critic names Flashcards

remember all them or die

1
Q

Von Goethe

A

“All duties seem
holy to Hamlet”

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2
Q

Mabillard

A

“Claudius is not a monster, he is morally weak’

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3
Q

Arnold

A

‘Claudius’ soliloquy gives the impression of rhetorical pageantry rather than ardent contrition.’

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4
Q

Charney

A

‘Through madness, Ophelia suddenly makes a forceful assertion of her being’

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5
Q

Prosser

A

‘Laertes is like a hurricane’

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6
Q

Aristotle

A

‘The aim of tragedy is to arouse sensations of pity and fear

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6
Q

T.S. Eliot

A

‘The opening scene of Hamlet is as well constructed as that of any play ever written’

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7
Q

Knight

A

Claudius shows every sign of being an excellent diplomat and king’

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8
Q

Showalter

A

“Ophelia is deprived of thought, sexuality and language’

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9
Q

Rogers

A

‘In Shakespeare’s society, the ideal female is cherished for her youth, beauty and purity’

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10
Q

in madness

Mack

A

‘Hamlet can be privileged in madness to say things about the corruption of human behaviour’

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11
Q

Hazlitt

A

‘Hamlet seems incapable of deliberate action’

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12
Q

Bradley

delay

A

‘Hamlet’s delay is due to…a form of melancholy’

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13
Q

Swinbourne

A

‘The single characteristic of Hamlet’s character is by no means hesitation but the strong conflux of contending forces.’

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14
Q

Bradley

tragedy

A

‘Hamlet is a tragedy of thought.’

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15
Q

Edwards

A

‘We can imagine Hamlet’s story without Ophelia, but Ophelia literally has no story without Hamlet.’

16
Q

Mabillard

A

‘Claudius is not a monster, he is morally weak’

17
Q

Arnold

A

‘Claudius’ soliloquy gives the impression of rhetorical pageantry rather than ardent contrition.’

18
Q

Muir

A

‘Gertrude is a moral defective’

19
Q

Wilson

A

‘The ghost is the linchpin of Hamlet’

20
Q

Charney

A

‘Through madness, Ophelia suddenly makes a forceful assertion of her being’

21
Q

Mack

final act

A

‘In the final act, Hamlet accepts his world and we discover a different man’

22
Q

Frye

A

‘Hamlet is a tragedy without catharsis’

23
Q

McGrory

A

‘Women are either innocent maiden saints or loathsome sinners.’

24
Showalter quoting Leverenz
‘Hamlet’s disgust at the feminine passivity in himself is translated into violent revulsion against women’
25
Smith
‘Polonius seems to love his children….his means of action however are totally corrupt’
26
# hamlet on gertrude Adelman | main task
‘Despite his ostensible agenda of revenge, the main psychological task that Hamlet seems to set himself is not to avenge his father’s death but to remake his mother’
27
Adelman | reformation
‘Throughout the play, the covert drama of reformation vies for priority with the overt drama of revenge’
28
Kastan
‘The absence of clear answers to questions is central to Shakespearean tragedy’
29
# natural Coleridge
‘Ophelia’s… natural carelessness of innocence’
30
# forced manner Coleridge
‘The strange and forced manner of Ophelia, …..was not acting a part of her own, but was a decoy’
31
# oph soliloquy Coleridge
‘The soliloquy of Ophelia, which follows, is the perfection of love—so exquisitely unselfish!’
32
Calderwood
‘Hamlet senses that he too has become part of a larger process: the plot of Providence as scripted by the divine Playwright’
33
Kerrigan
Ophelia is a lesser we have never really known'
34
Johnson
Hamlet is rather an instrument than an agent