Critics: Iago Flashcards
Leavis - dramatic mechanism
‘Iago is subordinate and merely ancillary [to Othello]. He is not much more than a necessary piece of dramatic mechanism.’
Despite disagreement about Iago (supreme manipulator vs accessory to Othello’s own downfall) John Wain:
‘they agree at least in finding him repulsive’
Coleridge
‘The motive-hunting of a motiveless malignity.’
A C Bradley
‘Shakespeare put a good deal of himself into Iago.’
Artistic creation
Honigmann - power
‘He enjoys a godlike sense of power.’
Honigmann - Emilia
‘Emilia’s love of Desdemona is Iago’s undoing.’
Honigmann - tactics
‘Iago excels in short term tactics, not in long term strategy.’
Honigmann clever
‘His humour makes him seem cleverer than his victims.’
‘Despite his cleverness, he has neither felt nor understood the spiritual impulses that bind ordinary human beings together.’
Anna Jameson
The horror of the play lies in ‘the clash between virtuous Desdemona and malevolent Iago.’
Bernard Spivack (quote from Scragg)
‘A descendent of the Vice, playing his traditionally motiveless role beneath a mask of motivated hostility.
A C Bradley - Cassio
Cassio object of envy to Iago (link Anthony jealous of Caesar)
Barbara Everett
Iago - patron saint of Spain - Santiago Matamoros (Moor Slayer)
Oliver Parker
homosexual desires Othello
K F Hall - white
‘white devil’
K F Hall - evil
‘He is the evil within who escapes notice by projecting sin onto others.’