Copyright Law Flashcards

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1
Q

What is copyright?

A

A species of IP and can be approached from three perspectives;

  1. What areas of law fall into the scope of IP?
  2. What is IP designed to do?
  3. What are the policy issues relating to IP?
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2
Q

What does it mean to be a “Property Right” ?

A

Someone owns it, you can sell it and you can stop others from using it

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3
Q

Intangible copyright?

A

There’s a distinction between object and separate copyright - property is object owned by one person WHEREAS copyright is another

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4
Q

Do you need registration for copyright?

A

No - it’s automatic

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5
Q

What is the first step for approaching copyright issues?

A

DOES COPYRIGHT SUBSIST?
Part III - is it an original, in material form, a literary, dramatic, artistic or musical work related to Aus
Part IV - is it published?

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6
Q

What is the second step for approaching copyright issues?

A

WHO OWNS COPYRIGHT?
Part III - generally the author of the work
Part IV - Identify relevant position considering assignment or liscences

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7
Q

What is the third step to approaching to copyright?

A

HAS THERE BEEN A DIRECT/THREATENED INFRINGEMENT?

Has there been authorisation? or Infringement Importation or Sale?

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8
Q

What is the fourth step to approaching copyright?

A

ARE THERE ANY EXCUSES?
Check for assignments or liscences. Is the infringing conduct a fair dealing for one of the purposes in the Act and are there any of the specific, royalty-free expectations or statutory liscences applicable?

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9
Q

What is the fifth step to approaching copyright?

A

What remedies are available for plaintiff’s against defendants

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10
Q

What is the sixth step to approaching copyright?

A

Has there been any (potential) breaches of moral rights which require consideration?

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11
Q

What does there need to be for copyright to subsist under Part III?

A

Needs to be an original, in material form, a dramatic, literary, artistic or musical work related to Australia

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12
Q

What is contained in Part IV for subject matter?

A

Copyright in subject matter is for sound recordings, cinematographic films, television and sound broadcasts and publishes editions of work

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13
Q

Who owns copyright first?

A

The “author” - creator of the work

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14
Q

What are the exceptions to the basic rule of copyright’s first owner?

A

Work is produced in the course of employment, journalists and commissioned artistic works.
The ownership of copyright can always be modified in the contract

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15
Q

What is a liscence?

A

Permission to deal with the copyright subject matter for certain purposes

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16
Q

What is an exclusive liscence?

A

A liscence in writing, signed by or on behalf of the owner or prospective owner of the copyright, authorising liscensee to the exclusion of all other persons to the act that… the owner of the copyright would, but for the liscnce, have all exclusive rights to do

17
Q

What are other liscences are there?

A

Statutory liscences and compulsory liscences

18
Q

What is an infringement of copyright?

A

Doing/authorising any of the exclusive rights comprised in copyright without permission of copyright

19
Q

Does the whole work need to be infringed?

A

Not done in relation to the whole work - just a substantial part of the work

20
Q

What is ‘substantial’?

A

requires a consideration of the quality of the work taken in relation to the work as a whole, rather than a question of quantity.

21
Q

When there is a direct infringement in Part III?

A

It is much more restricted concept that in relation to works

22
Q

Can copyright be infringed event with authorisation?

A

Yes - when person attributes the doing in Aus of any act comprised of copyright without the liscence of the owner

23
Q

What matter needs consideration to determine the issue of authorisation?

A

The extent of the person’s power to prevent the doing of an act concerned to the nature of any relationship existing between person and person who committed act and whether person took any reasonable steps to prevent/avoid doing of act inc. whether person complied with any relevant industry codes of practice

24
Q

What the main forms of indirect infringement?

A

Imported for the purpose of trade without liscence of the copyright owner and sold, hired out or otherwise made the subject of trade

25
Q

Are there any defences for Copyright Infringement?

A

Fair dealing
Specific Royalty-Free Exceptions
Statutory Liscences

26
Q

What is the fair dealing defence for copyright infringment?

A

Mark out areas of free use of copyright materials - referred to as exceptions but establish limits to the scope of the bundle of exclusive rights. Applies to all categories of work and permit royalty-free use of substantial part or whole work without authorisation of copyright owners

27
Q

A fair dealing does not infringe if done under the following purposes;

A

Research/Study - Critics/Review - Reporting of News - Judicial proceedings or giving of professional legal advice, and/or parody/satire

28
Q

What the specific, royalty-free exceptions;

A

Time shifting, private copying - format shifting and private copyright of music

29
Q

What remedies are available for Copyright Infringement?

A

Injunction, Damages, Additional damages, Conversion damages, and account of profits
Not every copyright infringement is criminal

30
Q

What else does the COPYRIGHT ACT provide ‘copyright-like protection’ for?

A

Performers rights, film directors copyright and moral rights

31
Q

What are moral rights?

A

Personal rights inherent in the author. Reflect unique personality of author. Copyright Act provides for three moral rights;

  • right of attribution of authorship
  • rights against false attribution of authorship
  • right to integrity
32
Q

What are the remedies for moral rights infringement?

A

Injunctions, Damages, Apologies/Removal or Reversal of Particular Treatment