Directing The actor Flashcards

1
Q

Working definition of acting

A

The ability to live truthfully under imaginary circumstances

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2
Q

For an actor to convey the truth:

1: ________________
2: ________________

A

1: Actor must know what they are talking about
2: what the actor is saying must be personal and meaningful to the actor

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3
Q

Actors have two essential problems:

1: _____________
2: _____________

Therefore ______________

A

1: Self conscious
2: because of this they do not listen

Therefore outward focus is the key to listening

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4
Q

With repetition we are working on 3 things:

A

1: Two human beings… BEING with each other
2: accept everything deny nothing
3: the invisible thread

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5
Q

The two emotional centers of human being are:

A

1: love center - it exist only in the here and now - in the movement
2: fear center (the logical mind) - it exist only in the past and the projected future - its only funtion is to keep you safe

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6
Q

The two most important skills a director needs to understand:

A
Editing (storytelling through visual art)
and Acting (storytelling through expression).
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7
Q

The foundation of acting is the reality of doing :

A

Whatever we do, we really do it (and fully do it)

And The quality of our acting depends upon how fully we do whatever it is we are doing

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8
Q

The three most important things to identify in a Scene are:

A

1: specific relationship
2: the moment before
3: what am I fighting for

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9
Q

_______: - outward focus - this is what allows the actor to live truthfully kn the moment

______________: its crucial that an actor work from something personal and meaningful - this is what will give the scene truth and authenticity

_________ - an actor must fight for something in every moment.. we myst be doing something that is outward focused and in relation to our scene partner(s). This is what makes the scene important, and makes it interesting for anyone to watch it.

A

Core

Personal Meaning

Doings

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10
Q

When memorizing the words of a script, learn them fast
and flat - with NO emotion, inflection or meaning. Just the words - only
the words. This will allow the actor to have the words available to use
them however needed in the MOMENT of the scene and you do this in the _______________

A

Line rehearsal

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11
Q

__________ writing is the first step to personalizing the point-of-view of
the character - it begins to connect the character’s core with the actor’s
core

A

Core Phrase

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12
Q

__________ writing allow the actor to fully understand what the words mean
- in a personal and affective way

A

Key fact

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13
Q

DOINGS - To bring a scene to life, it requires ________! It requires that the
actor DO something in every moment - and to FIGHT for what they need
to accomplish.

A

Action

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14
Q

Personalizing the Doing - By utilizing an ________ extreme
circumstance, we can form a deep level of understanding of what our
“character” is fighting for - the tools allows us to experience the DOING
first hand, and then bring that fight directly to the text!

A

Imaginary

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15
Q

Imagination - always work from an imaginary circumstance. This is what keeps the exercise _____ while allowing it to be extremely affective.

A

Safe

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16
Q

Happening Now - make sure the imaginary circumstance is something has _____ happened or you ______ found out. That allows it to affect you
at its deepest level.

A

JUST

17
Q

Importance - make the imaginary circumstance as important as possible
- it MUST be ________ or else it will not bring enough _____ into the
scene.

A

affective

life

18
Q

General Circumstances - discuss with the actor the general circumstances for the scene. What is ________ in the scene?
What is it _______?

A

happening

about

19
Q

Simple Relationship - what is the relationship between the

characters? Keep it _______ (i.e., brothers, friends, co-workers, etc.)

A

simple

20
Q

Specific Relationship - what is the specific relationship of
the characters? Or… how does the character _____ about the other character at the TOP of the scene? Keep it simple (i.e., they are my oppressive older brother who won’t leave me alone)

A

feel

21
Q

What are you Fighting For? - what is the character fighting for (or what do they ______) in the scene? (i.e.,fighting to get him to back off, etc.) Remember to create proactive doings; action verbs which are outward toward the partner (in order to effect change).

A

need

22
Q

Personal Circumstance - have the actor come up with an
_____________ ____________ based in an element of truth where they need to get someone to [back off] (or whatever the doing is)

A

Imaginary circumstance