Critics Flashcards

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1
Q

The theme of Hamlet

A

Is death
W. Knight

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2
Q

No one in the play

A

Knows or understands anyone else
L. Charnes

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3
Q

The play is fundamentally

A

Constructed on the grounds of deception, lies, and treachery
S. Shuaybi

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4
Q

Hamlet is paralysed

A

By his intellect
Lowell

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5
Q

Hamlet is a sane

A

Man in an insane world
Rothman

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6
Q

Who is Shakespeare’s

A

Greatest villain? Hamlet for convincing critics and audiences he is a hero.
C. Butler

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7
Q

Critics on Ophelia

A

She died because of her virtues whilst other perished for their faults. She did nothing wrong yet so many wrongs were dealt to her
E. Showater

Leverenz = “In her madness, she has already died.” = loss of identity without her father

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8
Q

David Tennant’s 2009 1:2 soliloquy

A

He crouched into the foetal position to show his venreability

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9
Q

Kenneth Branagh 1996 3:1 GTTAN
vs.
GD 2009 MG in 4:5

A

He drags Ophelia (Kate Winslet – victim performance) across the stage = exaggerated his madness
vs.
Gregory Doran’s 2009 (David Tennent’s Hamlet) Mariah Gale erratically perform’s Ophelia making her being feared as she tugs at the lapels of Patrick Stewart’s suit = empowering her

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10
Q

Benedict Cumberbatch’s 3:1 TBONTB soliloquy

A

He wears a noose-like rope, which reminds the audience that he is bound/tied up — also recurring motif of death imagery —- which also highlights Hamlet’s lack of agency/autonomy

Director = Lyndsey Turner - 2015

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11
Q

Friendship

A

Gregory Doran’s 2009 Hamlet = Peter De Jersey — Hamlet dies in his arms + they hold hands as he dies and he kisses Hamlet’s forehead when he delivers his goodbye
French: “Rozencrantz and Guildenstern sacrifice the bond of human friendship to a social propriety”
Philip Saville’s Hamlet at Elsinore 1964 — Hamlet = Christopher Plummer, Horatio = Michael Caine [more prominent frienship as Caine plays a large role] — Donald Sutherland plays a larger role as Fortinbras despite his brief appearance in the play

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12
Q

Kenneth Branagh’s 3:1 (TBoNTB) soliloquy is

A

Performed in front of a mirror which emphasises the theme of appearance vs reality as the mirror reflects his true self

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13
Q

Claudius in Kenneth Branagh’s Hamlet

A

Wears a red uniform with badges in a room that is black and white so he physically looks like an arrogant intruder
+ he is presented as weak and cowardly as he tries to flee in 5:2 in Kenneth Branagh’s 1996 ‘Hamlet’
+ “Claudius’ evil has corrupted the whole kingdom of Denmark” = Altick

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14
Q

The number of

A

Images of sickness and disease is descriptive of the unwholesome condition of Denmark morally.
Spurgeon

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15
Q

Hamlet is a Renaissance

A

Man loving contemplation
Stoll

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16
Q

The play presents

A

A solution less problem
Arnold

17
Q

Hamlet is trapped

A

In a world he cannot escape or understand
Santayana

18
Q

Hamlet comes to realise

A

The role providence ordains for him
Wilson

19
Q

Hamlet’s madness is

A

Feigned. It’s a kind of defence mechanism.
Roy

20
Q

Olivier

A

Laurence Olivier’s 1948 version = Elsinore high up on a rocky cliff to highlight the perilous nature of the characrerts in the play’s actions
Hamlet kisses Gertrude = Oedipal complex
Agressive performance = throws Jean Simmons’ Ophelia to the floor
Intelligence = During his ‘Get thee to a nunnery’ speech he points to the curtain, where Claudius and Polonius are hidden when he shouts “Those that are married already - all but one - shall live.” = he points when he states ‘all but one’