Critical Quotations Flashcards
Appropriation ‘is not closed to […] social struggle’.
Robert Weinmann ‘Text Author-Function and Appropriation’
Adaptions ‘efface [source text] with the presence of its own in at’
John Ellis ‘The Literary Adaption
Terms Transposition, Commentary and Analogue
Deborah Cartmell
A ‘Blakian Paradox […] is the focus of multiple significations’
Harold Fisch in The Biblical Presence
Biblical references are ‘indistinct […] picked out by the vivid details of a prophetic mocking eye’
Harold Fisch in The Biblical Presence
Blake ‘seeks to describe the inversion of the creative process’
Mollyanne Marks in ‘Structure and Irony of Blake’
Hick’s pluralism
Jonathan Hick’s God and the Universe of Faiths
Via Negativa
John Scotus Engenia
‘The Eternals represent an idealised alternative to […] the hierarchical order consistently identified with Urizen’
John Mee, Dangerous Enthusiasm
‘The poem is mainly concerned with undermining scriptural authority
John Mee, Dangerous Enthusiasm
Urizen ‘desire[s] to fix human faculties within the boundaries of his authority’
John Mee, Dangerous Enthusiasm
Parody ‘creates [a] cultural distance […] between the background text […] and the new accompanying order’.
Linda Hutcheon, A Theory of Parody
Penelope displays ‘a human, contemporary, complex and highly individual identify’ compared to TO narrator
Hilde Staels, ‘Contemporary parodic and Burlesque Transformations’
Atwood’s slang undermines Homeric style whilst neutralising ‘ancient class distinctions between Penelope and her maids’
Hilde Staels, ‘Contemporary parodic and Burlesque Transformations’
Burlesque shows ‘disrespect to power and authority’
Hilde Staels, ‘Contemporary Parody and Burlesque Transformations’
