Deceptions Flashcards

1
Q

“Of course I was drugged and so heavily I did not regain consciousness until the next morning.”

A
  • Discourse marker : normalises the situation creating a sense of passivity
  • Power imbalance of the speaker - inferiority and insubordination
  • Epigraph : used to give a scope to the speaker and look at issues regarding SA in society
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2
Q

“I had been ruined”

A
  • Euphemistic and definitive : shows the powerless nature of the victim and its irreversible consequences
  • Previously would have been shamed and outcast for it highlighting the unfairness
  • Brutalises the situation emphasising its harshness
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3
Q

“Cried like a child to be killed or sent back to my aunt”

A
  • Simile : degrading and infantilising. Presents the speaker as naive and childish despite it being such a horrific and destructive act done creating a sense of irony.
  • Speakers perspective : sense of self-blame
  • Emphasises the brutal reality of the situation as life ruining and devastating
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4
Q

“I can taste the grief”

A
  • Visceral imagery / metaphor : sense of permanence and dismay to the horrific actions committed
  • Humanises the experience
  • Traumatic experience that has stained the individual
  • Presents an empathetic speaker through the shift in perspective
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5
Q

“The brisk brief worry of wheels”

A
  • Plosive alliteration : emphasises the traumatic event highlighting the woman’s pain and suffering
  • Ordinary events become fearful, motif of anxiousness
  • Emphasises the trauma changes perspective
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6
Q

“And light, unanswerable tall and wide, forbids the scar to heal, and drives shame out of hiding”

A
  • Personification : humanises the experience through fear and threat
  • Light imagery : subversion of something that typically symbolises hope however this is undermined
  • Syndetic listing / tripartite : brutalises the harsh reality, elongation emphasises the irreversible pain and suffering from the victim
  • Predatory imagery provoked furthering the victims status
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7
Q

“And light, unanswerable tall and wide, forbids the scar to heal, and drives shame out of hiding”

A
  • Personification : humanises the experience through fear and threat
  • Light imagery : subversion of something that typically symbolises hope however this is undermined
  • Syndetic listing / tripartite : brutalises the harsh reality, elongation emphasises the irreversible pain and suffering from the victim
  • Predatory imagery provoked furthering the victims status
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8
Q

“All the unhurried day your mind lay open like a drawer of knives”

A
  • Enjambment : through the elongation and continuation her position is harshened
  • Simile : shows that her mind is filled with violence and destruction
  • Vulnerability of the victim, in constant reminder of the traumatic experience
  • Suicidal reading : emphasises the extent of the experience, hypocritical society
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9
Q

“Bridal London bows the other way”

A
  • Personification : complete rejection of the victim emphasises the hypocritical misogynistic society
  • Undermined as she has ‘lost her purity’ and no longer seen as innocent
  • Ironic as it has been taken from her and the man is not punished
  • Mocking tone : used to undermine society’s views due to them bowing to the abuser
  • Marriage is prioritised over abuse, if not married first seen as inferior
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10
Q

“Where desire takes charge, readings will grow erratic?”

A
  • Rhetorical question : trying to make sense of the situation and rationalise the rapists actions
  • Presents sexual desire as uncontrollable, primitive and promotes animalistic imagery
  • An attempt to console
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11
Q

“You were the less deceived, out on that bed, than he was”

A
  • Intertextuality to Hamlet
  • Emphasises a sense of vulnerability
  • Refers to the collection as a whole, Larkin was going to name the poem the Less Deceived
  • Caesura creates a separation between the victim and the rapist emphasising him as a villainous figure who’s desires were empty and hollow
  • Gives the victim a platform and holds the abuser accountable
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12
Q

“To burst into fulfilments desolate attic.”

A
  • Juxtaposition : place of memory and storage of loved possessions
  • Emphasises the victims memories as painful and dangerous Highlighting the everlasting effects
  • Lacks satisfaction and joy furthered by the endstop emphasises the permanent position of the victim
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13
Q

CONTEXT

A
  • London labour and London Poor, work of a Victorian Journalism by Henry Mehew in 1840s, looked into the position of poorer classes
  • Initially wanted the title to be the Less Deceived
  • Societal expectations in Victorian England
  • Radicalism within the poem potentially links to him rejecting poet Laurette in Hull
  • Hermit of Hull
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14
Q

STRUCTURE

A
  • Voice : epigraph at beginning upholds the victim, giving them a voice
  • Shift in voice emphasises an empathetic speaker
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