400 Blows in Paris.

A

France

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19
Q

In a film titled in English for this type of person, one of these people from Fenyang courts a karaoke hostess named Mei-Mei. A film titled for this type of person ends with the protagonist telling Jeanne “to reach you at last, what a strange path I had to take.” Moe, a woman played by Thelma Ritter, tries to convince one of these people named Skip Candy to hand over a sensitive microfilm to the government. Jia Zhangke’s (“jee-ah zhahng-kuh’s”) debut feature is about one of these people, as is a Samuel Fuller film named after

A

Pickpockets

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20
Q

This person titles a film in which its actors, such as the painter Jean-Claude Fourneau and the academician Florence Delay, were put through the same shots repeatedly until all emotion was stripped from their performances. That film by Robert Bresson about this person opens with title cards that declare the film a “protest against judges.” In one film, the window grille of this person’s prison cell projects a

A

Joan of Arc

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21
Q

A 1974 movie about this mythological figure by Robert Bresson was inspired by a chronicle about him known as the Vulgate cycle. This figure is styled as the “knight of the cart” in an epic written by Chretien de Troyes in which he rescues a queen from the evil Maleagant. This figure, the son of Ban and Elaine, was abducted and raised by the

A

Sir Lancelot

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22
Q

A film with this title includes a sequence cutting between the take-off of a transatlantic flight and the activity on the floor of a stock exchange, culminating in a POV shot suggesting that the plane is flying over the floor. That three-hour-long silent film of this title was directed by Marcel L’Herbier [ler-BYAY]. Another film with this title includes two unusually long shots of prisoners mechanically being led out of a blue police van, with the photo shop assistant

A

L’Argent

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23
Q

A film by this director opens with a shot of a newspaper that dissolves to a shot of a man showing the bottom of his shoe to show how he walks properly. In Voyage in Time, Andrei Tarkovsky claimed that this director was the only to achieve “absolute simplicity in cinema”. In one sequence, this director paired a close-up of a man’s eyes behind a bush with shots of another man reaching into his hat for a wire, before he breaks off a branch to set up a rabbit trap. In a film by this director, a shot lingers on the protagonist listening to a

A

Robert Bresson

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24
Q

Giffard’s (“zhee-FAR’s”) nose is broken by this material while he is chasing after the protagonist. In another scene from the same film, men working with this material appear to be dancing to the impromptu music made by pedestrians watching from the street below. A drunk man staggers through a space where this material used to be, triggering a descent into revelry that culminates in the protagonist bringing down part of a building’s ceiling. An employee at the Royal Gardens

A

Plate glass

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25
Q

After a woman wearing a dress of this color talks about running away together with her lover, we hear the sound of a train whose vibrations cause a glass to fall off a table, in an allusion to Stalker. Luo Hongwu searches for a woman who’s almost always seen wearing a dress of this color in the 2018 film Long Day’s Journey Into Night. Barbara’s dress of this color starkly contrasts with the outfits of the other patrons when she arrives at the Royal Garden restaurant in Jacques Tati’s Playtime. Bucking tradition, this is the color of the dress worn by

A

Green

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26
Q

A shot in one film shows this person attempting to snip a climbing vine on the side of a house in the middle of the night, while two people watching him from two round windows resemble moving eyes. Waves buffet a paint can as this character sits by the seashore painting a kayak, which then folds up and causes a panic because it resembles a shark. A film’s color palette changes from drab grays to cheery reds and greens after a scene in which this person visits a fancy new restaurant, shattering a glass door and forcing the doorman to carry the handle as if it was still there. This character touches a buzzing radiator and plays with a bouncing water pitcher in a sequence set in the stark white kitchen of the Villa Arpel. A film about his holiday introduces this character, whose

A

Hulot

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27
Q

A character played by this person throws a ball through a shop window after being distracted at a fairground stall. In another film, this person played a character whose leaf-covered spare tyre is mistaken for a wreath after he accidentally attends a stranger’s funeral. In one film directed by this person, a middle class couple own a fountain shaped like a fish and only turn it on to impress guests. That film by this person sees the creation and disposal of red plastic tubing, accidentally knotted so as to resemble sausages - that film is Mon Oncle. For 10 points name this French actor and director of Jour de Fête who also portrayed Monsieur Hulot [Oo-loe].

