Dance History Test 1 Flashcards

1
Q

Labanotation

A

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2
Q

Terpsichore

A

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3
Q

Apollo

A

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4
Q

Dionysus

A

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5
Q

Acedmie de Musique de la Poesie

A

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6
Q

Academie Royale de la Danse

A

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7
Q

Academie Royale de Musique

A

1570
• Founded to revive poetry, music and dance of the ancient world
• Helped to unite these art forms

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8
Q

Orchesgraphie

A
  • Written by Thoinot Arbeau in 1588, wrote it as if it was a conversation between him and his student, Capriol
  • This is an example of a set of standards of etiquette and deportment
  • An example of a linking of art and manners is found in this charming dance manuel
  • discussed dance, marching, flute, drums, behavior and grroming
  • dance at this time was a gentleman’s art form, like fencing
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9
Q

Ballet a Entree

A
  • A series of independent scenes ranging from the serious to the fantastical, linked together by a broad general theme
  • Episodic construction of these ballets made possible works that could be as simple or as lavish as circumstances required, and they contained roles for a wide variety of character types
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10
Q

Ballet Comique de la Reine

A

• Most important early attempt to create an extended piece of choreography, Regarded as the most important early attempt to create an extended choreographical spectacle
• Commissioned by Catherine De Medici for a royal wedding
• Catherine set styles in manners and art
• Catherine wanted all of Europe to experience it, so she distributed illustrated descriptions of it across the continent
• Vaguely resembled what we now consider a ballet
o No stage
o Audience sat above the performers along three walls
o The work was not funny
• It was a drama, comique referred t drama in general
• Contained recitations and songs, and lasted 6 hours

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11
Q

Nobilita di Dame

A
  • A book by Fabritio Caroso, 1600

* Contained completely choregraphed dances and advice on etiquette and social situations

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12
Q

Tonnelet

A

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13
Q

Pierre Beauchamps

A

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14
Q

Identify and describe the 4 ritual elements found in dance

A

sounds, body decorations, setting, fire

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15
Q

sounds

A

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16
Q

body decorations

A

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17
Q

setting

A

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18
Q

fire

A

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19
Q

Louis XIV (14th) his reign, and how he changed the arts and dance

A

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20
Q

How do we know about dance before there was a written history or video

A

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21
Q

Definition of ritual

A

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22
Q

Reasons for ritual dance

A

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23
Q

types of ritual

A

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24
Q

The 1st Dance Masters

A

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25
Q

Describe dance in the Renaissance Era

A

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26
Q

Development of the Barre

A

What happened as dance steps became more difficult?
• Dancing masters often recommended that their pupils practice them by hanging on to the backs of chairs or to a tightly stretched rope for support
• This is where the “barre” developed

27
Q

The influence of ballroom setting on choreography

A
  • Prior to the proscenium stage the audience sat above the performers in the halls
  • Led to use of patterns and designs for telling stories
  • Metaphor and allegory often found shapes
  • Where are influences today? marching band, cirque de sole, circus, etc…
28
Q

The influence of the proscenium theatre on choreography

A

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29
Q

Reasons for studying dance history

A

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30
Q

Influence of the Roman Empire on the arts

A

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31
Q

Influence of Medieval guilds on dance

A

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32
Q

3 Categories of dance intent

A

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33
Q

The development of dance in France during the Renaissance

A

Renaissance Performers
• Performers were nobles, not professionals
• Amateur in nature
• Men often played both male and female roles in performances
• Men: jumps, fancy steps
• Women: Grace, lightness, restraint
Renaissance Dances
• Ornate, polished versions of ballroom, many of which are known today
• These dances were incorporated into ballets
• Polished, ballroom dances