Critics 31-40 Flashcards
- Carol Phillips
‘Othello’s love of Desdemona is ‘the love of possession. She is a prize, a spoil of war’
- Kieran Ryan
‘Iago’s most disturbing quality is that he is ‘THEATRICALLY IRRESISTABLE’
- Simon Bubb
‘Iago’s most powerful tool is his voice’
- Cox
Iago makes his superiors his puppets
- Bonnie Greer
‘it is only “Othello’s jealousy, not Iago’s hatred, that is the real tragedy’
- Andy Serkis
‘He is not the devil. He’s you or me being jealous and not being able to control our feelings’ - played Iago in 2002
- Loomba
Women and blacks exist as other
- T.S Elliot
‘Othello is responsible for his own downfall’
- Loomba (2)
‘Iago’s machinations are effective because Othello is predisposed to believing his pronouncements about the duplicity of women’
- Schlegel
‘Othello’s descent into murderous jealousy is not a shocking reversal, but is the inevitable return of an innately barbarous man to his ostensibly uncivilised roots’