A

Jacques Tati

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28
Q

In a film about this period, an uncle and his adult niece refuse to speak to a man with a limp, but the niece eventually breaks her silence by whispering goodbye to him. During this period, films like Carnival of Sinners and The Murderer Lives at Number 21 were produced by Continental Films. The lack of supplies during this period greatly complicated the shooting of a film about a pair of

A

German occupation of France

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29
Q

In this film, part of the soundtrack from Otto Preminger’s film Whirlpool plays diegetically as a character runs into a cinema. An actor’s appearance in Web of Passion is referenced in this film by his character’s alias, Laszlo Kovacs. A novelist in this film, who claims that he wants “to become immortal, and then die” in an interview, was played by the director’s friend Jean-Pierre Melville. To imitate the real-life film The Harder They Fall, a character in this film constantly runs his thumb along his lower lip. This film’s protagonists ride in a convertible in a sequence that jarringly switches between different shots. In this film, Patricia helps the Humphrey Bogart-obsessed Michel avoid the police. For 10 points, many jump cuts feature in what French New Wave film, the first by Jean-Luc Godard?

A

Breathless

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30
Q

The director of Pale Flower criticized a shot in which a man of this profession sits in a watchtower to watch two gangs fight. A film titled for this profession opens with its protagonist reclining and smoking on his bed next to a large bird cage. In another film, a man tries to protect his daughter from these people by chasing her with a razor and cutting off her long hair. A film titled for this profession follows the hitman Jef Costello and was directed by

A

samurai

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31
Q

An affair between film characters from these two countries is revealed when some roses with love notes nestled in the petals abruptly open up. At the end of a film, the two main characters call each other by the names of cities in these two countries after the woman screams “I’ll forget you! I’m forgetting you already!” A man from one of these countries tells a woman from the other country “You saw nothing in [the title location]” in a scene which opens with a close-up of entwined limbs covered in

A

France and Japan

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32
Q

Alain Resnais’s only Oscar was for a short film about this man.

A

Vincent van Gogh

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33
Q

Useless Knowledge is one of three collections of short vignettes making up a trilogy titled ‘[this location] and After’ by Charlotte Delbo. Poet Jean Cayrol [zhon keh-ROL] wrote the script for a short Alain Resnais [re-NAY] documentary film showing images from this location, Night and Fog. François Mauriac [mori-ack] helped to publish a novel in which Madame Schächter [sheck-tuh] starts screaming about an imaginary fire on her way to this location. Eliezer and his father arrive at this location from Sighet in that novel. Another author recalled the story “Cerium” from a collection titled The Periodic Table and in the memoir If This is a Man. For 10 points, name this location prominent in Elie Wiesel’s [vee-ZELZ] Night and much of Primo Levi’s work, a concentration camp in Poland.

A

Auschwitz

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34
Q

A woman tells her lover this city means “the beginning of an unknown fear for us as well” and later, that woman stares at that man in the Casablanca cafe in this city. A woman in a film titled for this city is slapped for shouting that a German man whom she had an affair with “was my first love!” In the first lines of a film titled for this city, a man states (+) “you saw nothing in [this city]. Nothing” to which she replies “I saw everything.” At the end of that film titled for this city, she tells her lover that his name is this city to which he responds her name is

A

Hiroshima

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35
Q

This film’s screenwriter denied its use of flashbacks, saying that its “entire story” “happens in neither two years nor in three days but exactly in one hour and a half.” A documentary called Memories of this film was compiled by Volker Schlöndorff, who served as assistant director for it. This film’s director had shadows painted on the ground for a shot of a “geometric” garden. A concert in this film depicts two violinists, but all we hear is the organ music that dominates the soundtrack. In this film, a hallway tracking shot ends by repeatedly

A

Last Year at Marienbad

36
Q

A film set in this country consists of conversations between Her and Him over 36 hours, and describes the effects of a disaster on a city it calls mon amour. Martin Scorsese appears as Van Gogh in Dreams, a film by a director from this country. The camera pans only twice in a film from this country in which an elderly couple visits their children in the capital. In one film from this country, a medium rattles a stick to channel a

A

Japan

37
Q

One of these objects made of ivory includes representations of Portuguese men alternating with representations of mudfish. A 1966 film includes an overhead shot of Diouana fighting with her employer over one of these objects, which is displayed alone on a wall in an apartment in Antibes. Some of these objects representing antelopes are classified into horizontal, vertical, and abstract designs. A montage of statues and these objects takes up much of Chris Marker and Alain Resnais’ film

