Diamonds on the Soles of Her Shoes Flashcards

1
Q

Tempo

A

Intro - Moderato (crotchet=124)
Rest of song - almost double (minuim=106)

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2
Q

Metre

A

4/4

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3
Q

Tonality

A

E major intro.
F major rest of song.

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4
Q

Structure

A

Typical verse and chorus.
Intro, instrumental, verse 1, chorus, instrumental break, instrumental before verse, verse 2, chorus, instrumental break, outro.

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5
Q

Texture

A

Texture:
Isicathamiya - Zulu style with close harmonies (Walk softly).
A Capella and Homophonic Call and Response - ‘Say ta-nana’ ‘Tanana’ and ‘Empty as a pocket’.
Homophonic Horn Riff
Melody and Accompaniment
Polyphonic in the outro - ‘Tanana”, Falsetto ‘oos, Bass riff, Guitar riff, Heavy percussion.

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6
Q

Harmony

A
  • First 30 second only using E major to establish key.
  • Use of chords 1, 4 and 5
  • Use of perfect and plagal cadence in the Introl
  • Harmonic rhythm increases in 2nd section.
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7
Q

Dynamics

A

-INTRO- Mezzo Piano - Sounding as if from a distance
-CHANGE OF KEY AND TEMPO - Mezzo Forte - A bit louder as the instruments come in
-INSTRUMENTAL BREAK - Forte
-OUTRO - Mezzo piano - and then a sudden fade out at the end

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8
Q

Rhythm

A

Shuffle Rhythm
Syncopation
Anacrusis (Upbeat)
COMPLEX RHYTHMS - Triplets and
Dotted rhythms

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9
Q

Melody

A
  • The melody of the intro is simple and repetitive and uses harmonies to add character.
  • A range less than an octave.
  • Many repeated notes, for instance E and G##
  • A mixture of conjunct, disjunct (Major 6th
    Upbeat ‘she’s a rich girl’) and repetitive Hook (‘Diamonds on the Souls of Her Shoes’)
  • Syllable and rhythmicalyl complex, Triplets, dotted rhythms, syncopation.
  • There are repetitions of ‘Ta-na-na-na-na’ in
    SEQUENCE.
  • Falsetto ‘oos’
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10
Q

Sonority

A

Ray Phiri - guitar
Bakithi Kumalo - bass
Isaac Mtshali - drums
Youssou N’Dour and Assane Thiam - additional percussion
Earl Gardner - trumpet
Leonard Pickett - tenor sax
Alex Foster - alto sax
Paul Simon - guitar and vocals
Joseph Shabalala - lead singer of Ladysmith Black Mambazo
LBM - vocals and dancing

Heavy use of African Percussion at the end. E.g Congos, Djembe, Shakers.

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