Contemporary Sculpture Flashcards

1
Q

is an art form that requires of the artist creative use of balance, skill in the use
of materials, and physical strength.

A

Sculpture

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2
Q

For many centuries, the common subject matter was

A

human figure

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3
Q

harried artist is in the alternate role of domestic cook struggling with a fish frying in
a pan while a cat lolls by and a saltimbanque cooly stands guard.

A

Julie Lluch

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4
Q

The artist asked
herself, "The so-called natural order of things isn't so natural at all. Commonplace things
appear questionable Is woman's place really in the home?" After three decades of art-
making, she concludes that her works "are not so much about political and social
upheaval but spring from a personal revolution adopting a spiritual perspective that is
eternal and supreme."

A

Julie Lluch:

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5
Q

who was the artist who interpretation of freedom of
expression. His hair and beard have become fiery as the Chinese artist's radical and
revolutionary mind. His eyes are like the Dragon's pearls, seeing, thinking, and
interpreting ideas in a very clear way.

A

Ai Wei Wei

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6
Q

is the favorite subject matter of sculptor Abdulmari Imao.

A

Sarimanok

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7
Q

He was proclaimed National Artist for Sculpture in 2006. In his nomination papers, Imao
is described as having helped Tausugs, Maranaos, Cordillerans, T'bolis, and other
indigenous peoples "develop their art by introducing techniques and promote efficiency
and economy in the use of indigenous materials in all aspects of the brass making
process, as in the making of moulds and ornamentation"

A

Abdul Imao:

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8
Q

The Sarimanok is the favorite subject matter of sculptor

A

Abdul Imao:

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9
Q

are done in ways most suitable to the available material. Stone
can only be carved, drilled, abraded, and polished.

A

Sculptural processes

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10
Q

lends itself to the same
processes more easily although modern technology permits it to be permanently bent
and molded.

A

wood

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11
Q

disadvantages of wood lie in its dimensional instability-its tendency to —– or —-

A

warp or crack

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11
Q

is appealing for its grain, its color, and its origin in a living tree.

A

Wood

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11
Q

are combined with plastic binders so that they can be
modeled and assembled by welding, soldering, and riveting, or with adhesives.

A

powdered metals

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12
Q

his Sarimanok with & Fishes (see p. 55) is done in brass standing on wood base.
With the skillful use of brass and an excellent understanding of balance,

A

Abdulmari
Imao

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12
Q

can be cast, cut, drilled, filled, extruded, bent, forged, and stamped.

A

Metals

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13
Q

is able to
make a vertical sculpture dominated by curve lines that smoothly flow from one element
to the next. This diffuses the weight and makes the sculpture look light.

A

Abdulmari
Imao

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14
Q

or clay is more responsive than wood or stone.

A

Terracotta

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15
Q

it possesses little strength in tension or compression and requires an armature for support.

A

Terracotta

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15
Q

It is not very permanent and can easily be
changed or damaged in handling. It can also be deformed when exposed to heat.

A

wax

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16
Q

has beautiful surface and color characteristics and is the most common casting
material.

A

Bronze

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17
Q

is not in itself a permanent material. If fired, it is subject to the size limitations of a kiln and a variety of engineering considerations.

A

Clay

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18
Q

who is the Iligan artist who created an example of a sculpture in terracotta painted with acrylic. It is a good medium to
use to express the artist's state of mind amidst domestic work which prevented her from
making artworks.

A

Julie Lluch

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19
Q
A
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20
Q
A
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21
Q

is becoming popular in the Philippines. It is used by many installation artists and
sculptors.

A

Resin

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22
Q

Af Weiwei busts are made of

A

resin

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23
Q

is a Chinese contemporary artist known for his political activitism. He
has openly criticized the Chinese government and its stance for human rights
and has been apprehended and jailed in Beijing.

A

Ai Weiwei

24
Q

Four Basic Sculpture Techniques

A

Modeling.
Carving,
Casting
Assembling.

25
Q

these sculptures are created when a soft or malleable material such
as clay, is built using an armature and then shaped to create a form.

A

Modeling

26
Q

is an additive process. An example is the portrait sculpture of Batanes-born artist Pacita Abad done by Iligan artist Julie Lluch.

A

Modeling

27
Q

the lower body part is relaxed, her
legs seem to be in a pose that is "ready to go," in her clogs shoes, which is
characteristic of

A

Pacita

28
Q

involves cutting or chipping away a shape from a mass of
stone, wood, or other hard material.

A

Carving

29
Q

is a subtractive process where the
material is systematically eliminated from the outside.

A

Carving

30
Q

The process calls for a
conception of the result before the work is begun.

A

Carving

31
Q

what do you call an artost that subtracts non-
essential material to form an image from the block of marble, wood, or stone.