A

African masks

38
Q

At the end of a film about an event that ended in this decade, the camera dollies through an empty village while the voice-over reads: “We turn a blind eye to what surrounds us and a deaf ear to humanity’s never-ending cry.” In a scene set in this decade, a man is confined in an iron box and negotiates with a commander who overheard the whistling of “Colonel Bogey’s March.” In this decade, Sam is asked to play “As

A

1940’s

39
Q

This director used the image of a child hugging a toy dinosaur to conclude a film about the Soviet director of Happiness. One of his films cuts from the intertext of “fire” from Battleship Potemkin to a shot of people making the peace sign for its section “The Fragile Hands”. With Ghislain Cloquet and Alain Resnais, this director of The Last Bolshevik won the Prix Jean Vigo for a film about colonialism’s effect on African sculpture, Statues Also Die. A scene set in a “museum filled with ageless animals” appears in a film by this director, in which a long series of dissolves precedes a shot of a woman

A

Chris Marker

40
Q

One character in this film notes that one week, it had been so abnormally cold that the lakes froze over. One sequence in this film repeatedly cuts between a woman standing at a bar, and the same woman holding a broken-heeled shoe in a bright room. A man in this film hands that woman a photograph of herself, and she later finds an entire drawer of those photographs. That man and woman debate about a classical statue of Charles III and his wife taking an oath before the Diet. One character in this film claims he always wins a game that involves taking away objects arranged in rows of seven, five, three, and one. This film’s screenplay is by Alain Robbe-Grillet. For 10 points, name this French New Wave film by Alain Resnais, in which a man tries to convince a woman that the previous summer, she had agreed to run away with him.

A

Last Year at Marienbad

41
Q

A character in a film by this director is expelled from a group for liking the film Johnny Guitar. That group in a film by this director attempts to assassinate Mikhail Sholokohv while on a state visit but confuse what room he is staying in. Copies of the Little Red Book are thrown at a toy tank in a film by this director which features the song “Mao Mao” by Claude Channes. During an interview in a film by this director an author states that his ambition is to “become immortal, and then die.” The protagonist of one of this director’s films is shot in the street after his New York Herald Tribune reporter girlfriend betrays him to the police. In a film by this director, a car thief repeatedly rubs his lips in imitation of Humphrey Bogart. For 10 points, name this French New Wave director of La Chinoise and Breathless.

A

Jean-Luc Godard

42
Q

A scene in a film in this language in which a trio of youngsters run past the camera through a museum echoes the director’s comment about “barging into cinema like cavemen.” In a film in this language, the camera shakes as a woman in drag races two men to the other side of a railway bridge. A film in this language ends with three minutes of shots that track right to follow a boy running away from a soccer game at

A

French

43
Q

In February 2023, David Lametti delayed to 2024 expansions on this practice that would expand on its legalization in the 2015 Carter decision. A John Zaritsky documentary about this practice profiles Ludwig Minelli, who has since been prosecuted for profiting from it. The federal nullification of this practice in Northern Australia in 1997 motivated the creation of Exit International, which in 2018 flew the botanist David Goddall for a form of its “tourism.” Philip Nitschke has been nicknamed the “Elon Musk” of this practice for his development of the exit bag and Sarco Pod. In Canada, this practice is administered by the program MAiD (“maid”). In 2022, Jean-Luc Godard (“zhahn-luke goh-DARR”) engaged in this practice in Switzerland, where it is legal to provide equipment for it. For 10 points, name this practice for the terminally ill that is advocated for by the right to die.

A

assisted suicide

44
Q

In Jean-Luc Godard’s Passion, shots of a tableaux vivant recreation of this painting are interspersed with shots of Isabelle working in a factory. In 2019, a glass cube was constructed around this painting so that it could be restored while on display. In 2021, neural networks were used to recreate portions of this painting that were trimmed away to make it fit between two columns. Symbols in this painting include

A

The Night Watch

45
Q

This director included the prediction “soon everyone will need an interpreter to understand the words coming out of their mouths” in a film that prominently features this director’s dog Roxy. This director used a pun on the words “analysis” and “anal” in a scene in which a woman describes a sexual experience at great length. In a film by this director, a pen changes a word meaning “art” to a word meaning “death” before the protagonist ties

