contexty stuff Flashcards

1
Q

language and totalitarianism

A
  • totalitarian regimes have always tired to control the language of their citizens
  • -> Nazi greeting ‘Heil Hitler’
  • Both Hitler and Mussolini invented titles to suggest at a power previously unseen
  • In Orwell’s 1984 ‘Newspeak’ imagines a government limiting language so far that it becomes impossible to even think subversively
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2
Q

Naming in Gilead

A
  • as names only exists for social purposes (if there was only one person, they wouldn’t need a name) controlling names means controlling social roles
  • the naming of Handmaids extends our patronymic system (where kids and wives take fathers name)
  • -> derive their identity from whichever commander temporarily owns them
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3
Q

re - employing words

A

Neologisms e.g. salvaging and prayvaganza
–> hard to distinguish between biblical language and advertising jargon

‘It’s genius was synthesis’ - redefinition of meaningful terms erodes Offred’s ability to recall ideas from the past that could help her resist

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4
Q

manipulation of the bible

A
  • Jesus scolds Martha for prioritizing household chores, yet this is exactly what Gilead want their martha’s to do
  • Offred only has access to degraded theology, so has a difficult relationship with faith
  • thought of amazing grace could be a spiritual moment, but she forgets the words and moves on to a pop song
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5
Q

the risk of speaking

A
  • saying anything in public is risky (tourists)
  • Offred is unwilling to resist the state publicly or physically - rebellion restricted to her mind
  • controls what she sees and hears, but not how she interprets them. She seeks subversive and alternative meanings (waste not want not)
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6
Q

Small subversion

A
  • Moira’s fierce swearing
  • finds beauty in the face of a hanged man
  • mental escapes (from blood of the hanged to flowers)
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7
Q

Link to Hamlet

A

-both pun compulsively in their private thoughts to negotiate an oppressive state

  • Offred slips between meanings and symbols to avoid the states imposed meanings, but this alienates her from the world around her
  • -> must make conscious efforts to reconnect with reality
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8
Q

Scrabble

A

-if merely speaking is dangerous, playing with language becomes thrillingly taboo

  • ultimately brings out Offred’s subjectivity so she is mentally present in the ceremony
  • -> she sees him as a person rather than a rank and role
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9
Q

Limits of language

A
  • in the end her escape must be physical rather than linguistic
  • can only truly escape when the narrative ends, and Atwood lets her slip in to silence, historical uncertainty and freedom
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10
Q

American’s puritan past (17th century)

A
  • Mary Webster is a symbol of hope, she was wrongly accused and her neighbors stood and watched as she survived a hanging
  • particiutions and salvaging
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11
Q

The Dystopian genre

A
  • imagined societies that reflect some of the social and political realities of the times in which they were written
  • historical notes highlights links to real society
  • link to Orwell’s narrative approach, but with a new inflection (female P.O.V!)
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12
Q

Religious fundamentalism in 1980s america

A
  • Ronald Reagan as president
  • rigth wing backlash against growing liberalism of the 60s and 70s

-Christian religious fundamentalists called for the banning of certain books and tightening on abortion laws

  • Gilead crushes the liberal 60s and 70s
  • Moira coming out
  • pg 82 - the commander reading the bible
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13
Q

Iran and Islamic fundamentalism

A

-1979 global crisis, American hostages held at US embassy in Tehran

  • pg 169: blame on islamic fundamentalism
  • salvaging
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14
Q

rise of feminism in 60s and 70s

A
  • the pill (pg 299)
  • divorce more common
  • women demand right to work and equal pay
  • Offred’s mum (pg 113)
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15
Q

1980s - second wave feminism

A

starting to question the thinking of early feminism

–> pg 120 “you wanted a women’s culture”

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16
Q

Michel Foucault

A

marxist philosopher who wrote about gender

highlights the relationship between language, power and sexuality

-argues that societies built on surveillance and linguistic control strip women of their sense of self

17
Q

postmodern novel

A
  • structure: historical notes. audio recorder.
  • ties in to dystopia

-experimental. Plays with the conventions of genre. Night 8 –> imagining what happened to Luke

18
Q

concerns about the impact of human activity on the environment

A
  • 1971 - Greenpeace founded
  • impact of pesticides and fertilisers on human fertility
  • pg 299
  • pg 104-105
19
Q

Fears of nuclear war and nuclear disaster

A

explosion of nuclear power plant in 1986 - Chernobyl

-description of colonies

20
Q

1990-2009 response to novel

A
  • USA and Canada: challenges to inclusion in curricula

- too explicit, profanity/blasphemy, suicide, illicit sex

21
Q

More recent responses to the novel

A
  • seen as anti-islamic or anti-christian
  • never been out of print
  • a film, opera, play, ballet and series
22
Q

modern protests

A
  • 2017: Tennessee ban on late-term abortion
  • 2018: Irish referendum legalizes abortion
  • 2018: Golden globes
  • 2019: US states
23
Q

context of production

A
  • 1984 west berlin
  • Born in 1939. Novel explores how stability can be overturned overnight
  • chillingly plausible, does not include anything that is not in the contemporary readers world
24
Q

Atwood on utopia

A

“real reason that people expect so much… it set out to be a utopia”

25
Q

what inspired the handmaids outfits?

A

illustration on 1940s Dutch cleaning product for sinks

26
Q

Handmaids names

A

remove identity and individuality

  • sense of ownership
  • emphasizes role
27
Q

wives names

A

illusion of individuality and power

28
Q

Gilead as a setting

A

false theocracy
women regarded and resources
background of conflict
rituals and ceremonies give false sense of power
ostensibly founded to address fertility issues

29
Q

Perspective

A

female
present (tension, vulnerability, insight)
limited (low status)
focus (on handmaids)

30
Q

red

A

guilt/sin
sex
warning

31
Q

Moon

A

feminine
time (embodies cycle)
was there before Gilead and will be there after
control (tides and seasons)
passivity (reflected rather than direct light)

32
Q

Eyes and mirrors

A

mirrors in Jezebels marks it out from rest of regime
self - policing
constant surveillance

33
Q

flowers and fruit

A

gardens are surrogate fertility for wives
lily of valley –> trying to hold on to youth
-Mary’s womb

34
Q

Biblical imagery

A

twisted to justify and control

wall as biblical parallel