Copyright - Statute Sections Flashcards
CDPA s(1)(1)
Copyright is a property right which subsists in accordance with this Part in the following descriptions of work
(a) original literary, dramatic, musical and artistic works
(b) sound recordings, films or broadcasts, and
(c) the typographical arrangement of published editions.
CDPA s3
(1) “literary work” means any work, other than a dramatic or musical work, which is written, spoken or sung, and accordingly includes:
- a table and compilation other than a database
- a computer program
- preparatory design material for a computer program
- a database
“dramatic work” includes a work of dance or mime
“musical work” means a work consisting of music, exclusive of any words or action intended to be sung, spoken or performed with the music
(2) Copyright does not subsist literary, dramatic and musical works until recorded.
CDPA s4
(1) In this Part “artistic work” means—
(a) a graphic work, photograph, sculpture or collage, irrespective of artistic quality,
(b) a work of architecture being a building or a model for a building, or
(c) a work of artistic craftsmanship.
(2) In this Part—
“building” includes any fixed structure, and a part of a building or fixed structure;
“graphic work” includes—
(a) any painting, drawing, diagram, map, chart or plan, and
(b) any engraving, etching, lithograph, woodcut or similar work;
“photograph” means a recording of light or other radiation on any medium on which an image is produced or from which an image may by any means be produced, and which is not part of a film;
“sculpture” includes a cast or model made for purposes of sculpture.
CDPA s9
- “Author” means the person who creates it
- This is:
- producer of sound recording
- producer and principal director of a film
- the publish of a published edition
- Computer-generated works - person who made arrangements
*
CDPA s10
- Work of joint authorship means a work produced by the collaboration of two or more authors in which the contribution of each author is not distinct from that of the other author or authors.
CDPA s10A
Co-authorship - a work produced by a collaboration between the author of a musical work and the author of a literary work where the two works are created in order to be used together.
CDPA s11
(1) Author of a work is the first owner of copyright in it
(2) Where a literary, dramatic, musical or artistic work or a film, is made by an employee in the course of his employment, his employer is the first owner of any copyright in the work subject to any agreement to the contrary.
CDPA s12
Duration of copyright in LDMA
(2) Copyight expires at the end of the period of 70 years from the calendar year in which the author dies
(3) Unknown authorship - 70 years from end of calendar year it was made, or if made available to the public, 70 years from the end of the calendar year that it was first made available
(8) joint authors, ‘death’ refers to last known author to die
CDPA s13A
Duration for Sound Recordings
(2) Copyright expires
(a) 50 years from making of recording
(b) if published, 70 years from the end of the calendar year in which it is published
(c) if not published but recording played in public/communicated to public then 70 years from that
Duration of copyright in films
(2) Copyright expires at the end of the period of 70 years from the end of the calendar year in which the death occurs of the last to die of the following persons—
(a) the principal director,
(b) the author of the screenplay,
(c) the author of the dialogue, or
(d) the composer of music specially created for and used in the film;
subject as follows.
CDPA s16(1)
(1) The owner of the copyright in a work has, in accordance with the following provisions of this Chapter, the exclusive right to do the following acts in the United Kingdom—
(a) to copy the work (see section 17);
(b) to issue copies of the work to the public (see section 18);
(ba) to rent or lend the work to the public (see section 18A);
(c) to perform, show or play the work in public (see section 19);
(d) to communicate the work to the public (see section 20);
(e) to make an adaptation of the work or do any of the above in relation to an adaptation (see section 21);
and those acts are referred to in this Part as the “acts restricted by the copyright”.
CDPA 21
(1) The making of an adaptation of the work is an act restricted by the copyright in a literary, dramatic or musical work. (Not artistic)
(3)
- Adaptation in relation to literary work other than computer program, includes translation, conversion of dramatic work to a non-dramatic work or vice versa, conveying this as a comic/by pictures
- For computer programs and databases, translation/alteration of work
- For musical works, arrangement or transcription of it
CDPA s28A (equivalent to Art. 5(1) of InfoSoc directive)
Copyright is not infringed by making of a temporary copy which is transient or incidental, which is an integral and essential part of a technological process and the sole purpose is to enable:
- a transmission of the work in a network between third parties by an intermediary; or
- a lawful use of the work
and which has no independent economic significance.
CDPA s30(1)
Fair dealing with a work for the purpose of criticism or review, of that or another work or of a performance of a work, does not infringe any copyright in the work provided that it is accompanied by a sufficient acknowledgement(unless this would be impossible for reasons of practicality or otherwise)] and provided that the work has been made available to the public.
CDPA s30(1ZA)
Copyright in a work is not infringed by the use of a quotation from the work (whether for criticism or review or otherwise) provided that—
(a) the work has been made available to the public,
(b) the use of the quotation is fair dealing with the work,
(c) the extent of the quotation is no more than is required by the specific purpose for which it is used, and
(d) the quotation is accompanied by a sufficient acknowledgement (unless this would be impossible for reasons of practicality or otherwise).
CDPA 30(2)
Fair dealing with a work (other than a photograph) for the purpose of reporting current events does not infringe any copyright in the work provided that (subject to subsection (3)) it is accompanied by a sufficient acknowledgement.