A

Jean-Luc Godard

46
Q

In this film, part of the soundtrack from Otto Preminger’s film Whirlpool plays diegetically as a character runs into a cinema. An actor’s appearance in Web of Passion is referenced in this film by his character’s alias, Laszlo Kovacs. A novelist in this film, who claims that he wants “to become immortal, and then die” in an interview, was played by the director’s friend Jean-Pierre Melville. To imitate the real-life film The Harder They Fall, a character in this film constantly runs his thumb along his lower lip. This film’s protagonists ride in a convertible in a sequence that jarringly switches between different shots. In this film, Patricia helps the Humphrey Bogart-obsessed Michel avoid the police. For 10 points, many jump cuts feature in what French New Wave film, the first by Jean-Luc Godard?

A

Breathless

47
Q

A story by this author about a months-long traffic jam served as the inspiration for Jean-Luc Godard’s film Week End. The Kid is killed by a tiger that wanders freely around the grounds in this author’s story “Bestiary.” The narrator of a story by this author is working as a translator when he discovers that a blonde woman was

A

Julio Cortazar

48
Q

One film from this country explores the lives of three immigrants, Vinz, Saïd, and Hubert, and has a title that is sometimes translated Hate. In another film from this country, a boy runs away from a detention center to catch a long-awaited glimpse of the ocean. Cléo from 5 to 7, a film from this country about a female cancer patient

A

France

49
Q

A heat-stricken engineer sings about this substance to himself in the Shohei Imamura film Profound Desires of the Gods. In the opening scene of Wong Kar-Wai’s Days of Being Wild, a playboy played by Leslie Cheung buys this product. Noriko and Hattori bike past an ominous advertisement for this product in Yasujiro Ozu’s film Late Spring. Youth in the 1960s are described in an intertitle card from Jean-Luc Godard’s Masculin feminin as “the children of Marx” and this product. Colonel “Bat” Guano says “you’ll have to

A

Coca-Cola

50
Q

In 1951, Jacques Doniol-Valcroze became the founding editor of which magazine? With early issues characterised by the minimalist design of large stills on a bright yellow background, and counting amongst its writers Andre Bazin, Jacques Rivette, and Jean-Luc Godard, it is the oldest French-language film magazine still in publication.

A

Cahiers du Cinema

51
Q

In Eulogy of Love, people of this nationality are referred to as a “nameless culture”. In a long, stationary shot with kids playing in the background, two seated men with a radio speak quotes from a person of this nationality that repeats the phrase “it was tremendous”. The actor who played Lemmy Caution in many movies, most notably in Alphaville, spoke French but was originally of this nationality. In two long tracking shots, the protagonist of one film talks with an executive of this nationality walking along the wall of a movie studio about writing additional scenes for an adaptation of the

A

American

52
Q

During a conversation in this film, the camera speeds up as it repeatedly pans horizontally past a white lamp to close-ups of the sides of the faces of a man and woman. This film displays the written words “A parting kiss . . . goodbye” before the camera cuts to a wrecked car containing the bodies of its female lead and her lover. The middle third of this film is composed of a single thirty-minute-long scene set at the apartment of a couple that follows the woman as she puts on a black wig, calls her husband an imbecile, is slapped by him, reconciles with him in the bath, and then fights with him twice more. This film ends in Capri, where a film crew shoots Fritz Lang’s adaptation of The Odyssey as the screenwriter Paul Javal sees his wife, Camille, kissing an American producer played by Jack Palance. For 10 points, name this Jean-Luc Godard film that was adapted from a novel by Alberto Moravia and titled for an emotion that Brigitte Bardot’s character feels toward her husband.

A

Contempt

53
Q

This director appears in one of his own films as a man who points out another character to the police. A film by this director ends with a man painting his face blue and blowing himself up, while another follows the secret agent Lemmy Caution. A film by this director opens with a jump cut-heavy car chase that ends with the protagonist killing a policeman. Anna Karina starred in many of this man’s films, including Pierrot le Fou (“p’yair-OH luh FOO”) and Alphaville. The protagonist of a film by this man imitates Humphrey Bogart and dates a newspaper seller played by Jean Seberg (“jeen see-berg”). For 10 points, name this French New Wave director of Breathless.

