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Reviewer for Second Quarter > CPAR > Flashcards

CPAR Flashcards

REVIEWER

1
Q

is a term that refers to any method of shaping wood with a tool into an appealing object.

A

WOOD CARVING

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2
Q

is the process of molding a liquid or malleable material, such as clay, into a desired shape.

A

MOLDING

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3
Q

Example of molding:

A

POTTERY

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4
Q

is a textile manufacturing technique in which two sets of yarns or threads are interlaced at right angles to make a fabric or cloth.

A

FABRIC WEAVING

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5
Q

is the process of weaving or sewing malleable materials together to create three-dimensional items such as baskets, mats, mesh bags and even furniture.

A

BASKETRY TECHNIQUE

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6
Q

BASKETRY TECHNIQUES

A

*COILING
*TWINING
*PLAITING
*WICKER

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7
Q

stitch begins from a central point and spirals, outward and upward to form the shape of a basket

A

COILING

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8
Q

is a technique used in basket weaving to hold all the stakes in the base of a basket and keep them from shifting.

A

TWINING

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9
Q

A technique in which the weft strand crosses over and under one warp strand at a time.

A

PLAITING

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10
Q

or splint basketry is the process of making baskets by taking pliable weft material and lacing it over and under rigid warp material, one piece at a time.

A

WICKER

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11
Q

In the banana family, including ________(with its fibers) has a natural shine and comes in a variety of colors from white to ivory to dark brown.

A

ABACA

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12
Q

________ is used to make a variety of items. It is used in construction, textiles, and other industries. A variety of musical instruments, and so on.

A

BAMBOO

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13
Q

_________is made from the mature leaves of the its palm. The fiber is strong and long-lasting, along with moisture resistance.

A

BURI

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14
Q

The palm family includes ________.
__________ palms come in a variety of shapes and sizes, including towering or low climbers, single stemmed or clustered rattan species.

A

RATTAN

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15
Q

The translucent nature of ______ shells allows light to travel through them while maintaining seclusion. This is made from the windowpane oyster (Placuna placenta), which is located in the Philippines’ coastal waters and is recognized for its stunning mother-of-pearl appearance.

A

CAPIZ SHELLS

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16
Q

________ are the hard exoskeletons that protect and support the bodies of marine mollusks such as snails, bivalves, and chitons. This material is commonly used to make ornaments and decorations for the home.

A

SEA SHELLS

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17
Q

pure description of the object without value judgments, analysis, or interpretation.

A

DESCRIPTION

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18
Q

determining what the features suggest and deciding why the artist used such features to convey specific ideas.

A

ANALYSIS

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19
Q

establishing the broader context for this type of art.

A

INTERPRETATION

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20
Q

Judging a piece of work means giving it rank in relation to other works and of course considering a very important aspect of the visual arts, its originality.

A

JUDGEMENT

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21
Q

is defined as the material or the substance out of which a work is made and used to create the arts and crafts.

A

MEDIUM

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22
Q

is the manner in which artists use and manipulate materials to achieve the desired formal effect and communicate the desired concept, or meaning, according to his or her personal style.

A

TECHNIQUE

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23
Q

belongs to Banana family. Its fiber has a natural luster with colors ranging from pure white to ivory and dark brown.

A

ABACA

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24
Q

is used as a raw material in creating many products. It is used in construction, textile, musical instruments, weapons and many more.

A

BAMBOO

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25
Q

this tree has multiple uses. Hats, mats, baskets, wall hanging, rugs, toys, etc. are manufactured from various parts of this tree.

A

COCONUT

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26
Q

this material is used in forming a pottery and jar with designs which are crafted by the skillful hands of potters.

A

CLAY

27
Q

is extracted from the matured leaves of the ________palm. The fiber is durable and resistant to moisture which can turn in making hats, bags, baskets and other woven products.

A

BURI

28
Q

belongs to the palm family. There are different types of ________ palms, such as high or low climbers and single stemmed or clustered rattan species.

A

RATTAN

29
Q

Refers to the main idea that is represented in the artwork. The_______ in art is basically the essence of the piece.

A

SUBJECT

30
Q

The arts that have subject are called

A

REPRESENTATIONAL OR OBJECTIVE ARTS

31
Q

Those that do not have subjects are called

A

NON-REPRESENTATIONAL OR NON-OBJECTIVE ARTS

32
Q

This refers to the material or the means which the artist uses to objectify his feeling or thoughts, pigments in painting stone, architecture; sounds in music; words in literature and body movements in the dance.

A

MEDIUM

33
Q

It refers to the physical qualities of characteristics of the image. It’s about the use of color, lines, space and other elements.

