Critics 1-20 Flashcards

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1
Q

1 - Iago

A

Coleridge - ‘motiveless malignity’

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2
Q

2 - Othello and Iago

A

O’Toole - ‘there is no Othello without Iago’

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3
Q

3 - Othello

A

Koomba - Othello is a ‘victim of racial beliefs’

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4
Q

4 - Iago

A

Kaatzch - ‘the phonetic affinity between ‘Iago’ and ‘ego’

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5
Q

5 - Desdemona

A

John Quincy Adams - believed Desdemona earned fate as ‘black and white blood cannot be intermingled’

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6
Q

6 - Desdemona

A

Rymer (1600’s) - ‘a woman without sense because she married a blackamoor’

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7
Q

7 - Othello

A

Robert B Heilman - ‘the least heroic of Shakespeare’s tragic heroes’

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8
Q

8

A

Hopkins - ‘Iago sees Cassio in the role he coveted for himself’

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9
Q

9

A

Hopkins - ‘Cassio carried a name meaning hollow, of Italian origin’

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10
Q

10

A

Lux - ‘refusal to drink with men will damage reputation’

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11
Q

11

A

Coleridge - ‘The perfection of women is to be characterless… everyone wishes Desdemona for a wife’

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12
Q

12

A

Cox - ‘reputation [was] an essential commodity for men’

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13
Q

13

A

Alexandera Melville - Iago commits ‘spiteful attacks on others to soothe his sense of social importance’

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14
Q

14

A

Bayley - ‘Emilia is the mouthpiece of repressed femininity’

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15
Q

15

A

Carol Neely - ‘Emilia acts in accordance with the widely virtues of silence, obedience and prudence’

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16
Q

16

A

Dr Farah Karim-Cooper - ‘shakespeare made these character easy to sympathise with
suggesting these categories created by the Renaissance patriarchy are flawed’

17
Q

17

A

E. A. J Honigmann - ‘fear of Imago’ explains Emilia’s attitude as Shakespeare’s tragedy unfolds

18
Q

18

A

A.C Bradley - ‘helplessly passive’

19
Q

19

A

Carol Phillips - ‘Othello feels constantly threatened and profoundly insecure’

20
Q

20

A

Karen Newman - ‘Possession of a woman’s handkerchief was considered adultery’