A

Jean-Luc Godard

54
Q

In a work by this man, characters dance what they call “the Madison dance,” which was totally unrelated to the actual Madison dance, in a piece that inspired the disco scene in Pulp Fiction. Those three characters try to steal money from a rich uncle and break the world record for running through the

A

Jean-Luc Godard

55
Q

A book by Alex Galloway discusses “allegories of control” in these works and compares Jean-Luc Godard’s “countercinema” to takeoffs on these works created by people like the art collective JODI. A book by McKenzie Wark conceptualizes social reality as a “space” named after these works. Pippin Barr created a work of this type based on Marina Abramovic’s The Artist Is Present. A 2012 exhibition of these artworks at the Smithsonian American Art Museum divided their history into five eras and was curated by Chris

A

videogames

56
Q

Alfred Jarry once said that one of the great joys of home ownership is using one of these objects in one’s own bedroom. Jean-Luc Godard once famously quipped that all you need to make a movie is a girl and one of these objects. A dramatic principle named for Anton Chekhov that advocates removing unnecessary plot elements is name for one of these objects. Paul Verlaine used one of these objects to

A

gun

57
Q

A film in this language follows a family who receive menacing video tapes which appear to have been filmed from just outside their apartment. Another film in this language depicts a city in which emotions are outlawed by an autocratic computer called Alpha 60. A character who speaks this language attempts to imitate

A

French

58
Q

In a film by this person, a forensic photographer bounces a rubber ball while shooting a scratched pane of glass. This director played himself in Jean-Luc Godard’s Contempt, in which he is introduced as “the one who did that Western with Dietrich”, a reference 1952’s Rancho Notorious. This director’s final film was entitled for the “Thousand Eyes” of a master criminal first introduced in a 1922 film,

A

Fritz Lang

59
Q

A character in a film from this country says that his ambition is life is to become immortal and then die. One film from this country features a juvenile who is imprisoned after stealing a typewriter. Characters in a film from this country burst into singing a national anthem while in a POW camp. This country, the home of a director who created the

A

France

60
Q

A director from this country wrote the essay “A Defense and Illustration of the Classical Construction,” which argued in favor of montage. A film from this country ends on a slow zoom in and freeze frame of a boy standing on a beach, and a director from this country famously used an overabundance of jump cuts in his first film. The movies

A

France

61
Q

One film by this director features a scene in which two women walk in opposite directions wearing Pan Am and TWA flight bags on their heads. That film by this non-Scorsese director uses close-ups of bubbles swirling in a coffee cup as the narrator claims that “when I speak, I limit the world.” This director of 2 or 3 Things I Know About Her and frequent collaborator with

A

Jean Luc-Godard

62
Q

In the article “To Be Done with Depth of Field,” Andre Bazin criticized the “obsolete play” of this technique, arguing that its use inhibited the “dialectical progress . . . of language.” In a pioneering essay in cinemetrics, Barry Salt concluded that claims about how this technique was once dominant were false, finding that it was only used in 30-40% of commercial footage since the 1940s. This technique is likened to both the creation of Israel and the displacement of Palestinians by Jean-Luc Godard in the film Notre Musique. This technique, which is often complemented with various over-the-shoulder interruptions, is often said to be an example of the eyeline match concept. It breaks the 180-degree rule by switching back and forth between images of the faces of two characters. For 10 points, name this editing technique used to depict conversations, and which usually has a three-word name.

A

shot/countershot

63
Q

One of this man’s films has a shot accompanied by Mozart and that is set in a barnyard where the camera makes two 360-degree rotations, then stops and backs up in the opposite direction. This man whispered a monologue over a long close-up of swirling coffee in a film about a prostitute. The intertitle “This film could be called The Children of Marx and Coca-Cola” appears in a movie by this director which centers on a romance between the communist Paul and the pop singer Madeleine. A film by this man has a long traveling shot along a traffic jam and ends with Corinne and Roland captured by hippie cannibals. This director of Two or Three Things I Know About Her and Masculin Féminin made a film that ends with Patricia Franchini unable to understand “dégeuelasse,” the last word of her boyfriend Michel Poiccard. For 10 points, name this French New Wave director of Weekend and Breathless.

