Critics Flashcards

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1
Q

Emma Kirby
(Madness)

A

“Sanity is dependent on fitting in and adhering to the social roles expected of us.”

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2
Q

Harold Clurman
(Sexism)

A

“Blanche is a delicate and sensitive woman pushed into insanity by a brutish environment presided over by chief ape-man Stanley Kowalski.”

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3
Q

Katrina Duerre
(Illusion VS reality)

A

“[Blanche] attempts to maintain her past luxurious life by holding onto and creating new desires rather than adjusting to her reality.”

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4
Q

J. M. McGlinn
(Illusion vs reality)

A

“Stella ignores the needs of others and eventually adopts her own illusion. Life with Stanley - sex with Stanley - is her highest value. Her refusal to accept Blanche’s story of the rape is a commitment to self-preservation rather than love.”

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5
Q

The New Yorker
(Corruption VS decay)

A

“A play about the disintegration of a woman…or of a society”

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6
Q

Nancy Tischler
(Old VS new)

A

“…sees Streetcar not as a drama of natural selection but rather as “a reversal of Darwin’s vision—back to the apes.”

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7
Q

Elia Kazan
(Destruction)

A

“He’s got things the way he wants them around there and he does not want them upset by a phony, corrupt, sick, destructive woman. This makes Stanley right!”

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8
Q

Tennessee Williams
(Destruction)

A

“The [play shows] destructive power of society on the sensitive non-conformist individual.”

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8
Q

P. Allan
(Illusion VS reality)

A

“[Blanche] craves ‘magic’ because the truth about postwar America is too harsh to bear.”

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9
Q

George Hovis
(Southern Belle)

A

“Both a mask and a prison”

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10
Q

Welsch
(Desire and death)

A

“Both psychologically and symbolically, Blanche’s sexual experiences lead her on a journey to death.”

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11
Q

Shirley Galloway
(Desire and death)

A

“Blanche has her own desires that draw her to Stanley, like a moth to the light, a light she avoids, even hates, yet yearns for.”

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12
Q

Jacqueline O’Connor
(Female entrapment)

A

The play represents Blanche as “one of a number of protagonists whose voices are silenced by the accusation of madness when they insist on speaking truths that the world is not prepared to hear.”

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13
Q

Eliza Kazan
(Stella)

A

“Stella… becomes the field of battle over which Stanley and Blanche fight.”

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14
Q

Jinchao Xu
(Female entrapment)

A

“Women like Blanche are ill equipped to survive in a changing world by any means except physical attractiveness.”

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15
Q

Elliot Norton
(Masculinity)

A

“Marlon Brando plays the man Stanley as a bull and a bully.”
[Stanley] “…fired into anger by an underlying pride and vanity.”

16
Q

Nicole Onyett
(Identity)

A

Blanche has become a social outcast because she refuses to conform to conventional moral values. In cruelly unveiling the truth about her scandalous past, Stanley strips her of her psychological, sexual, and cultural identity.

17
Q

Burks
(Social class)

A

“Less (…) a struggle between good and evil” and more a “Social Darwinist struggle for survival between two species of human beings.”

18
Q

Eliza Kazan
(Blanche)

A

“…an emblem of a dying civilization…all her behaviour patterns are those of the dying civilization she represents.”

19
Q

Ruth Foley
(Stella)

A

Stella Kowalski represents a more classic example of a female victim in a patriarchal society where a woman accepts spousal abuse in order to be provided for and deludes herself into thinking that she is happy in this role.

20
Q

Feminist critics

A

A Feminist critic would sympathise with the women in this play as they are all victims of powerful men. They would also feel disappointed by the fact that Blanche was challenging Stanley but her own desires and delusions caused her to lose the battle.

21
Q

Marxist critics

A

A Marxist critic would feel satisfied that Stanley is triumphant in the end over Blanche, that he won the power struggle. Symbolically he has represented the North defeating the South, which Blanche is symbolic of.

22
Q

Tennessee Williams
(Identity)

A

“Nobody sees anybody truly but all through the flaws of their own egos. Vanity, fear, desire, competition– all such distortions within our own egos..

23
Q

Tennessee Williams
(Blanche)

A

“I suppose I have found it easier to identify with the characters who verge upon hysteria, who were frightened of life, who were desperate to reach out to another person. But these seemingly fragile people are the strong people really.”

24
Q

Tennessee Williams
(Vulnerability)

A

“All my life I have been haunted by the obsession that to desire a thing or to love a thing intensely is to place yourself in a vulnerable position…”