cpar Flashcards
1
Q
it naturally comes from the place or locality; it is not introduced to the place or imported from somewhere else.
- these materials are natural or inherent from the place or locality.
A
indigenous art materials
2
Q
it may come from the place or locality but may or may not be originally part of that place or locality. it could’ve been introduced to the place and could be a mix of indigenous and introduced art materials.
A
local art materials
3
Q
local art materials can be classified as
A
traditional and non-traditional
4
Q
these are available locally and can usually be bought from department stores and bookstores.
ex.: crayons, oil pastel, watercolor, colored pencil, and other school supplies.
A
traditional art materials
5
Q
materials that are not usually used in creating art like coffee, plastic bottles, and recyclable materials that are similar to those used in junk art.
A
non-traditional art materials
6
Q
taken from the Greek kritike tekhne, which means “critical art” referring to a careful judgement; it is a detailed assessment of something.
A
critique
7
Q
refers to a sharp or severe disapproval of something, generally based on perceived faults or errors. it’s negative in nature and judging with disapproval.
A
criticism
8
Q
some of the basic considerations in critiquing available art materials (3As)
A
availability, accessibility, affordability
9
Q
it means that an art material has to be within the financial capacity of the artist to be purchased or bought.
A
affordability
10
Q
it means that an art material has to be obtainable, ready for use, at hand. it should be an existing material and is physically present for the artist to use.
A
availability
11
Q
it means that the art material should be within the artist’s reach; easily acquired without difficulty.
A
accessibility
12
Q
some considerations in critiquing the appropriate art technique (MAP)
A
mastery, appropriateness, practicality
13
Q
manner by which the artist is going to apply in creating an artwork should be suited to the kind of art materials that will be used as well as suited to the kind of art technique.
A
appropriateness
14
Q
art technique should be functional and sensible for the objectiveness or purpose set by the artist for the artwork.
A
practicality
15
Q
it should be expected that the artist is skilled and highly knowledgeable of the art technique.
A
mastery
16
Q
type of Filipino art of shaving bamboo for home decor, bamboo arches for weddings, mass gatherings, fiesta, and welcome signage (Sandagan, 2016).
- broadly utilized in Bulacan
A
Singkaban
17
Q
a traditional art of leaf folding; an ancient art of weaving using elongated leaves (Flores, 2018).
A
Puni
18
Q
In Bulacan, this material made of puni can be used as a resting place, wrapper of foods, and creative toy for children.
A
Kubol
19
Q
year when kubol was called puni
A
1998
20
Q
puni was widely used but now it is a form of dying art. how was it introduced to new generations?
A
it is continued to be used in making woven baskets, bags, fans, and Palaspas
21
Q
made from carabao’s milk and sprinkled with white sugar
A
pastillas de letche
22
Q
unique production of paper used to wrap pastillas; we call it borlas de pastillas, the intricately-designed wrapper made from papel de hapon.
A
pabalat
23
Q
she was only 11 years old when she become fond of making designs on pastillas wrappers.
A
Mrs. Luz Ocampo
24
Q
derived from the word chisel which is an important tool used in sculpting
A
Paete
25
first recorded is the 1920s when Maria Bangue made a paper toy molded from wood carving and glued with paste.
Taka (Paper Mache)
26
in what month are paete people busy in making chirstmas characters in preparation for the holiday season?
april
27
This tradition still lives on in Pasig until now. Where the products include not only ornamental jars but also those used in everyday living; one of the oldest and most important art forms of the city
pottery-making (pagpapalayok)
28
in the first step of pottery-making, they pass the clay through the mill then shape it in a mold made from?
Plaster of Paris
29
they use old pieces of woods and plywood nowadays to fuel the oven in pottery-making. what did the potters use before?
carabao dung and hay
30
featured in YouTube last 2018, this place is considered as the culinary destination of the Philippines
Pampanga
31
one of the famous food historians and experts in Pampanga. Her recipes are handed down from her grandmother whom she called "Impo"
Atching Lillian Boromeo
32
this recipe of Atching Lillian believes to possess healing properties
Sanikulas Cookies (Panecillos de San Nicolas)
33
main ingredient in baking sanikulas cookies
arrowroot
34
art of decorative stitching, especially by hand. The high quality of this art in the Philippines is partly due to its history and partly due to native talent.
embroidery (pagbuburda)
35
these places have had a long tradition of hand embroidery since the arrival of Franciscan Missionaries
Taal and Lumban Laguna
36
the culture of embroidery died down during the Japanese era. when did it start blooming again?
american era
37
people who embroid
bordadoras
38
traditional fabrics used by bordadoras
Piña and Jusi
39
this fabric is more special because it is decent, soft, refined, durable, and not hot.
