Defying Gravity - Stephen Schwartz Flashcards

1
Q

Describe the structure of this piece.

A

Extended verse-chorus form that includes dialogue sections and vamps

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2
Q

The tonality of this piece can be described to be ‘ambiguous’ True/False

A

True

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3
Q

What keys are they choruses and the verses in? (tonality)

A

They are in major keys

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4
Q

What key is the coda in? (tonality)

A

Minor key

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5
Q

What types of chords are used in Defying Gravity,? Give four examples. (harmony)

A
  • Major and Minor
  • Flattened degrees of Db Major
  • Half-diminished chords
  • Augmented chords
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6
Q

Give an example of an augmented chord that is heard in this piece. (harmony)

A

Sharpened 5th

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7
Q

Give an example of a Half-diminished chord in this piece. (harmony)

A

Flattened 5th

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8
Q

An example of augmented chord in this piece is Sharpened 5th TRUE/FALSE

A

TRUE

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9
Q

What is the sonority of this piece?

A

full pit band and two lead vocals

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10
Q

What do the classical orchestral instruments play along with?

A

Guitars ans synths

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11
Q

Describe the three different types of percussion that can be heard in this piece? (sonority)

A
  • Bell trees
  • Chimes
  • Finger cymbals
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12
Q

State the three guitar techniques that can be heard in this extract. (sonority)

A
  • Palm muting
  • Delay
  • Flanger
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13
Q

Is this piece written for piano? (sonority)

A

NO

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14
Q

Name two types of articulation that can be heard in this piece. (sonority)

A
  • Marcato

- Legato phrases

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15
Q

What does the accompaniment alternate between?(Rhythm an meter)

A

Chordal accompaniment and then alternates to driving quaver rhythms.

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16
Q

There are syncopated rhythms TRUE/FALSE

A

TRUE

17
Q

What vocal technique can be heard in this song?(Rhythm an meter)

A

Vocal RUBATO

18
Q

What time signature dies this piece start in and what does it then move to?(Rhythm an meter)

A

2/2 and then 4/4 for most

19
Q

List the four different types of dynamics used in this piece.(Tempo and dynamics)

A
  • pp
  • fp
  • ff
  • sforzando
20
Q

Give two tempos that are seen in this piece.(Tempo and dynamics)

A
  • Colla voce

- rit/rall. at the end of sections

21
Q

Give three textural features that can be heard in this piece.

A
  • Homophonic for the most part
  • Individual monophonic lines from the witches at the beginning
  • Fully polyphonic in the choruses
22
Q

How many pitches is the melody based up of?

A

Five pitches

23
Q

State the two intervals that can mainly be heard in this piece.(melody)

A

Fourths and Fifths

24
Q

What is this piece mainly based off of?(melody)

A

Leitmotifs

25
Q

What do the 7 notes in the unlimited theme make reference to?(melody)

A

‘Somewhere Over the Rainbow’