Critics Flashcards

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1
Q

Dana Elisabeth Allington: women

A

‘The Mayor of Casterbridge brings to light the harsh reality of Victorian society’s treatment of women’

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2
Q

Professor Carrolls: Susan, gender

A

‘Susan Henchard is the embodiment of a typical submissive Victorian age woman’

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3
Q

Joseph Warren Beach: nature

A

‘Thomas Hardy sounds the death-knell of the old nature poetry’

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4
Q

Greg LaLuna: nature

A

‘Preoccupied with understanding how nature operates’

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5
Q

Jerome Bump: MH and SH, secrets

A

‘Both [MH and SH] are obsessed with secrecy’

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6
Q

Phillip Henneman: Susan, women

A

‘she has a steely, meticulous determination’

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7
Q

Bert Hornback: Lucetta, the past

A

Lucetta ‘tries to break from the bonds of her past, and this destroys her’

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8
Q

Roger Ebbatson: the persistence of the past

A

‘as in greek tragedy, the past returns to haunt the protagonist’

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9
Q

Emma Hardy: gender

A

‘He understands only the women he invents’

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10
Q

All critical comments about gender (4)

A

Dana Allington: ‘MOC brings to light the harsh reality of Victorian society’s treatment of women’

Professor Carrolls: ‘embodiment of a typical submissive Victorian age woman’ (SH)

Phillip Henneman: ‘[SH] has a steely, meticulous determination’

Emma Hardy: ‘he understands only the women he invents’

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11
Q

All critical comments about the past (3)

A

Bert Hornback: ‘Lucetta tries to break free from the bonds of her past, and this destroys her’

Roger Ebbatson: ‘As in greek tragedy, the past returns to haunt the protagonist’

Patterson: ‘rooted in the demoralisation of the present by the corruption of the past’

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12
Q

All critical comments about love (3)

A

Elaine Showalter: ‘paternity is a central subject of the book’

J Hillis Miller: ‘passionate desire for full possession of another person’ (MH)

H.M Daleski: ‘ambivalent portrayal of marriage’

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13
Q

All critical comments about character and fate (4)

A

Gilani: ‘indifferent […] to human happiness’ (Hardy’s fate)

Angus: ‘misery is the result of character’

Ray Evans: MHs fate is ‘seemingly inevitable’

Pratap: ‘Henchard’s fate seems to arise from his inflexibility’

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14
Q

All critical comments about nature (2)

A

Joseph Warren Beach: ‘Hardy sounds the death-knell of the old nature poetry’

Greg LaLuna: ‘preoccupied with understanding how nature operates’

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15
Q

Casterbridge

A

‘primitive’, ‘hierarchy’ - John Patterson

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16
Q

Tragedy, past

A

‘as in Greek tragedy, the past returns to haunt the present’ - Roger Ebbatson

17
Q

Greek tragedy

A

‘like Oedipus’, ‘punish himself’ - E Ingersoll

18
Q

Lucetta, past, downfall

A

‘Lucetta tries to break free from the bonds of her past, and this destroys her’ - Bert G Hornback

19
Q

Gender, suffering (paraphrased)

A

Hardy confuses the feminine capacity for suffering with suffering as a feminine role - Patricia Spacks