Piña
40
chinese term for raw silk is a lightweight, flimsy, and ecru-colored fabric regarded by the bordadoras as the best material for embroidery.
Jusi
41
designer in charge of stamping the design on the cloth in the first process of pagbuburda
magdidibuho
42
this person pulls the thread to form a design
magbabakbak
43
this process is done to avoid the cloth from being frayed. in this process, you lock the threads from which you have pulled from the cloth before you have to make sure you look at each thread. it is a very tedious process.
pagkakalado (calado)
44
it refers to anything that is represented in an artwork. It can be an object, person scenery, colors etc. even though it can be the center of art some masterpieces do not have it (Sandagan and Sayseng, 2016).
subject
45
in terms of subject, there are two types of arts
representational (objective arts) and non-representational (non-objective arts)
46
arts that have a subject; These arts present stories, images, representations, symbols, etc. Examples are graphic arts, literature, sculpture, painting, and theater arts.
representational (objective arts)
47
artworks without subjects; These arts attract straight through the senses. Examples are musical arrangement, architecture, weaving, and other functional art
non-representational (non-objective arts)
48
refers to the materials used in an artwork; the instrument of every artist to convey the message artistically.
medium
49
refers to the physical characteristics of an art; utilization of the elements of art such as line, shape, space, color value, and form.
form
50
refers to the framework of the production; provides the skeletal plan that will serve as the guide for the whole production.
- it contains objectives/goals, material, procedures, manpower, assignment, target date of finish
methods
51
expected output or result of the production
objectives/goals
52
objectives must be SMART
specific, measurable, attainable, relevant, time-bound
53
name of the production and should be the one to catch the audience's attention
title or name of production
54
refers to the group that is the primary target of the production
target audience
55
activities need to be done
procedure
56
refers to the place you will use to execute your production; can be physical or an online platform.
venue/platform
57
expected of production's launching date
date of implementation or target date of finish
58
refers to the team of people assigned to a specific role; they make the whole process of production fun and easy to accomplish
manpower
59
refers to the artwork presented on a production such as the script, music and lyrics, or choreography; the center of the production consisting of concepts expressed through art
materials
60
refers to mediums, machinery, tools, or equipments to be used in a production; physical materials
machine
61
National Artist for Film and Theater. He is called “The Boy Wonder of Philippine Movies” due to the success of his first film, "Sakay".
Lamberto Avellana (1976)
62
the most awarded film director in the history of the Filipino Academy of Movie Arts and Sciences (FAMAS) Awards with 7 wins.
Gerardo de Leon (1982)
63
was a director known for his social realistic films depicting the struggles of Filipinos, with critics giving him the title “The Genius of Philippine Cinema”.
Ishmael Bernal (2001)
64
an actor, director, writer, and producer known for his action films that portray the poor and oppressed, hence earning him the title “The King of Philippine Movies” and the nickname “Da King”.
Ronald Allan Poe or Fernando Poe Jr. (2006)
65
credited to have founded this movement as the Philippine New Wave Cinema and hailed by critics and peers as the “Father of Philippine Independent Cinema”.
Kidlat Tahimik (2018)
66
known as the “First. Lady of Philippine Theater,” was an actress, director, producer, and writer who co-founded the Barangay Theater Guild. Wife of Lamberto Avellana.
Daisy Avellana (1997)
67
the only National Artist for Theater Design and hailed as the “Father of Philippine Theater Design,” he designed over 300 productions with an emphasis on utilizing local materials
Salvador Bernal (2003)
68
renowned as ‘The Grande Dame
of Southeast Asian Children's Theater" for her art of integrating theater, folklore, children’s literature, and puppetry. She founded the Teatrong Mulat ng Pilipinas, which further placed the country in the artistic reap of theater. Her works include “Papet Pasyon", “Sepang Loca", and "Abadeja: Ang Ating Sinderela”.
Amelia Lapeña-Bonifacio (2018)
69
recognized as the “Mother of Philippine dancing” and “The Folk Dance Pioneer” as she was credited to have preserved numerous Philippine cultural traditions with her life-long dedication to research, for which she traveled all over the country. She preserved dances, such as “Tinikling”, “Pandanggo sa Ilaw”, and “Cariñosa”, through research, writing books, and teaching.
Francisca Aquino (1973)
70
produced original choreographies of native fold dance that depict the country's culture from pre-colonial times until modern times for over 50 years, thus she is regarded as the “Trailblazer". She is also a founding member of the Philippine Ballet Theater for which she was honored as the "Mother of Philippine Theater Dance” and the “Dean of Filipino Performing Arts Critics”.
Leonor Goquingco (1975)
71
was one of the founders of The Bayanihan Dance Company, with which she staged their signature dance “Singkil". Her career in committing to the discovery and study of Philippine folk and ethnic dances spans almost four decades, which includes staging dances such as “Vinta”, “Tagabili”, and “Pagdiwata”.
