Country House Flashcards

1
Q

What period were Country House poems popular?

A

Early 17th century

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2
Q

Which of the two country house poems was published first?

A

Amelia Lanyer’s ‘Description of Cookham’

Then Jonson’s ‘To Penshurst’

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3
Q

What are the two Country House poems we studied?

A

Ben Jonson: To Penshurst

Aemilia Lanyer: ‘Description of Cookham’

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4
Q

Which King visits the family in Jonson’s ‘To Penshurst’?

A

King James (and Prince Henry and family)

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5
Q

Who is the patron to whom Jonson is writing ‘To Penshurst’?

A

Robert Sidney (who later became Earl of Leicester)

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6
Q

Why are ‘To Penshurst’ and ‘Description of Cookham’ major country house poems?

A

They inaugurated the genre

according to the Norton Anthology English Literature edition notes

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7
Q

Who is Robert Sidney?

A

He is the patron to whom ‘To Penshurst’ is written.

He later become the Earl of Leicester.

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8
Q

Why did Country House poems idealise the country?

A

To resist the urban.
Because the country was of life was under threat.

(Also an element of complimenting the patron?)

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9
Q

Generally, how does the style of Country House poems serve its purpose?

A

It’s meant to capture the estate.

It’s structure and form are meant to echo the architecture and grandness of the house.

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10
Q

How does the theme of identity come into Country House poems?

A

Country Houses were a way of fashioning identity.

Both the houses themselves and the poems created identity. One for the family and one for the poet.

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11
Q

What is one of the effects of presenting country houses as natural and organic?

A

The ideology they present also seems natural.

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12
Q

Who was Lanyer me in terms of family background?

A

Daughter of court musician, therefore very much on the outskirts of court. Entirely dependent on patronage.

She was a mistress, but later married off when she got pregnant.

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13
Q

What collection what ‘Description of Cookham’ first published in?

A

A religious work of four poems by women.

These religious works gave women more prominence in male-dominated religion.

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14
Q

Importance of women in Description of Cookeham?

A

Written by a woman for a woman.
A law suit by Clifford’s daughter (Anne) to own the estate rather than male relative.
Celebrates educated women.
Anxieties about dependency.

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15
Q

Who was the patron to whom Aemilia Lanyer was writing?

A

Anne Clifford, but the poem mainly honours Margaret Clifford, her mother. As they were very close, complimenting her mother would have earned Anne’s approval.

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16
Q

Who was Anne Clifford?

A

The patron to whom Lanyer was writing, although the poem focuses mainly upon honouring her mother, Margaret Clifford.

17
Q

What is the effect of removing the servants from ‘Description of Cookeham’?

A

It mystifies social relations.
Removes human labour.
Removed any distraction from the celebration of the family who own the house.

18
Q

What is interesting about Cookeham and its addressing the Margaret and Annie Clifford?

A

They didn’t own the house.

19
Q

What is the general movement/structure of ‘Description of Cookeham’?

A

Summer > Autumn
Happiness > loss
(Written in retrospect, so the whole thing has an awareness of dependency and sadness)

20
Q

In what tone does ‘Description of Cookeham’ end?

A

Dependency and sadness.

21
Q

In the Country House poems, what is one thing that summer represents?

A

Perpetual paradise. (Eden-like)

22
Q

Name a way that women in ‘To Penshurst’ are presented differently than in ‘Description of Cookeham’?

A

Cookeham: They are outside the house
Penshurst: They are within the house. (Although: ‘Thy Lady’s Oak’)

23
Q

What did Raymond William say about Country house poems?

A

The poems are ‘not country life but social compliment’. (1973)

24
Q

Who said country house poems are ‘not country life but social compliment’.

A

Raymond Williams (1973)

25
Q

What year did Raymond William say that country house poems are ‘not country life but social compliment’?

A

1973

26
Q

What was the purpose of Country House poetry?

A

To celebrate a family’s longstanding in a community.

Resistance to urban and loyalty to the throne.