Creativity and Music Flashcards

1
Q

What aspects of music require creativity?

A

Improvisation

Variations in performance

Producing a score/composing

Listening

Recording music in a studio

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2
Q

What sort of music involves improvisation?

A

Jazz

Blues

Folk

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3
Q

How can performances of music be creative?

A

Performers can emphasise certain features of the music

People will vary in their expressive aspects of performance

People will interpret scores differently

May deviate from the score a bit or change the tempo/rhythm up slightly

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4
Q

What is Simonton’s (1980) originality test about?

A

Identifying a piece of music as being original

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5
Q

Outline Simonton’s (1980) study on the originality test

A

Looked at 10 major composers and systematically analysed their melodic originality

Also looked at biographical stress - stress due to life events, mental health etc.

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6
Q

What did Simonton (1980) find in his originality test?

A

The most famous themes had the most unusual combinations of notes

The most famous themes were the most original - they stood out for being distinctive because people hadn’t thought of those combinations before

Periods of biographical stress were associated with producing highly original work - inspired to think of unusual combinations by having problems in life

Originality tailed off towards the ends of composers lives. They pass a point where they run out of ideas. Get less inspired, or more complacent, as they get older

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7
Q

What themes were more famous in Simonton’s (1980) originality test?

A

Concert/instrumental themes and orchestral works - large scale works were most famous

Not vocal or choral works - these were not very famous

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8
Q

What themes were more original in Simonton’s (1980) originality test?

A

Chamber/choral themes were more original than larger scale works

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9
Q

What is the Swan Song phenomenon?

A

The dying composer goes out with a bang - produces great work towards the end of their career

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10
Q

What does the idea of the Swan Song conflict with?

A

The idea that originality tails off towards the end of composers lives

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11
Q

What did Porter & Suedfeld (1981) find about novelists and originality?

A

There was a decline (tailing off) in originality in their last 5 years - mapped onto Simonton’s (1980) findings

Looked at letters though, not music

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12
Q

What did Simonton (1989) find about composers’ final works?

A

There was a sharp drop in originality in composers’ final works after a linear trend

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13
Q

How can cover artists be creative?

A

Some tribute bands can be creative by being authentic in their reproduction

Some re-interpreters can produce remixes or create a cross-genre adaptation. Take existing work and re-interpret them in a creative way. Might adapt them for another genre.

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14
Q

What genre of music has some issues with creativity and originality?

A

Pop music

Many pop songs are similar and have taken inspiration from other pop artists/composer’s riffs, elements, and atmosphere etc.

An example of this is Blurred Lines and Led Zeppelin

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