Dada and Duchamp Flashcards
Macel Duchamp
Three Standard Stoppages
1913-14
“Duchamp’s ironically non-“standard” yardstick, which changes its length from instance to instance, thus defies the coding that gives measurement its precision and its meaning”
Duchamp dropped 3 1-meter long strings from a 1m height and recorded them where they landed, and then cut stencils from the form they took to make “yardsticks”
Francis Picabia
Portrait of a Young American Girl in the State of Nudity
1915
Mechanomorphic Portrait. Girl portrayed as a tool to ignite an engine.
Marcel Duchamp
The Bride Stripped Bare by Her Bacherlors, Even
(The Large Glass)
1915-23
Rrose Selavy
Duchamp’s alter-ego
Marcel Duchamp
Fountain
1917
A readymade, duchamp chose it from JL Mott Iron Works Showroom, set it on pedestal and submitted to American Society of Independent Artists, signed it R. Mutt (as in RiCH), and it was the only work that was rejected. The making of art is not significant, art can be CHOSEN, create new thought for object. “The Only works of Art America has given are her plumbing and her bridges. Complete aneasthesia , total visual indifference, lack of taste.
Duchamp
Tu m’
1918
Marcel Duchamp
Nude Descending a Staircase, No. 2
1912
Hans Arp
COllage Arranged according to the laws of chance
1916-17
Marcel Janco
Mask
1919
Hugo Ball
In his Magical Bishop Costume at Cabaret Voltaire,
Zurich
1916
Paul Klee
Einst dem Grau der Nacht enttaucht
Once Emerged from the Gray of Night
1918
Paul Klee
Angelus Novus
1920
p.140
Hannah Hoch
Cut with the Kitchen Knife throug the Beer Belly of the Weimer Republic
1919
p.175
Raoul Hausmann
Mechanical Head
(Spirit of the Age)
1920
p.176
Kurt Schwitters
Merzbild Rossfelt
Horse Fat
1919