A

Jean-Luc Godard

64
Q

A film in this language includes a piano-accompanied, dress-up dance of death, and a quick-cut montage of rabbits and pheasants being shot by a hunting party. That film in this language ends after Schumacher shoots Andre in a greenhouse, and opens with Andre’s plane landing. Another film in this language shows its protagonist flourishing a revolver in a convertible using an innovative series of

A

French

65
Q

In a scene by this director, men sit impassively at tables with red-and-white tablecloths while a woman in a sailor suit sings and performs a striptease directly into the camera. This director created a sunglasses-wearing author who claims, during an interview, that his greatest ambition is to become immortal, and then die. In that film by this director, a man says he will count to 8, and then strangle his girlfriend if she doesn’t smile; that girlfriend sells the Herald Tribune. Jean-Claude Brialy plays Émile, who loves a dancer played by Anna Karina in his film A Woman is a Woman. In a film by him, Patricia, played by Jean Seberg, is the lover of the Humphrey Bogart-obsessed Michel, who shoots a policeman after stealing a car. For 10 points name this French New Wave director of Breathless.

A

Jean-Luc Godard

66
Q

The protagonist of one film set in this city takes a ride in a “rotor,” climbing up the walls while pinned to them by centrifugal force. In that film set in this city, two boys watch a puppet show while plotting how to steal a typewriter. In another film set in this city, which popularized the jump cut, the American student Patricia tries to sell copies of the New York Herald Tribune and Michel imitates Humphrey Bogart. Directors who lived in this city, such as Jean-Luc Godard and François Truffaut, kicked off New Wave cinema here. For 10 points, name this setting of the films Breathless and The 400 Blows, whose opening shot features this city’s Eiffel Tower.

A

Paris

67
Q

This director’s first sound film caused Charlie Chaplin to remark: “I would never have believed it possible to assemble mechanical noises to create such beauty. … [this director] is a musician.” That film was the first to directly record sound on location and was titled Enthusiasm. Although not Alexander Medvedkin, a French, Marxist filmmaking collective founded by Jean-Pierre Gorin and Jean-Luc Godard took its name from this director. With his future wife Elisaveta Svilova, this director founded the Kinoks group, which stressed the primacy of Kino-Eye. Jean Rouch and Edgar Morin incorporated this director’s ideas into cinéma vérité. This director’s most well-known film opens with a split screen depicting a cameraman maneuvering a camera on top of another camera and is the most significant film in the “city symphonies” genre. For 10 points, identify this director of Man with a Movie Camera.

A

Dziga Vertov

68
Q

In one of this director’s films, the soundtrack goes silent for 36 seconds as Odile, Franz, and Arthur dance in a cafe. Another of his films features Sam Fuller describing a “battleground” of “love, hate, action, violence, death - in one word: emotions,” and ends with the title character painting his face blue and using red and yellow dynamite to blow himself up. This man directed a film that ends with a notorious scene of cannibalism and begins with the murderous Corinne and Roland trapped in an epic traffic jam. His best-known film has an ambiguous ending centering on the word “dégueulasse,” which is sometimes translated as “puke.” In that film, Patricia, who sells the New York Herald Tribune, betrays her Bogart-loving criminal boyfriend Michel, who is played by Jean-Paul Belmondo. He directed Band of Outsiders and Pierrot le fou. For 10 points, name this iconic French New Wave director of Week End and Breathless.

A

Jean-Luc Godard

69
Q

In her essay, “Circles and Squares,” Pauline Kael wondered why John Huston’s early works were rejected while this man’s embarrassing “Indian Epic,” released in America as Journey to the Lost City, was praised. One of his films sees Professor Novotny taken hostage in an attempt to get Mascha to reveal the location of a man who has assassinated Reinhard Heydrich. This director of Hangmen Also Die starred as himself directing a film adaptation of the Odyssey in a 1963 film by Jean-Luc Godard. One of his films opens with the title character hypnotizing the hero, Edgar Hull. He told of the “Thousand Eyes” and “Testament” of the title gambler in his sequels to his film about Dr. Mabuse. In another of his films, the whistling of “In the Hall of the Mountain King” helps a blind street vendor identify Hans Beckert as a child murderer. For 10 points, name this German director of M and Metropolis.

A

Fritz Lang

70
Q

In one film from this country, a man claiming to work for the Figaro-Pravda named Lemmy Caution arrives in the titular city to capture Professor von Braun. A film from this country by the same director follows an admirer of Humphrey Bogart who dates the American Patricia, who sells copies of the New York Herald. In another film from this country, a boy lies about his mother dying to his schoolteacher Sourpuss, and later steals a typewriter from his father’s office. Those films are Alphaville, Breathless, and The 400 Blows. For 10 points, name this nation that experienced a New Wave movement in the 1960s, the home country of Jean-Luc Godard and Francois Truffaut.

