CONTEXT Flashcards
How were women perceived and treated late 19th Century england
-women expected to be domesticated
-motherhood and domecisity expected to be sufficienct fulfilment
-superiority of men in victorian england
-many historians call this ‘seperate spheres’
-industrialisation worsened this as men were expected to work new industry jobs
HOWEVER
-first sign of feminist movement began in this era
how did the feminist movement emerge in the victorian era
-1850’s first movement focused on equality in education, voting and work rights
how many women were in employment in the 19th C, and how does this compare to 20th C
-only a third
-by 1978 2/3 of women were in employment
how were domesticated women treated in 19th C
-sharp distinction in power imbalance, even in own homes
-husbands cruel and controlling
-sexual violence, verbal abuse
-many men had affairs but women couldnt divorce them as it was considered taboo
-morally wrong for women to cheat on husbands but wasnt for men
-difference in upper and lower class expectations on sexuality (in lower class prostitution flourished due to desires of men)
-women were a husbands property
what happened in the 1884 third reform bill
-gave working men and agricultural workers the right to vote, did not include women
when did the national union of womens sufferage form
1897, national union of womens sufferage societies formed as an umbrella organisation for womens sufferage societies
what caused the 1857 marimonial causes act
-before this impossible to get a divorce
-women could now alledge cruelty in addition to husbands adultury to get divorce (however still very taboo)
what was the concept of the fallen woman
-stereotype of a woman with lost innocence, associated with female promiscuity
-connotes fallen from the grace of god
-idea prominent when dorian doe not seduce and ‘ruin’ inkeepers daughter
-links to bible garden of eden
-often portrayed in art, literature and media, victorian moralists warned against the consequences of losing ones virtue
-interesting as dorian and lord H only disregard morality when it comes to their actions, not the actions of women
who wrote ‘the angel in the house’ poem and why is it important
Coventry Patmore wrote ‘The Angel in the House’ in 1854
it described the ideal image of womanhood, praising a dependent wife who maintains a domestic haven
lead to victorian image of ideal domesticity of wives and women, expected to be devoted and sybmissive to their husband
the word angel connotes purity and innocence (reinforcing restraints on sexual freedom)
what were victorian attitudes towards actresses
-viewed as akin to prostitutes
-both acting and prosititution enabled women to have a certain degree of financial and physical independence
-working class actresses struggled to be accepted into society
who was marie Bancroft
-an actress in victorian period, wrote that to be an actor meant ‘exile’ from everything
what was wilde’s relationship like with women actors
-mirrors dorian and sibyl
-more confirmation that oscar wilde likens himself to dorian
-based his play ‘Salomi’ off of actress Sarah Bernhardt
-parrallels dorian becoming enamored with sibyls acting
who was the actress wilde had relations with
Sarah Bernhardt
what were victorian attitudes to class like
-working class associated with crime and poverty and illicit activity
-these views were reinforced in literary resources by ppl like Dickins etc
-Viewed lower class as ‘criminal classes’
what were ‘criminal classes’
-attributed moral issues to the lower class (idleness, drinking etc)
-as the century progressed the term got more popular
-it was a seemingly irredeemable societal catagory to be placed in
-many writers depicted these people to be of a different race
what was charles booths survey
Charles booth life and labour survey
-found that 1/3 of people who lived in london lived in poverty
physiognomy
WHAT
- belief that ones character can be expressed by observing their physical/ facial attributes
-thought physical appearance reveals ones character and their morals
-links to neoplatonism from renaissance learning
HOW IS IT REFLECTED IN DORIAN GRAY
-as dorian descends into immorality the appearance of the painting reflects his corruption, not his appearance
-so, in a way wilde criticises physiogonomy as dorians character corrupts but isnt observed in his physical appearance (everyone then thinks dorian is incapable of evil when the reader knows he is)
-Basil and sir henry comment on how he isnt capable of evil
what was the degeneration theory
based on a fear that civilisation was in the process of declining and the causes of it were biological/ hereditary from the working class
idea they would biologically degrade society urging people to not reproduce with them
what were the origins of gothic fiction
-roots in legends from greece and rome
-joseph sheridan le fanu used irish mythology and grotesque actions- played a part in establishing the traditional gothic literature ‘formula’
-shift in gothic horror occured when the villain in frankenstein was a physical embodiment of the human folly
-caused a shift in many novels and they began to produce morality based narratives , encouraging the reader to reflect on actions of character
how does dorian gray adhere to gothic fiction
-idea of the ‘double’
-portrays the stuggle between good and evil, a key aspect to many gothic novels was the idea of doubles or doppelgängers
-drawing origins from folklore, believing that if you come into contact with your ‘dounle’ you will die (this happens to dorian)
-creates a sense of supernatural horror
-many works on the dounle tend to focus on the duality of the protagonist
-dorian remarks ‘each of us has heaven and hell in him’ shows consciousnness of his double
dorian bra link to the strange case of Dr Jekyll and Mr Hydge
-similarity is theme of duality representing double life and different sides of human nature
-both 19th C gothic novels reflect the same hypocritical state of society
-the monster in jekyll and Hyde represenrs moral degeneration of victorian society, heightened by the aestheticism movement
-forian also represents moral degeneration due to aestheticism movement and hedonistic behaviour
what is the epigrammatic comedic style
-a witty and consicise form of humour
-often paradoxical or satrical
-draws attention to absurdities to draw attention and play with language to generate amusement
effect of oscar wildes epigrammatic comedic style in dg
-disrupts status quo of literary at the time
-humurous ideas on class, beauty, art, men and women please viewers through its sophisticated aubsurdity
-social commentry
how was homosexuality percieved in 19th C britain
-sexual acts between men completely illegal
-no laws adressing relationships with women
-male homosexuality only decriminalised in sexual offences act of 1967