Critical theory Flashcards
analysis of literary structures (genre; character, plot, setting, etc.)
Formalism /New Criticism 1920’s forward
rejected literature’s historical and biographical contexts
Formalism /New Criticism 1920’s forward
intrinsic meaning of texts; literature expresses “universal truths”
Formalism / New criticism 1920’s forward
critic’s task to explore precisely through language and form how that truth is expressed -‐“Close reading”; the TEXT holds THE meaning
Formalism /New Criticism 1920’s forward
Aristotle (The Poetics) -‐Plato (The Republic) -‐John Crowe Ransom -‐Cleanth Brooks -‐T.S. Eliot
Formalism / New criticism 1920’s forward
emphasis on reader’s role in creating meanings
Reader response
meanings generated by a transaction between reader and a text; meaning is not wholly intrinsic to the text
Reader response
Louise Rosenblatt (The Reader, The Text, and The Poem) -‐Robert Probst (Response and Analysis) -‐Wolfgang Iser -‐Stanley Fish -‐Norman Holland
Reader response
based on Marx’s theories of class and cultural production
Marxist/Materialist Analysis
importance of class and economic conditions; power relationships and class ideologies presented within a text
Marxist/Materialist Analysis
Terry Eagleton -‐Karl Marx -‐Frederich Engles
Marxist/Materialist Analysis
concept of the unconscious, conscious, ego and id -‐human activity not always conscious
Psychoanalytic Analysis
nature/ nurture -‐developmental stages; childhood trauma and its effect on development
Psychoanalytic Analysis
Sigmund Freud -‐Jacques Lacan -‐Northrup Frye
Psychoanalytic Analysis
principles of scientific linguistic study applied to literature -‐signified (the concept), signifier (the word), sign (combination of concept and word)
Structuralism and Semiotic Analysis