Digital Music Flashcards

1
Q

Explain the shift regarding music collection

A

Used to be a physical collection (CDs, records, vinyls)

Up until 2000s.

Now more digital - MP3, iPod, Alexa, Spotify, YouTube

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2
Q

What did Giles et al. (2007) suggested are 3 important aspects of collecting?

A

Records are sacred objects

Records are facets of the self (your record collection is a part of you and your identity)

Music is a sensory/emotional experience

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3
Q

Can we see other people’s music taste nowadays?

A

Not really - their music is more commonly stored on their devices rather than in their houses

Could see their musical activity on Facebook or Spotify etc.

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4
Q

Are there any sacred objects in digital collection of music?

A

No

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5
Q

What 3 types of music videos on YouTube did Likaren & Salovaara (2015) identify?

A

Authentic (original recording of a record, original band, live footage of performances)

User-appropriated (lyric videos, illustrated, still - sound file was the same but the visuals were different)

Derivative (cover/dance/parody - people making their own version of the video/music)

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6
Q

What is a limitation of research on digital media?

A

Things change so much from one year to the next that research findings can very quickly become outdated

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7
Q

What is the most popular YouTube content, according to Likaren & Salovaara (2015)?

A

Music videos

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8
Q

How many videos were live performances?

A

25%

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9
Q

How many videos were user-appropriated?

A

38%

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10
Q

What videos were most viewed?

A

Authentic videos

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11
Q

What videos were most commented on?

A

Derivative

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12
Q

What is Spotify deliberately geared towards?

A

Allowing people to investigate new styles/artists/genres

Can explore different types of music

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13
Q

What is the archival aspect of Spotify?

A

Can create your own playlists and storage

Can use spotify in the same way that you might have traditionally collected music

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14
Q

Who conducted a Norwegian focus group study?

A

Luders (2019)

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15
Q

What are aspects of musical streaming services such as Spotify?

A

Affordances are explorable and archivable

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16
Q

What did Luders (2019) find in a focus group?

A

People used streaming platforms to explore music and discover things that they did not know about before

17
Q

What did Luders (2019) argue about Spotify?

A

The way in which people engage with music is more ephemeral than in the past (lasts for a short time) - can just dip in and out of albums

Not as committed to online music

Don’t have to engage with the whole album as if you had bought the record - don’t feel the need to listen to the whole thing several times

More of an album-sampling rather than an album-level appreciation

18
Q

How has the change in the consumption of music affected memories/historical aspect of music?

A

Records were associated with time periods/what they were doing in the past/contained memories

Don’t find this with digital music - the historical aspect isn’t as important. People are less aware or less sensitive towards the points in time when that music was made.

Changes the meaning of listening to/collecting music.