Lucrecia Urtula (1988)
72
known to have introduced and developed contemporary dances in the Philippines as she choreographed, taught, and directed dance concerts across the country. In 1969, she started the CCP Dance Workshop Company, which later became known as Ballet Philippines.
Alice Reyes (2014)
73
is the first National Artist of the Philippines with the official title, “The Grand Old Man of Philippine Arts”. He helped develop Philippine Art through his paintings of rural landscapes and portraits. His famous works include El Ciego, Planting Rice, and Defence of a Filipina Woman's Honour.
Fernando Amorsolo (1972)
74
is credited to have single-handedly revived the dying art of mural painting. His famous works include Filipino Struggles Through History, The Martyrdom of Rizal, and Blood Compact.
Carlos "Botong" Francisco (1973)
75
is renowned as the “Father of Philippine Arts”. He is known for his classical-style sculptures and busts of famous people. His famous works include the original University of the Philippines Oblation, The Bonifacio Monument in Caloocan, and the Seal of the Republic of the Philippines.
Guillermo Tolentino (1973)
76
known as the "Father of Modern Philippine Sculpture”. He is the youngest to be bestowed the award at age 46. His famous words include the Nine Muses of Arts in UP Diliman, The Transfiguration at the Eternal Garden Memorial Park, and the Sunburst at the Peninsula Manila Hotel.
Napoleon Abueva (1976)
77
the **"Father of Modern Philippine Painting"** because he introduced the Modern Art movement in the country during the time that Amorsolo's style of works. His famous words are *The Sketch, The Artist and Model, and Japanese Girl.*
Victorio Edades (1976)
78
the first Muslim National Artist and known as a patron of Muslim art and culture because of his works in multiple mediums, such as paintings, sculptures, photos, film, and ceramics. He has multiple sculptures and paintings of sarimanok and his other works include "Sulu Warriors” in Sulu, "Industry Brass Mural", and “Mural Relief on Filmmaking".
Abdulmari Asia Imao (2006)
79
acclaimed as the "King of Komiks" and acknowledged as the “Dean of Filipino Illustrators". He was one of the pillars of Philippine comics, especially during the golden age of comics in the 1950s and 1960s. All his comics, except for 3, were adapted into films. His works include "Pedro Penduko", "Satur”, and "Hagibis”.
Francisco Coching (2014)
80
acknowledged as the “Father of Philippine Architecture“, He is taunted for reflecting the Philippine traditions and cultures in his works, which include the University of the Philippines Administration Building (Quezon Hall) and Library (Gonzalez Hall), the reconstruction of both the Quiapo Church in 1933 and the Rizal House in Calamba, Laguna.
Juan F. Nakpil (1973)
81
well-known for reshaping the urban landscape of the Philippines with his works such as the Cultural Center of the Philippines and the NAIA Terminal 1. He is also recognized internationally because of his design of the Istara Nurul Iman, the official residence of the Sultan of Brunei, which is distinguished by the Guinness Book of World Records as the largest residence in the world.
Leandro Locsin (1990)
82
“Father of Philippine Landscape Architecture” and the pioneer of the practice, with decades of works, such as parks and plazas. His most famous works include Paco Park, Tagaytay Highland Resorts, Bantayog ng mga Bayani, Rizal Park, and multiple Loyal Memorial Parks.
Idelfonso Santos Jr. (2006)
83
pioneered the neo-vernacular style of architecture which combines traditional Filipino design and modern architecture. This style is present in his works such as the Coconut Palace, San Miguel Corporations Headquarters in Mandaluyong (based on the Rice Terraces of the Cordilleras), and EDSA Shrine.
Francisco Mañosa (2018)
84
known as the “Dean of Philippine Fashion" and the only National Artist in Allied Arts. His biggest influence in the art is the one-
piece terno, in which he combined the 4 pieces which comprise the baro’t saya
Ramon Valera (2006)
85
believed that the purpose of a writer is to represent the society's conscience and spirit in times of oppression. His most distinguished work, "Mga Ibong Mandaragit," was written while he was in prison during the 1950s to the nation’s problems
Amado Hernandez (1973)
86
regarded as one of the most influential Filipino writers in English because of his works that portray aspects of Filipinos. He has written novels, poems, plays, short stories, and essays, anal served as a journalist under the pen name "Quijano de Manila". His works include “A Portrait of an Artist as Filipino‘, “The Woman Who Had Two Navels”, and ‘May Day Eve”.
Nick Joaquin (1976)
87
served as a writer, journalist, educator, soldier, and diplomat, as well as the President of the University of the Philippines and the first Asian President of the United Nations General Assembly. He won a Pulitzer Prize in journalism for his articles predicting the Second World War. His works include his autobiography, “I Walked with Heroes“, “The United", anal “I Saw the Fall of the Philippines".
