Hopkins
‘for one thing, despite the traditional view that marriage provides comic closure, this is, in fact, rarely achieved.’
Laroque
Contrariwise, Jonson’s comical satires or Shakespeare’s subplots that take up the tricks of humour and the cruel games of deception and exposure – illustrated in the conflicts between Sir Toby, Feste, and Malvolio in Twelfth Night – insist on dissonance and cacophony or on men who have no music in them.
Bevington
‘Malvolio brings his downfall on himself, albeit with the eager assistance of those who hate him for being a killjoy’