Content and Instruction Flashcards
Sarabande
Slow dance in triple meter often emphasizing the second beat
Sonata
To be played on one or more instruments; Work in several movements for one or two solo instruments
Sonata Form
Used mostly in first movements
- Exposition - Development - Recapitulation
Episode
Passage that does not state the principal subject (esp in Fugue)
Exposition
Section in which subject(s) are announced in fugues, sonatas, and concertos
Fugue
Composition or section in which subject is answered or repeated by several parts
Hocket
Splitting up a melodic line between two voices
Leitmotif
Musical theme or motive associated with a person, thing, emotion, or idea in a drama
Monody
Accompanied solo song
Motet
Polyphonic vocal composition with sacred text
Passacaglia
Pattern of pitches serving as a foundation for harmony
Partita
Single variation of a theme, set of such variations
Recapitulation
Section of a movement in which the subjects announced in the exposition are reviewed
Renaissance
1450-1600; Rebirth of secular musical activity/ideas of antiquity
Ripieno
Tutti as opposed to solo
Rondeau Form
AbaAabAB
Stretto
Imitation of a subject at a close time-interval
Tetrachord
Scale of four notes spanning a fourth (Greek/Medieval); Set of four pitches (Modern)
Toccata
Introductory improvised instrumental piece
Triplum
Second part in early polyphony; Set against a Tenor and Duplum
Abgesang
Song form in which first melodic component is sung 2x with different text (Stollen); and the remainder is sung once (Abgesang)
Ad Libitum
Details of execution left to discretion of the performer
Aggregate
Unordered set of pitch classes of the chromatic scale
Air
Art song with lute or violin accompaniment
Air de cour
French monodic song
Aleatory
Deliberately leaving choices of pitches, rhythmic values, or order of events to chance
Ambitus
Pitch range of a mode or plainchant
Antiphonal
One group answers the other; Performance method
Achlute
Lute with an extra peg box for long bass strings
Aria
Songful monologue or duet in an opera
Baroque
1600-1750
Basse Dance
Family of dances (duple + triple) whose music was often improvised over a tenor cantus firmus
Cadenza
Improvised passage usually placed just before the end of a piece or section