Critics Flashcards

1
Q

What psychological traits does Iago exhibit according to Fred West?

A

Iago has all the psychological traits of a psychopath.

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2
Q

How does Coleridge describe Iago’s motivation?

A

Motiveless malignity.

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3
Q

What does Andy Serkis say about Iago’s jealousy?

A

He’s you or me being jealous and unable to control our feelings.

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4
Q

What does Frank Kermode suggest about Iago’s motivations?

A

Iago is motivated by more than a mere desire for revenge.

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5
Q

How does Dr. Johnson characterize Iago throughout the play?

A

From the first scene to the last (he is) hated and despised.

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6
Q

What does Honigmann say about the audience’s feelings towards Iago?

A

Many come close to sympathising with him.

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7
Q

How does Godfrey characterize Iago?

A

The very voice of jealousy itself.

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8
Q

What sense of power does Honigmann attribute to Iago?

A

He enjoys a godlike sense of power.

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9
Q

What role does Honigmann assign to Iago in the play?

A

Iago is the play’s chief humorist.

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10
Q

How does A.C. Bradley describe Iago’s actions?

A

Iago does what he does for enjoyment.

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11
Q

How does Ruth Cowhig describe Othello’s position in society?

A

An Alien in white society.

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12
Q

What does Henry L. Warnken say about Othello’s thoughts?

A

His thoughts and feelings echo Iago’s.

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13
Q

How does F.R. Leavis characterize Othello’s character?

A

He is simply jealous and possesses a weak character.

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14
Q

What does Caryl Phillips say about Othello’s love for Desdemona?

A

Othello’s love of Desdemona is the love of possession.

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15
Q

What insecurity does Caryl Phillips attribute to Othello?

A

Othello feels constantly threatened and profoundly insecure.

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16
Q

What does Bonnie Greer identify as the real tragedy in Othello?

A

It is only Othello’s jealousy, not Iago’s hatred, that is the real tragedy.

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17
Q

How does F.R. Leavis describe Othello’s flaws?

A

Othello is completely flawed.

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18
Q

What does F.R. Leavis say about Othello’s role at the end of the play?

A

Othello dies belonging to the world of action in which his true part lay.

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19
Q

Who does F.R. Leavis say is responsible for Othello’s downfall?

A

The tragic protagonist is responsible for his downfall.

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20
Q

What does A.C. Bradley say about Othello’s intentions towards Desdemona?

A

Othello is to save Desdemona from herself, not in hate but in honour… and also in love.

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21
Q

How does A.C. Bradley characterize Othello’s susceptibility?

A

Othello is unusually open to deception.

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22
Q

What does Thomas Rymer say about Desdemona?

A

Maidens of quality.

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23
Q

How does S.N. Garner describe Desdemona’s response to her father’s charges?

A

She answers her father’s charges forcefully and persuasively, without shyness.

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24
Q

What does Loomba say about the societal perception of women and blacks?

A

Women and blacks exist as the other.

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25
Q

How does Lisa Jardine characterize Desdemona?

A

Desdemona becomes a stereotype of female passivity.

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26
Q

What does A.C. Bradley say about Desdemona’s passivity?

A

Helplessly passive.

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27
Q

What does A.C. Bradley say about Desdemona’s suffering?

A

Torched without cause.

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28
Q

How does A.C. Bradley describe the impact of Desdemona’s innocence?

A

Her innocence makes her suffering more painful for the audience.

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29
Q

How does French describe Desdemona’s behavior until the end?

A

She remains submissive until the end.

30
Q

What does S.N. Garner say about Desdemona’s willingness to risk societal censure?

A

Her willingness to risk censure of her father and society is some measure of her capacity for love.

31
Q

What does Simpson say about Desdemona’s death?

A

She dies in the service of truth.

32
Q

What does M. Cox say about Desdemona’s final claim?

A

Desdemona dies claiming black is white.

33
Q

What does Berry say about Emilia’s feelings towards class?

A

Emilia shares Iago’s resentment for class.

34
Q

How does Carol Thomas Neely describe Emilia’s actions?

A

Emilia acts according to wifely virtues of silence, obedience and prudence.

35
Q

What does A.C. Bradley say about Emilia’s character?

A

She nowhere shows signs of having a bad heart.

36
Q

What does Simpson say about Emilia’s role in truth?