Carlos P. Romulo (1982)
88
the only National Artist for Historical Literature. His works include the first biography of Jose Rizal, “The Great Malayan”, and Philippine history and culture books, such as “Maps and Views of Old Manila”.
Carlos Quirino (1997)
89
reputed as the “Master of the Tagalog Novel” for representing the common Filipino, writing about the oppressed, and forming Filipino nationalism which developed the culture of social realism in literature. “Maganda pa ang Daigdig“, “Daluyong”, and “Ang Pamana ng Pulubi" are among his works.
Lazaro Francisco (2009)
90
wrote books on Philippine history and was known for his contributions to Visayan Literature, pioneering the Cebuano identity who served as the founding director of the research institution, Cebuano Studies Center. His notable works include “Waiting for Mariang Makiling: Essays on Philippine Cultural History” and “The War Against the Americans: Resistance and Collaboration in Cebu".
Resil Mojares (2018)
91
hailed as the “Greatest llonggo Writer of the Century" because of his contribution to Hiligaynon literature, with his poems, essays, short stories, critiques, and 61 completed novels. These include the first feminist Hiligaynon work, “Bag-ong Maria Clara “, and the longest serialized novel, “Dama de Noche,” with over 125 US installments for over 2 years.
Ramon Muzones (2018)
92
contributed to the development of Filipino music beyond the genre of folk, thus acclaimed as the “Dean of Filipino Composers”. "Misa Antoniana Grand Festival Mass," "Hatinggabi," and "Awit ni Maria Clara" are among his notable works.
Antonio Molina (1973)
93
helped in making a statement with her role as Cio-cio in Giacomo Puccini’s “Madame Butterfly" in the world of European opera at the time when the Philippines was relatively unknown, her other notable roles include her portrayal of Liu Yu in "Turandot” and Mimi in "La Boheme”.
Jovita Fuentes (1976)
94
a National Artist for both Music and Theater, Hailed as the "Queen of Kundiman”, she fought for the dominance of kundiman along with sarsuela during the American occupation. She popularized kundiman songs such as "Pakiusap" and "Mutya ng Pasig" and performed in sarsuelas like "Dalagang Bukid” and "Pangarap ni Rosa”.
Honorata "Atang" Dela Rama (1987)
95
believed in the philosophy of "creative nationalism" in his works like "Lahing Kayumanggi,” which incorporated elements of folk music to exhibit the Filipino heritage. His compositions include “Sa Ugoy ng Duyan“ and "Angononian March”.
Lucio San Pedro (1991)
96
credited for writing more than 4,000 songs, and for that, he was honored as a National Artist for Music and Literature. He also became known for playing music using a leaf. Among his works include writing the lyrics for “Sa Ugoy ng Duyan," “Maligayang Pasko at Manigong Bagong Taon,” (popularly known as “Ang Pasko ay Sumapit"), and “Ikaw".
Levi Celerio (1997)
97
a choirmaster and choir arranger who founded the Philippine Madrigal Singers who have won multiple competitions nationally and internationally, thus prompting the progress of Philippine choral music.
Andrea Veneracion (1999)
98
known as Mr. C, is regarded for his music in various styles and extensive genres, such as opera, concertos, symphonies, religious, folk, and OPM. He also composed for theater, dance, and films, which include songs such as "Da Coconut Nut,” “Tuwing Umuulan at Kapiling Ka," and "Paraiso”.
Ryan Cayabyab (2018)
99
How many GAMABA Awardees are there?
16
100
GAMABA
Gawad ng Manlilikha ng Bayan
101
Surat Mangyan and Ambahan poetry (1993)
Ginaw Bilog
102
Epic chanter and storyteller (1993)
Masino Intaray
103
playing kudyapi (1993)
Samaon Sulaiman
104
T'nalak weaving (1998)
Lang Dulay
105
Inabal Weaving (1998)
Salinta Monon
106
Playing yakan instruments (2000)
Uwang Adahas
107
chanting the Sugidanon epic of the panay bukidnon (2000)
Federico Caballero
108
playing Kalinga musical instruments (2000)
Alonzo Scalag
109
Mat weaving (2004)
Hajja Amina Appi
110
Metal plating (2004)
Eduardo Mutuc
111
Pis syabit weaving (2004)
Darhata Sawabi
112
Abel weaving (2012)
Magdalena Gamayo
113
Kattukong or Tabingaw Hat Making
Teofilo Garcia (2012)
114
Yakan weaving
Ambalang Ausulin (2016)
115
B'laan mat weaving (2016)
Estelita Bantilan
116
B'laan ikat or tie-dye fabric weaving (2016)
Yabing Masalon Dulo