A

France

71
Q

This actor played a man who lights candles for his deceased friends in a burned-out chapel in a film inspired by Henry James’s story “The Altar of the Dead.” In an uncredited role, this actor appears as a man who rides a centrifuge in a funfair. A scientist portrayed by this actor uses hand signs to convey the notes

A

Francois Truffaut

72
Q

Nam June Paik used a video synthesizer to distort sections of a film by this director that he shot with students at Binghamton University. In a film by this director, a brandy-drinking poet is enlisted to put a man to sleep; earlier, that screenwriter wonders if a detective will “arrest me on lack of emotion” after he is informed that a hat-check girl was found murdered in a canyon after she left his house. Francois Truffaut praised this director of In a Lonely Place for creating “The Beauty and the Beast of Westerns” for a film in which a character played by

A

Nicholas Ray

73
Q

This film repeats a shot from behind of a character opening her window and talking to her in-laws, who are across the street in a hotel window, in two different film formats. A shot in this film that superimposes images of the neon signs of theaters is followed by a dream sequence of a boy walking down a road with a cane, who steals promotional material for Citizen Kane. After viewing this film, a friend of the director wrote a letter calling it a lie, and when the director responded in a long letter the two never met again. This film begins with a shot that tracks two men meeting in a busy

A

Day for Night

74
Q

During a jog, t his character and his classmates slip away from a gym teacher while the camera highlights the teacher’s obliviousness by sweeping higher and higher above the scene. In a short film, this character manufactures vinyl records and falls in love with a music student at a Berlioz recital. In another film, t his character uses his job at a shoe store as a cover for his private detective work. After having an affair with a Japanese woman named Kyoto, this character temporarily separates from his pregnant wife, a violin instructor. That wife,

A

Antoine Doinel

75
Q

In this film, the feet of the protagonist poke out from behind a bed as he hides in a room where a stuffed horse is used as a coat rack. In this film, the protagonist flips upsides while in a Gravitron carnival ride. A crowd of young children watch a puppet show version of “Little Red Riding Hood” in this movie. This film, which was dedicated to Andre Bazin, contains an improvised interrogation scene in which the protagonist is questioned about his attempt to return a stolen typewriter. The protagonist of this film plagiarizes Balzac after his shrine to the author catches fire. This film ends with a freeze-frame of the protagonist, played by Jean-Pierre Leaud, on the beach after he escapes from a juvenile detention center. For 10 points, name this first film about Antoine Doinel by Francois Truffaut.

A

The 400 Blows

76
Q

Robert Graysmith alleged that this film, which is the subject of the documentary 78/52 (seventy eight slash fifty two), used the Playboy model Marli Renfro. A painting of Susannah and the Elders specially created for this film covers a consequential hole in the wall. A piece of steak and a casaba melon were used to create sounds for a scene in this film, whose original screenings were preceded by the warning that “No one will be allowed in after the picture starts.” Francois Truffaut got the director to confess that he made it for one scene, which urban legend says was directed by Saul Bass. The all-string music in that scene from this film, which ends with a vortex transitioning into a dead woman’s eye, is “The Murder” by Bernard Herrmann. For 10 points, name this movie whose crew used Bosco chocolate sauce instead of fake blood for a scene in which Marion Crane is stabbed by Norman Bates while showering.

A

Psycho

77
Q

The dismissive term “SLAB theory” refers to the analysis of these things. Siegfried Kracauer wrote “a psychological history” of these things in Germany up to the time of Hitler. David Bordwell and Kristin Thompson have written introductory textbooks analyzing these things. Laura Mulvey wrote about the role of the “gaze” and “visual pleasure” in these things. Andrew Sarris promoted the auteur theory of analyzing these things, arguing that their analysis should focus on one voice. David Denby writes about these things for the New Yorker, following in the footsteps of Pauline Kael. A theory of these things was proposed by Francois Truffaut, who also creates them. For 10 points, name these things that were analyzed by critics like Roger Ebert.