A

FORM

34
Q

Examples of Local materials used in the Philippines

A

BAKBAK AND BUNTAL

35
Q

is the* outermost covering or leaf sheath* of the abaca stalk. It is a flat thick durable sheath as twine or braided. The strong brown fiber used to make furniture.

A

BAKBAK

36
Q

is a cylindrical-shaped fibers. The supple ivory white strands are quite durable, pliable, and have good dyeing qualities.

A

BUNTAL

37
Q

is a technique of an art production primarily used in the visual arts, where the artwork is made from an assemblage of different forms, thus creating a new whole.

A

COLLAGE

38
Q

Earthworks or earth arts is an art movement in which landscapes and the work of art are Inextricably linked. It is also an art form that is created in nature, using natural materials such as soil, rock (bed rock, boulders, stones) organic media (logs, branches, leaves), and water.

A

LAND-ART

39
Q

is an artistic work or practice that uses digital technology as an essential part of the creative or presentation process.

A

DIGITAL ART

40
Q

refers to artwork in the making of which more than one medium has been employed. It refers to a work of visual art that combines various traditionally distinct visual art media.

A

MIXED-MEDIA

41
Q

One of the artistic techniques that has been most relevant throughout the contemporary art movement is ________. It seeks to take away what’s unnecessary and leaving only what’s essential.

A

MINIMALISM

42
Q

Taking something that people view as useless, and then using it in a unique way in order to make artwork is one of the most important movements that currently exist in contemporary artwork.

A

FOUND OBJECTS

43
Q

Walter De Maria created an art piece in 1977 that included a four hundred steel poles over one mile by one kilometer. That’s incredible. Creating something huge to express diverse perspectives in artwork is incredibly popular, even today

A

LARGE-SCALE ART

44
Q

From the meaning of contemporary, contemporary art is an art that is living in present times. It reflects current issues or current events.

A

INNOVATION IN ART

45
Q

Another characteristic that was employed to bring about modern art was the use of different objects, materials that looked useless to the common man but were brought to great use by modern artists.

A

USE OF NEW MATERIALS

46
Q

is a style of art that has been one of the main manifestations of the spirit of the 20th century.

A

ABSTRACT EXPRESSIONISM

47
Q

was focused on tapping into the unconscious mind to release creativity. This art is characterized by dream-like visuals, the use of symbolism, and collage images.

A

SURREALISM

48
Q

comprises the first of the expressions of contemporary art. Its name refers to a group of French painters who in 1905 filled the Paris autumn salon with works.

A

FAUVISM

49
Q

is a style of art which aims to show all the possible viewpoints of a person or an object all at once.

A

CUBISM

50
Q

is artwork that depicts easily recognizable subject matter.

A

OBJECTIVE ART

51
Q

OBJECTIVE ART is also known as or_______. For example, a collage of a dog, theater arts, graphic arts, literature, sculpture and paintings.

A

Representational or figurative art.

52
Q

An artwork that doesn’t have identifiable forms or recognizable subject matter.

A

Non-objective art

53
Q

refers to the group that is the primary target of the production

A

TARGET AUDIENCE

53
Q

refers to the framework of the production. It provided the skeletal plan that will serves as the guide for the whole production.

A

METHODS

54
Q

refers to the artwork presented on a production such as the script on a drama, music and lyrics or choreography.

A

MATERIALS

55
Q

refers to the team of people assigned to a specific role. It can be the director, producers, choreographers, dancers, artist or crew.

A

MANPOWER

56
Q

students brainstorm, draw, discuss, demonstrate and create a draft plan that includes roles for team members, tools needed and a plausible time line for each step.

A

PREPRODUCTION STAGE/PLANNING STAGE

57
Q

students engage in direct creation, including designing, making models of their products, and performing the other tasks outlined in their plan.

A

PRODUCTION STAGE/DEVELOPMENT STAGE

58
Q

students reflect on the feedback from their audience and on the process and product. They debrief or discuss and reflect, individually in team or as a class.

A

POSTPRODUCTION STAGE/EVALUATION STAGE

59
Q

This is important because often while creating projects, learners may get caught in the graphics and other “fun” parts of production and lose some of the project’s opportunities for learning.

A

FOCUS ON PROCESS

60
Q

Learners need an audience that is external to immediate classroom and that cares about and has knowledge of the product, because such an audience will provide useful, authentic, and effective feedback.

A

KNOW YOUR AUDIENCE

61
Q

Production Process

A

PRERODUCTION STAGE/PLANNING STAGE
PRODUCTION STAGE/DEVELOPMENT STAGE
POSTPRODUCTION STAGE/EVALUATION STAGE

62
Q

Guidelines for Designing Production Opportunities

A

FOCUS ON PROCESS
KNOW YOUR AUDIENCE

Reviewer for Second Quarter (4 decks)

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