dance key terms Flashcards

1
Q

Actions

A

What a dancer does eg travelling, turning, elevation, gesture, stillness, use of body parts, floor-work and the transference of weight.

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2
Q

Acceleration

A

Speeding up the movement

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3
Q

Accompaniment

A

The sound that you hear during a dance. For example, percussion.

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4
Q

Accumulation

A

When a dancer performs a series of movements and others join in at different times until all perform in unison.

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5
Q

Alignment

A

Correct placement of body parts in relation to each other.

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6
Q

Artistic intention

A

The aim of a dance; what the choreographer aims to communicate.

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7
Q

Aural setting

A

An audible accompaniment to the dance such as music, words, song and natural sound (or silence).

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8
Q

Balance

A

A steady or held position achieved by an even distribution of weight.

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9
Q

Binary

A

A composition in two parts or sections.

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10
Q

Canon

A

When the same movements overlap in time.

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11
Q

Choreographic approach

A

The way in which a choreographer makes the dance.

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12
Q

Choreographic devices

A

Methods used to develop and vary material.

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13
Q

Choreographic intention

A

The aim of the dance; what the choreographer aims to communicate.

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14
Q

Choreographic processes

A

Activities involved in creating dance such as improvisation, selection and development.

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15
Q

Choreography

A

The art of creating dance.

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16
Q

Climax

A

The most significant moment of the dance.

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17
Q

Complementary

A

Perform actions or shapes that are similar to but not exactly the same as another dancer’s.

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18
Q

Contrast

A

Movements or shapes that have nothing in common.

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19
Q

Control

A

The ability to start and stop movement, change direction and hold a shape efficiently.

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20
Q

Coordination

A

The efficient combination of body parts

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21
Q

Costume

A

Clothing worn by dancers in performance.

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22
Q

Counterpoint

A

When dancers perform different phrases simultaneously.

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23
Q

Critical appreciation

A

Evaluation of dance based upon knowledge and understanding, including original insights.

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24
Q

Deceleration

A

Slowing down the movement.

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25
Q

Development

A

The way in which movement material is manipulated.

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26
Q

Direction

A

The facing of a movement.

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27
Q

Duet

A

Two performers.

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28
Q

Dynamics

A

The qualities of movement based upon variations in speed, strength and flow.

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29
Q

Elements of dance

A

Actions, space, dynamics and relationships.

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30
Q

Elevation

A

The action of ‘going up’ without support, such as in a jump.

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31
Q

End-stage

A

A performance space with the audience on one side; also known as ‘end-on’

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32
Q

Episodic

A

A choreography with several sections, linked by a theme.

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33
Q

Execution

A

Carrying out actions with the required intention.

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34
Q

Expressive skills

A

Aspects that contribute to performance artistry and that engage the audience, such as focus and musicality.

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35
Q

Extension

A

Lengthening one or more muscles or limbs.

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36
Q

Facial expression

A

Use of the face to show mood, feeling or character.

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37
Q

Features of production

A

Lighting, set, properties, costume and aural setting.

38
Q

Flexibility

A

The range of movement in the joints (involving muscles, tendons and ligaments).

39
Q

Focus

A

Use of the eyes to enhance performance or interpretative qualities.

40
Q

Formations

A

Shapes or patterns created in space by dancers.

41
Q

Fragmentation

A

Use of parts of a phrase or motif.

42
Q

Highlights

A

Important moments of a dance.

43
Q

Improvisation

A

Exploration or generation of movements without planning.

44
Q

In-the-round

A

A performing area with the audience seated on all sides.

45
Q

Intention

A

Aim or desired outcome.

46
Q

Interpretation

A

Finding the meaning that is in the movement or finding the movement that is in the idea.

47
Q

Isolation

A

An independent movement of part of the body.

48
Q

Levels

A

Distance from the ground: low, medium or high.

49
Q

Lighting

A

The illumination of the performance area.

50
Q

Manipulation of number

A

How the number of dancers in a group is used.

51
Q

Mental rehearsal

A

Thinking through or visualising the dance.

52
Q

Mental skills

A

These include commitment, concentration, confidence, movement memory, systematic repetition, mental rehearsal, rehearsal discipline, planning of rehearsal, response to feedback and capacity to improve.

53
Q

Mobility

A

The range of movement in a joint; the ability to move fluently from action to action.

54
Q

motif

A

A movement phrase encapsulating an idea that is repeated and developed throughout the dance.

55
Q

Motif development

A

Ways in which a movement phrase can be varied.

56
Q

Musicality

A

The ability to make the unique qualities of the accompaniment evident in performance.

57
Q

Narrative

A

Dance that tells a story.

58
Q

Pathways

A

Designs traced in space (on the floor or in the air).

59
Q

Performance

A

The presentation of dance to an audience.

60
Q

Performance environments

A

Different settings for dance such as in-the-round, proscenium and site-sensitive.

61
Q

Phrase

A

A short sequence of linked movements.

62
Q

Physical skills

A

Aspects enabling effective performance such as posture, alignment, balance, coordination, control, flexibility, mobility, strength, stamina, extension and isolation.

63
Q

Posture

A

The way the body is held.

64
Q

Projection

A

The energy the dancer uses to connect with and draw in the audience.

65
Q

Proscenium

A

The arch or opening that creates the effect of a picture frame and separates the stage from the auditorium.

66
Q

Rehearsal discipline

A

Attributes and skills required for refining performance such as commitment, systematic repetition, teamwork, responsibility and effective use of time.

67
Q

Relationships

A

The ways in which dancers interact; the connections between dancers.

68
Q

Repetition

A

Performing the same action or phrase again.

69
Q

Rhythmic content

A

Rhythmic content

70
Q

Rondo

A

A music or dance form with alternating and repeating sections eg verse and chorus.

71
Q

Safe execution

A

Carrying out actions safely.

72
Q

Site sensitive

A

Dances that are designed for (or relate to) non-theatre spaces.

73
Q

Solo

A

One performer.

74
Q

Space

A

The ‘where’ of movement such as levels, directions, pathways, shapes, designs and patterns.

75
Q

Spatial awareness

A

Consciousness of the surrounding space and its effective use.

76
Q

Staging/set

A

The presentation of dance in the performing space including set, furniture, props, projection and backdrop.

77
Q

Stamina

A

Ability to maintain physical and mental energy over periods of time.

78
Q

Stimulus/stimuli

A

nspiration for an idea or movement.

79
Q

Strength

A

Muscular power.

80
Q

Structure

A

The way in which material is organised to create the whole.

81
Q

Structuring devices

A

The ways in which a dance is made, built, ordered or organised.

82
Q

Style

A

Characteristic way of dancing.

83
Q

Style fusion

A

The combination of features of two or more styles.

84
Q

Systematic repetition

A

Repeating something in an arranged or ordered way.

85
Q

Tactile

A

Relating to the sense of touch.

86
Q

Technical skills

A

These include accuracy of action, timing, dynamic, rhythmic and spatial content and the reproduction of movement in a stylistically accurate way.

87
Q

Ternary

A

A composition in three parts.

88
Q

Timing

A

The use of time or counts when matching movements to sound and/or other dancers.

89
Q

Transitions

A

Links between dance phrases or sections.

90
Q

Unison

A

Two or more dancers performing the same movement at the same time.