Cutural changes to Weimar Repbulic (1924-29) Flashcards

1
Q

What were the changes within society in terms of work and wages? (1924-29)

A

Length of working week shortened from 50 hours (1925) to 46 hours (1927)
Wages rose by 25% from 1925-28
Growing industry/employment in companies such as Mercedes-Benz

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2
Q

What were the changes within society in terms of housing? (1924-29)

A

1925 15% rent tax introduced to fund building associations (following a housing shortage in 1923 of 1 million). From 1925-29 private companies built 37,000 new homes. New building associations built 24,000 new homes, e.g GEHAG building 10,000 in Berlin.

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3
Q

What were the changes within society in terms of unemployment? (1924-29)

A

1926-28 unemployment dropped from 2m to 1.3m
Unemployment insurance act (1927) charged workers 3% of wages in return for 60 marks per week in unemployment/sickness benefit if they fell out of work.

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4
Q

What were the general improvements within society from 1924-29?

A

Under 1920 Reich pension law, pensions paid throughout 1920s to 750,000 war veterans, 400,000 war widows and 200,000 parents of dead servicemen.

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5
Q

What were the changes for leisure for women in Weimar Republic?

A

‘New women’: short hair, liberated, revealing clothes, sexualised culture. Women behaved freely, smoke, drank, went to bars and clubs unaccompanied. Women made up around 75% of cinema audiences during 1920s (urban women- cinemas not always accessible rurally). Women began to take part in a larger range of sports, athletics. Increase in number of newspapers/magazines following abolition of censorship: aimed at women.

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6
Q

What were the changes in domesticity for women during Weimar Germany?

A

Birth rate fell by 1/3, divorce rate doubled. Weimar constitution gave women equal rights to men in marriage (1919). Elderly women criticised these changes as they threatened norms/values. However women still typically gave up work when married.

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7
Q

What were the changes in employment for women in Weimar Germany?

A

Number of female doctors doubled between 1925/32, by 1925 percentage of women in work returned to its prewar level of around 35%. However there was an increase in women working in white-collar jobs, however they were usually under 25 and unmarried. 1920s retail boom created a surge of jobs for women, and within education sector. Weimar constitution have women equal pay/rights to men at work (however still typically paid less).
Trade unions opposed equal pay and even campaigned against female workers.

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8
Q

What was the opposition to the cultural changes with the Golden Years from 1924-28?

A

KPD argued money spent funding these changes should be prioritised for needy working class.
Opposed typically by middle class, right wing, who wanted to maintain traditional values.

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9
Q

Golden Years (1924-28)
Changes to design

A

Erich Mendelssohn influenced by Bauhaus, school of design, futuristic design e.g tower that looked like a rocket. Differentiated from traditional design, increase in experimentation. Limited change, suppressed by Nazis in 1933. Many of the followers/curators of the architectural movement fled when Nazis rose to power to maintain freedom.

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10
Q

Golden Age (1924-28)
Night life

A

Increase in new plays, opera and theatre, which were critical of German government/society, made fun of politicians in songs. Standards of living fell. More open sexuality, increased freedom especially for gay people.

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11
Q

Golden Years (1924-28)

A

Metropolis (1927) most advanced film of the decade, a Sci-Fi/thriller. Increase in strong willed female roles within films. 3800 German cinemas showing films with sound by 1932. Rise in expressionist style- surge in creativity, filmed were unrealistic/exaggerated. Most prominent director Fritz Lang.

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12
Q

Golden Years (1924-28)
Art

A

Increase in art which included a more realistic painting of society e.g bad treatment of war veterans. Critical of german gov/society. Otto Dix/George Grosz ~ 1926. Experimental artwork, less traditional - ended when Hitler came into power as he claimed it was ‘morally corrupt’. Most artists fled post 1933.

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