A

movies

78
Q

A shot in this film pans over rolling hills with the caption “The Promised Land took a step backwards.” During a vacation to the beach, this film’s central characters run about gathering trash left behind in the woods. In another scene, a woman jumps into a river to express her distress as another character praises Baudelaire’s misogyny, and later on justifies her infidelity on her wedding night by stating that “Albert equals Gilberte.” A major character in this film has a daughter named Sabine, and fears accidentally killing his

A

Jules et Jim

79
Q

(Note to moderator: stress the italicized word “originally” in the third sentence.) In one film from this country, Robert explains that Andre’s death at the hands of Schumacher was an accident. In another film from this country, the main character is accused of plagiarism by the teacher Sourpuss, causing him to run away. The magazine Notebooks on Cinema was important to a cinema movement in this country. Rick Blaine originally met Ilsa in this country in Casablanca. In a film set here, the film-loving Michel is betrayed to the police by Patricia, and that film, Breathless, is an example of this country’s “New Wave.” For 10 points, name this country home to Jean Renoir and Francois Truffaut, the latter of whom set most of The 400 Blows in Paris.

A

France

80
Q

In one film from this country, a man claiming to work for the Figaro-Pravda named Lemmy Caution arrives in the titular city to capture Professor von Braun. A film from this country by the same director follows an admirer of Humphrey Bogart who dates the American Patricia, who sells copies of the New York Herald. In another film from this country, a boy lies about his mother dying to his schoolteacher Sourpuss, and later steals a typewriter from his father’s office. Those films are Alphaville, Breathless, and The 400 Blows. For 10 points, name this nation that experienced a New Wave movement in the 1960s, the home country of Jean-Luc Godard and Francois Truffaut.

A

France

81
Q

The verses for this song were directly lifted from Say When’s 1988 single “Save Me.” The album that shares its title with this song also included the singles “Baby Baby”, “Try Me Out”, and “I Don’t Want to Be A Star.” Tommy Wiseau energetically dances to this song in a bar in The Disaster Artist as Greg attempts to get the phone number of a bartender played by Alison Brie. Giovanna Bersola was uncredited for her vocals in the original recording of this song, which was performed live and in the music video by the Brazilian model

A

The Rhythm of the Night

82
Q

A director from this non-African country made a film in which the ghosts of shipwrecked construction workers possess people’s bodies while demanding payment for building a tower. A man who nearly caused his subordinate’s death in a salt flat dances in a nightclub to the song “The Rhythm of the Night” in a film from this country, which loosely adapts Billy Budd. In a film from this country, women sing and clap to a Latin chant as a woman stares at her lover, whose dress catches on fire. A singer waits to learn if she has cancer in a film from this country titled Cléo from 5 to 7. The 2019 films Atlantics and Portrait of a Lady on Fire are from this home country of directors Claire Denis (“duh-NEE”) and Agnès (“on-YES”) Varda. For 10 points, Catherine Deneuve and Brigitte Bardot are actresses from what country?

A

France

83
Q

The narrator of this book feels the “nothing gaze” while listening to a man speak about the legionnaires in Claire Denis’ Beau Travail. At the beginning of this book, the narrator recalls a conversation she had comparing the merits of sentences starting “yes, and” and “yes, but” after vomiting on her blouse. A passage in this book considers Judith Butler’s remark that “we suffer from the condition of being addressable.” One section of this book ends with the narrator commenting on a picture of Caroline Wozniacki with a stuffed top and shorts. John Lucas, the husband of this book’s author, created many “Situation Videos” to accompany passages from this book, including one with a series of photographs of Zinedine Zidane’s headbutt and one written in memory of Trayvon Martin. For 10 points, name this multimedia series of poems and lyric essays subtitled “An American Lyric” written by Claudia Rankine

A

Citizen

84
Q

Shots taken with the camera in this position were sometimes spliced together with a George Albert Smith film depicting a kiss, in one of the earliest examples of continuity editing. The camera is in this position during the first shot of the opening credits of Claire Denis’s 35 Shots of Rum, showing the milieu where Lionel works. Snow accumulates on a camera placed in this position in a several-minute-long shot from the beginning of Wang Bing’s documentary Tie Xi Qu. The first “slow TV” show aired by the

A

on the front of a train

85
Q

For some reason, this director used Comic Sans for the opening and closing credits of an erotic horror film whose most enduring image is of a woman pacing in front of a wall which she has painted with the blood of a victim of her cannibalism. This director’s frequent collaborators include the cinematographer Agnès Godard and the band Tindersticks. At the beginning of a film by this director, characters dance to the Turkish pop song “Kiss Kiss” in a

A

Claire Denis