Diploma 1 Flashcards
1
Q
definitions
- Tatkar
- Taal
- Taali
- Khaali
- Vibhaag
- Avartan
- Tihai
- Tukra
- Laya
- Theka
- Sum
- Matra
- Taal lipi
- Padhant
- Lari
- Ghungroo
- Hastak
A
-
Tatkar =
footwork
using a set laya (vilambith, madhya or drut). it differs based on the matras (beats) of a laya. -
Taal =
core element
/ fundamental base -
Taali = a
clap
on a taal matra, e.g. teentaal has 3 taali’s -
Khaali = matra counted by a
hand wave
e.g. teentaal has 1 khaali -
Vibhaag =
division
/ block. e.g. teental has 4 vibhaags -
Avartan = ‘avarti’ means making a circle, so
saying the matra + returning to sum
is one avartan -
Tihai = bols grouped together + repeated
3x
(damdar = gap, bedum = no gap) -
Tukra = composition of
one avartan
-
Laya = speed of
flowing time
e.g. vilambith, madhya, drut -
Theka =
base
of the taal -
Sum =
first matra
of a taal, all compositions must end on sum -
Matra = small
unit
of time -
Taal lipi = writing the taal according to a
dialect
(grammar of music) e.g. x for sum, 2/3 for thaalis, o for khaali, lines for vibhaags -
Padhant = combined activity of keeping the
taali-khali with
the palms whilst reciting thebols
of the composition with correct pauses and appropriate intonation -
Lari = sequence of
rhythmic phrases
with a strong sense ofprogression
between one phrase to the next -
Ghungroo = ankle
bells
-
Hastak =
hand movements
2
Q
hand gestures
samyuta vs asamyuta
A
samyuta = both hands
asamyuta = one hand
3
Q
A
anjali
4
Q
A
kapota
5
Q
A
karkata
6
Q
A
swastika
7
Q
A
dola
8
Q
A
pushpaputa
9
Q
A
shivalinga
10
Q
A
kartarisvastika
11
Q
A
shakata
12
Q
A
shanka
13
Q
A
pataka
tripataka
ardhapataka
14
Q
A
katarimukha
15
Q
A
mayura
ardhacandra
16
Q
A
arala
shukatunda
17
Q
A
mushti
shikhara
18
Q
A
kapitha
katakamukha
19
Q
A
suchi
chandrakala
20
Q
A