A

She dies in the service of truth.

37
Q

How does Simpson describe Emilia’s impact on Desdemona?

A

Emilia underscores Desdemona’s lack of knowledge in the world.

38
Q

What does A.C. Bradley say about Emilia’s stupidity?

A

Her stupidity is gross, but it is stupidity and nothing more.

39
Q

What does Simpson say about Emilia’s obedience?

A

We have to acknowledge the fact that wives are required to be obedient to understand Emilia’s handing over of the handkerchief.

40
Q

How does Eales describe societal views on single women?

A

Single women were […] sexually insatiable and intent on cuckolding men.

41
Q

What does Eales say about women’s societal status during the period?

A

Women during the period were viewed as ‘morally, intellectually, and physically weaker than men.

42
Q

How does Hall describe Bianca?

A

A sexually pure woman who is nevertheless pure in spirit.

43
Q

What does Simpson say about Bianca’s outsider status?

A

Bianca is like Othello and Cassio, an outsider.

44
Q

How does Bunten characterize Bianca’s role in Venetian society?

A

Bianca reflects the paradox of Venetian sexual morality.

45
Q

What does Bastin say about Bianca’s survival at the end of the play?

A

Bianca’s survival at the end of the play is necessary for viewers to achieve a catharsis that is not felt by the death of Othello alone.

46
Q

What does Frank Kermode say about Iago’s deception of Roderigo?

A

Iago’s deception of Roderigo depends on the young man’s willingness to believe that Desdemona is sexually corruptible.

47
Q

What does Loomba say about racial perceptions?

A

Blacks exist as ‘the other.

48
Q

How does Loomba describe male jealousy?

A

Male jealousy hinges upon racial differences as well as upon female infidelity.

49
Q

How does Jamieson characterize Roderigo?

A

Easily led by the evil Iago.

50
Q

What does Ridley say about Roderigo’s character?

A

He is a pathetic figure….trying to swim in a sea much too rough for him.

51
Q

What does Barker say about Roderigo’s awareness?

A

He goes to the devil with his eyes open, yet blindly.

52
Q

What does Jamieson say about Roderigo’s feelings for Desdemona?

A

Is in love with Desdemona and is prepared to do anything to get her.

53
Q

What does Loomba say about women and blacks?

A

Women and blacks exist as ‘the other.’

54
Q

What does S.N. Garner say about Desdemona’s marriage to Othello?

A

Desdemona’s liveliness, assertiveness, and sensuality are corroborated in her marrying Othello.

55
Q

How does Bristol characterize Othello?

A

Othello is a test of racial persecution.

56
Q

What does Loomba say about Othello’s victimization?

A

Othello is a victim of racial beliefs precisely because he becomes an agent of misogynistic ones.

57
Q

What does Anita Loomba say about women and blacks?

A

Women and blacks exist as other.

58
Q

How does Jardine describe Desdemona’s role?

A

Desdemona becomes a stereotype of female passivity.

59
Q

What does Honigmann say about the conflict between love and evil?

A

Love and Goodness defeat Evil.

60
Q

How does Cox categorize characters in the play?

A

Characters divide into virgins and saints or whores and devils.

61
Q

What does Jardine say about women’s reputations?

A

Most readily available form of assault on a woman’s reputation.

62
Q

What does Carol Thomas Neely say about Emilia’s virtues?

A

Emilia acts according to wifely virtues of silence, obedience and prudence.

63
Q

What does Teague say about the handkerchief?

A

A different understanding that helps preserve their tragedy.

64
Q

What does Wayne say the handkerchief represents?

A

It is an emblem of Desdemona’s body.

65
Q

How does Callaghan describe the handkerchief?

A

The handkerchief acts as a miniature of the nuptial linens.

66
Q

What does Newman say about the possession of a woman’s handkerchief?

A

Possession of a woman’s handkerchief was considered adultery.

67
Q

What does an unknown source say about racial stereotypes?

A

Black skinned people… typed as godless, bestial and hideous.

68
Q

How does Loomba describe jealousy?

A

Prone to anger and jealousy.

69
Q

What does F.R. Leavis say about Othello’s jealousy?

A

Othello slips readily into possessive jealousy because he is self-centered.

70
Q

How does Godfrey characterize Iago?

A

Iago is the very voice of jealousy itself.