Debussy Nuages Flashcards

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1
Q

What are the two ways that the structure of Nuages can be interpreted?

A

Can be understood as
1. a series of rotations of two main melodic ideas X and Y
2. a loose ternary form (ABA’)

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2
Q

What style is the piece in?

A

Impressionist

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3
Q

What scales are used in the piece?

A
  • Whole tone scale
  • Octatonic scale
  • G acoustic scale
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4
Q

What bars is Rotation 1 in?

A

bars 1-10

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5
Q

Describe the key elements of the X theme in Rotation 1

A
  • Distinctive 6 note figure
  • Octatonically inflected B minor
  • Homophonic texture
  • Clarinet and bassoon create rich sonority
  • Continuous crotchet diads
  • Octave doubling
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6
Q

Describe the key elements of the Y theme in Rotation 1

A
  • Cor anglais melody
  • Begins with triplet
  • Tritone span
  • Metric dissonance of melody (4/4 contrasts with 6/4 and creates blurry sense of pulse)
  • G dominant 7th chord on divided strings
  • B pedal
  • Uses pure octatonic scale
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7
Q

Where does Rotation 2 begin?

A

Baar 11

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8
Q

Describe the X theme in Rotation 2

A
  • Different sonority (strings instead of woodwind)
  • Dominant 9ths in bar 14
  • Diads still used but doubled more
  • Pizzicato falling 5ths in bar 15
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9
Q

Where is the interpolation in Rotation 2

A

Bar 17-20

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10
Q

What are the key features of the interpolation in Rotation 2?

A
  • 2 bar sequential effect (G9 for 2 bars then Eb9 for 2 bars)
  • D minor pentatonic scale used with added notes
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11
Q

Describe the Y theme in Rotation 2

A
  • Y melody with X accompaniment (crotchet diads)
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12
Q

Where does Rotation 3 begin?

A

Bar 29 or Figure 3

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13
Q

Describe the X theme variation in Rotation 3

A
  • The rhythm is the similar to the original X theme/motif
  • Root position triads make fuller texture and increase contrast with new melody
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14
Q

Where is the interpolation in Rotation 3?

A

Bars 33-42

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15
Q

Describe bars 33-42

A
  • Interpolation between X and Y within R3
  • Whole tone harmony
  • 3 part octave doubling
  • Layered ostinato texture
  • Chromatic ascending 3 note pattern in bassoons
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16
Q

Where does the Y theme variation begin in R3?

A

Bar 43

17
Q

Describe the Y theme variation in R3

A
  • Oscillating chordal accompaniment related to X
  • Alternating G7 and B13 chords
  • Offbeat pizzicato creates raindrop effect
  • Divided string texture
  • B pedal
18
Q

Where does Rotation 4 (R4) begin?

A

Bar 57 or Figure 6

19
Q

Describe the X theme variation in R4

A
  • Diads on oboe
  • Solo viola acts as countermelody
  • 61-63 parallel dominant 7th chords
19
Q

Describe the X theme variation in R4

A
  • Diads on oboe
  • Solo viola acts as countermelody
  • 61-63 parallel dominant 7th chords
20
Q

Where does the interpolation begin in R4?

A

Bar 64

21
Q

Describe bars 64-79

A
  • Interpolation
  • Solo flute melody
  • Contrasting D#m pentatonic tonality
  • Harp and flute doubling at same pitch
  • b77-78 root position dominant 7th chords
  • bar 77 enharmonic shift
22
Q

Where does the Y theme return in Rotation 4?

A

Bar 80

23
Q

Describe the Y theme variation in Rotation 4

A
  • Starts with familiar G7 -> C#7
  • Different accompaniment to Rotation 3: sustained woodwind chord and tremolo on low strings
  • 3 dominant 7th chords used from octatonic palette (bars 80, 82, 86)
24
Q

Where does Rotation 5 begin?

A

Bar 94

25
Q

How many rotations of X and Y are there in total?

A

5

26
Q

Describe the X theme development in R5

A

A fragment of X idea is used in the bassoons (low pitch)

27
Q

Where is the interpolation in Rotation 5? (just one bar) Describe the material.

A

Bar 98 - it is a fragment of the flute theme from bars 64-70

28
Q

Where does the Y theme return in R5? And describe it

A

Bar 99
Falling tritone idea with G7 chord on divided strings