A

carver

32
Q

The carver subtracts non-
essential material to form an image from the block of —-, —–, or ——-

A

marble, wood, or stone

33
Q

An
example of wood carving is jeepneys and cars by

A

Franco Cagayat's

33
Q

When a sculpture is formed using terracotta clay, it is made permanent
through the plaster of Paris.

A

Casting

33
Q

Casting it in —— or —— accurately reproduces
the form from an original clay or wax model.

A

bronze or metal

33
Q

known as the "Father of Philippine Glass Sculpture.

A

Ramon Orlina

33
Q

It is durable, can be transported
without breaking, and can also be duplicated.

A

Casting

34
Q

it is when Sculptors gather and put together different materials, including found objects to create an assembled sculpture.

A

Assembling.

35
Q

is an additive process using adhesive, welding, and other chemicals for adhesion.
An example is Josephine Turalba's General Mariana.

A

Assembling

36
Q

5 Styles and Movements in Sculpture

A

Monolithic Sculpture
Constructivism
Sculptural assemblage
Kinetic sculpture
Niches, Boxes, and Grottoes

37
Q

is carved from a slab of stone and is limited by the material's shape and size.

A

Monolithic Sculpture

38
Q

This means that the sculptor can only make a form that is
allowed by the material's shape and cannot exceed its size. Neither can the

sculptor produce complex open forms and shapes where arms and legs are
stretched.

A

Monolithic Sculpture

39
Q

He embedded
thousands of nails on wood and painted the form with acrylic.

A

Lucell
Larawan

39
Q

Lucell
Larawan's Prostrate is an example of this type of sculpture.

A

Monolithic Sculpture

40
Q

and allows a break from
the figurative representation of sculpture.

A

Constructivism

40
Q

is popular among contemporary artists. It makes use of new
materials such as plastics, plexiglass, metal wire, etc.,

A

Constructivism

41
Q

abstraction, transparency, the interpenetration of sculptural form,
overlapping of planes, and the employment of lines in tension to describe
direction and movement. these are main traits of?

A

Constructivism

42
Q

provides a method to the contemporary artist that
abandons carving, modeling, and casting. Several forms of found objects,
including "metal (wire, pipe, sheet, rod, spring, tube, bar, and plate) are put
together through a single method of attachment: welding: and a single color and
surface texture.

A

Sculptural assemblage

43
Q

She created a variety of texture by putting together pieces of
aluminum, brass, stones, and diamonds collected from hundreds of broken
shoes, belts and bags, covering the inner layer of a fiber glass cast.

A

Michelle Hollanes Lua

44
Q

which artist used plastic tubes that are shaped like giant animals that can walk along the beach?

A

Theo Jansen

45
Q

is a sculpture in mechanical motion. When they are suspended
in the air, they can produce musical sounds as the elements move with the wind
and touch each other.

A

Kinetic sculpture

46
Q

They are constructed vertically to interact with the wind

and are designed to accommodate the movement of the viewers who interact
with the kinetic sculptures.

A

Kinetic sculpture

47
Q

his sculptures are set into motion by machine and generators that
enable the objects to move up and down or left to right while producing sound.

A

Gabby Barredo

48
Q

is a recessed place in a wall where a sculptured figure or bust can be located. It
is important to think of niche sculptures as "born from" walls, conceived out of necessity
to endow plane surfaces with dramatic meaning.

A

niche

49
Q

encloses forms physically
and governs the angle of vision from which the sculpture can be seen.

A

niche

50
Q

Psychologically,
the sculpture is "protected" by its enclosure, it is removed from full exposure to the
elements and can thus be perceived as something which requires shelter.

A

niche

51
Q

he used "scapulars buried in wax." Underneath is a figure whose head and
hand are exposed, followed by a crown of thorns surrounded by flowers.

A

Renato Habula

52
Q

are closed and can become packages, a portable container for something worth
keeping. They are distinguished by their careful craftsmanship and connection. to
something.

A

Boxes

53
Q

is not associated with the wall and is more like a room. It relates instead to the vault or convoluted inner spaces of natural caverns.

A

Grotto

53
Q

symbolize the way Overseas Filipino Workers (OFWs) accumulate things to
send to their family left behind in the Philippines.

A

balikbayan boxes

53
Q

also contain old things that symbolize sentimentality.
Some people keep things until they are worn out and no longer functional because
these have sentimental value to them.

A

Aquilizan boxes

54
Q

The shaping of interior space
resembles a hybrid form of sculpture and architecture.

A

Grotto

55
Q

presents a neat arrangement of staircases and cubes in one of the spaces that once

served as a stud farm for the herd of horses.

A

Grotto