Context Flashcards

1
Q

What typical categories existed for women to fit into?

A

Maidens, wives, widows, or whores.

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2
Q

What is a modern interpretation of Desdemona’s fidelity to her husband?

A

Desdemona acts like a victim of abuse and stockholm syndrome, making excuses for her abuser and praising him and staying faithful.

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3
Q

What stock character does Brabantio represent? Where else can this be found in Shakespeare?

A

Brabantio is the ‘Senex Iratus’, or the old patriarchal figure, who holds control over his children - such as Lord Capulet in ‘Romeo and Juliet’, and Polixenes in ‘The Winter’s Tale’ (who is a king outraged over his son marrying a shepherd girl Perdita)

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4
Q

Who pioneered the revenge tragedy genre?

A

Thomas Kyd

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5
Q

Which other women in Shakespeare are rebellious against their fathers for the sake of love?

A

Juliet in ‘Romeo and Juliet’, who falls in love with Romeo of the opposing noble house, and Jessica in ‘The Merchant of Venice’, as she marries a Christian man and abandons her Jewish father.

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6
Q

What do Shakespeare’s rebellious women have in common in their love?

A

They seek to marry their cultural ‘other’ and defy social norms - Juliet wanting the opposing house, Jessica desiring a man of the opposite religion, and Desdemona wedded to a man of the opposite race.

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7
Q

Which of Shakespeare’s cunning women defy other cultural norms and how?

A

Portia in ‘The Merchant of Venice’ and Viola in ‘Twelfth Night’ both crossdress in order to survive and achieve their aims in society which they could not achieve as a woman.

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8
Q

Who were the first actors to play Shakespeare’s females and how did this impact the characters’ portrayal and conception?

A

The first actors were groups of adolescent boys who would crossdress as women - thus Shakespeare’s women would either crossdress themselves to appear more realistic or feature less strongly within the play (such as Desdemona)

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9
Q

How were marriages often decided for upper class women? What does this mean about Desdemona and Brabantio?

A

Women’s marriages were often arranged in order to further a family’s success and wealth - thus in choosing her own husband, Desdemona is defiant of typical expectations of women of her status, thus explaining her father’s outrage.

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10
Q

What is a soliloquy?

A

A soliloquy is a character thought-track and speech delivered from the character to themselves, typically when alone on stage, not addressed to the audience but for the audience to listen to.

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11
Q

What is ‘manning’ a hawk?

A

Taming a female hawk by spending twenty days with it constantly, until the hawk looks upon the male falconer as a mate.

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12
Q

How were hawks treated in upper class gentry?

A

Hawks were prized possessions, and particularly beloved hawks could sleep in the master’s bedroom. Falconry itself was a noble sport.

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13
Q

How does John Leo Africanus, a Moor, write about Africans in his 1600 ‘Geographical Historie of Africa’

A

They are ‘most honest’ and ‘high minded’, but ‘subject to jealousie’ and deceived easily.

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14
Q

What significance did handkerchiefs serve in Renaissance upper class circles?

A

They were often uniquely embroidered and exchanged as gifts.

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15
Q

How do 16th century costume guides depict Venetian noblewomen?

A

Young women had to wear black silk veils over their faces in order to preserve their modesty.

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16
Q

Othello: ‘Though that her jesses were my dear heart-strings’

What are jesses?

A

The straps placed on a trained hawk’s legs.

17
Q

Othello: ‘Her name, that was a fresh as Dian’s visage’

Who is Dian?

A

Dian is short for Diana, the Roman goddess of virginity, hunt, and nature.

18
Q

During the 16th century, which non-European nations did England trade with?

A

The Ottoman Empire and the Barbary coast (North African nations)

19
Q

What were British slavery laws like in Shakespeare’s time?

A

English law explicitly stated that all men on British soil were free - thus there was a complete lack of legal slavery, any slaves or Africans stepping onto English soil being considered free.

20
Q

What evidence is there for a significant presence of Moors and Africans in England?

A

Queen Elizabeth I’s 1601 draft proclamation, where she calls for the deportation of ‘Negars and Blackamoors’

21
Q

What evidence is their of African integration into England?

A

In 1578, Captain George Best writes of his witness of an Ethiopian man taking an English wife and having children.

22
Q

How were offspring of black-white children perceived?

A

In Captain George Best’s 1578 account of an Ethiopian man and English wife, he writes that the child’s ‘blackness proceedeth rather of some natural infection’.

23
Q

What perceptions of Africans existed in the British consciousness in Shakespeare’s time?

A

They were considered infidels, lusty and barbaric, lacking civilization or religion. As well as this, due to typically arriving from Spanish slave trade, they were seen as a by-product of the conflict with Spain, and competing with British natives for food and resources.

24
Q

How many plays in the turn of the century featured Moors?

A

Between 1579 and 1624 there are 62 recorded plays

25
Q

What other contemporary plays feature Moor characters?

A

‘The Battle of Alcazar’ by George Peele and ‘Tamburlaine’ by Christopher Marlowe

26
Q

How were Barbary Africans, Moors, and Sub-Saharan Africans distinguished by Europeans?

A

They weren’t - Europeans would often ‘other’ them and homogenize these groups into one.

27
Q

What is Machiavellian theory?

A

Honesty and other virtues are expendable if deceit and immorality will better achieve an aim of self-interest.

28
Q

What is Leo Africanus’ History and Description of Africa’s significance?

A

It is believed by scholars to have influenced Shakespeare’s work

29
Q

How were Muslims treated in Venetian society?

A

They would live in buildings distant from local populaces and could not have a centralised prayer location.

30
Q

What does Niccolo Machiavelli say in his essay ‘The Prince’?

A

‘Everyone sees what you appear to be; few really know what you are.’

31
Q

What were typical Jacobean audiences?

A

Londoners - this typically meant tradesmen and apprentices, who would have likely seen or met Moors. Typically when displeased they would be vocal and rowdy.

32
Q

What is Marlowe’s Machiavellian Villain?

A

In ‘The Jew of Malta’, Barabas uses his daughter in a Machiavellian revenge plot like Iago uses Emilia. Both are compelling characters, like Richard III also is.

33
Q

What is a key aspect of tragedy that Othello lacks?

A

The protagonist must have hubris.

34
Q

How is Hieronymo in Kyd’s ‘The Spanish Tragedy’ akin to Iago?

A

As he is apprehended and brought to punishment for his crimes, he bites out his tongue to not answer questions.

35
Q

Where else is Venice used as a euphemistic setting?

A

In Ben Jonson’s ‘Volpone’, Venice is used as a setting for the author’s criticisms of the play’s society, euphemistic for London.

36
Q

What imagery is popular in Jacobean tragedy?

A

It features imagery of plague and death, such as in John Webster’s tragedies.