Critics Flashcards

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1
Q

Foakes

Old age

A

‘a pathetic senior citizen trapped in a hostile environment’

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2
Q

Heil, good dog

Heilman

Sight

A

“The old men themselves come to insight through suffering”

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3
Q

Heilman

Lear’s love

A

“He insists upon the untenable proposition that love can be measured”

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4
Q

Heilman

Lears Power

A

“his failure to perceive that a king cannot be a king without a crown”

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5
Q

Heilman

Gloucester

A

“Gloucester is the object of manipulation… he too easily yields to that in which he should see evil”

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6
Q

Rubio

Cordelia/women

A

cordelia uses “silence, the only possible form of subversion for upper-class women”

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7
Q

Johnson

good vs evil

A

“the wicked prosper and the virtuous miscarry”

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8
Q

Woods

Fool/Vulnerability

A

“Lear has no soliloquies… the Fool provides the means for Lear to use a more intimate and unguarded voice”

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9
Q

it aint natural to pack no shus

Shupack

Natural Order/C’s Death

A

Cordelia’s death “denies the necessity of a just natural order.”

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10
Q

Edmund went too Mcfar

McNeir

Edmunds Character development

A

“sinks into the abyss of evil once more, and tries to crawl out-too late.”

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11
Q

Savvas

End of Play

A

“By the end of the play, we have realized that there are no longer any frontiers between the wise and the ridiculous, between the sane and the insane, between man and beast, or even between man and the gods”

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12
Q

Savvas

Justice contrasts Johnson

A

Good and bad suffer alike and there is no mercy in either case.

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13
Q

Dunn

Selfishness

A

“Goneril, Regan, Oswald, Cornwall and Edmund display a selfishness so callous it cannot be touched by human pity”

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14
Q

Dun Dun DUNN

Dunn

Religion

A

“The storm acts as a symbol of the last judgement…connotations of doomsday that would have reached a christian audience”

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15
Q

McLaughlin

Power Hunger

A

“his three daughters and Edmund are driven by the need to achieve social, personal, and sexual power.”

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16
Q

McLaughlin

g & r’s villainy

A

The way Goneril and Regan treat, not only their father, but also their husbands, shows that they are determined to master the men in their lives and reduce them to inferior”

17
Q

Shapiro

Nothing

A

“The idea of nothing is central to the play…insistent and apocalyptic negativity becomes a reoccurring drum beat”

18
Q

Allan

Albany

A

“Metamorphosis from nonentity to a man of integrity and inner strength”

19
Q

O’Mahoney

Suicide

A

‘Nothing is more damnable… than for a man to kill himself’. Thus, Goneril is irredeemable, unlike Edmund

20
Q

Aristotle

A

a tragedy “should produce the pleasure which comes from pity and fear.”