DANCING TOWARD THE 21ST CENTURY CENTURY Flashcards

1
Q

a square dance performed typically by four couples and containing five figures, each of
which is a complete dance in itself.
- was performed in a stately manner and, later on, in an accelerated one.

A

Quadrille

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2
Q

(“French country dance”) is a social (“French country dance”) is a social dance, popular in 18th-century Europe and America. Originally for four couples and America. Originally for four couples in square formation, it was a courtly in square formation, it was a courtly version of an English country dance, the forerunner of the quadrille and, in the United States, the square dance.

A

Cotillion

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3
Q

Its name is French for “Polish.”
The polonaise had a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska,
and the two dances have a common origin.
– involved partners dancing side by side behind a lead couple and moving through various choral
figures.

A

POlonaise

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4
Q

This half-step dance in 2/4 time was originated in Poland or the former Czechoslovakia, was a popular dance in the first part of the century.

A

Polka

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5
Q

It was performed in triple time by single couples in close position and turn rhythmically around and around as they progress around the dance floor.

A

Waltz

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6
Q

is a type of music known for its syncopated Rag Time – is a type of music known for its syncopated melodic line and regularly accented accompaniment played specially on the piano.

A

Rag time

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7
Q

accompanied by the song “castle rag”, was performed in the close dance position with the men performed in the close dance position with the men walking forward and the women moving backward or vice versa.

A

Castle Walk

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8
Q

a highly sensual and erotic dance performed by a couple with close body contact and direct eye contact.

A

Tango

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9
Q

famous two slow steps followed by four quick steps.

A

Foxtrot

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10
Q

was done in 4/4 time and can be performed solo, with a partner, or with a group. It looks like normal walking and made easy for performers to improvise.

A

Charleston

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11
Q

originated in New Orleans and has movement similar to the Charleston.

A

Black Bottom

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12
Q

It was a combination of many dances such as jazz, tap, breakaway and Charleston.

A

Lindy Hop

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13
Q

considered the “grandfather of the Latin Dances”. With its sensual hip action movements and intense sharp eye contact, it is considered to be the intense sharp eye contact, it is considered to be the sexiest ballroom dance.

A

Rumba

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14
Q

Like most Latin dances, the dancer’s feet remain close to the floor, the hips are relaxed to allow free movement in the pelvic area, and the upper body shifts over the supporting foot as the steps are taken.

A

Cha-cha-cha

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14
Q

a distinct look and feel because of its “samba bounce action”, a light, effortless, and carefree movement from the knees and ankles

A

Samba

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15
Q

Latin dance in 2/4 syncopated time. It is a combination of samba rhythm and jazz.

A

Bossa NOva

16
Q

Combination of Latin, African American, rhythm and blues, rock n roll, and soul music.

A

Boogaloo

17
Q

Dancers danced apart, stood in one place and twisted their hips from side to side, pivoting their feet.

A

Twist

18
Q

It was free-flowing and jerky dance that required a partner.

A

Mod Dance

19
Q

The dance was experimental and freeform in nature affected by drug-induced exhibitionism.

A

Psychedelic Dance

20
Q

Cuban dance originated in New York City became popular and was used in the movie Saturday Night Fever.

A

Hustle

20
Q

started in the late 60s by James Brown, Jimi Hendrix, and Earth, Wind and Fire
introduced the 1970s funk rock.

A

Funk Music

21
Q

The group used cheerleading arm positions to spell out the letters of the song.

A

YMCA

22
Q

became the dance craze among the youth with its arm movement and hip swiveling.

A

Macarena

23
Q

a hit dance in 80s that shows different foot movements.

A

Footloose