Contemporary Approaches Flashcards

1
Q

What have many feminist critics noted about Jacobean tragedies?

A

Female characters are normally victims who have limited power and are punished for their sexuality.

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2
Q

What does Marilyn French suggest about Desdemona?

A

She ‘accepts her culture’s dictum that she must be obedient to males’ and is ‘self-denying in the extreme’ when she dies.

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3
Q

What does Lisa Jardine suggest the world in Jacobean drama is?

A

A wholly masculine one where there is only a male viewpoint to offer.

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4
Q

What does Lisa Jardine suggest Desdemona is?

A

The stereotype of female passivity.

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5
Q

What does Lisa Jardine say Desdemona is punished for? By what?

A

Desdemona proves to be ‘too-knowing, too-independent’. Because of her waywardness she is punished by the patriarchy.

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6
Q

What does Dympna Callaghan consider?

A

The cultural significance of Desdemona’s wedding sheets and the handkerchief, commenting on how these objects had economic and symbolic value in the Renaissance.

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7
Q

What does Dympna Callaghan see as a ‘miniature of the nuptial linens’?

A

The handkerchief, he suggests it is crucially important to the stability of the marriage of Othello and Desdemona.

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8
Q

What does Leonard Tennenhouse believe?

A

He takes the view that ‘Jacobean tragedies offer up their scenes of excessive punishment as if mutilating the female could somehow correct political corruption.’

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9
Q

What does Leonard Tennenhouse suggest about Desdemona?

A

She has to be destroyed because she is subversive.

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10
Q

What, unlike many feminist critics, does Leonard Tennenhouse suggest Desdemona is?

A

The ‘embodiment of power’ when she appears in Act 1 and defends her right to choose her own husband.

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11
Q

What does Frances Dolan suggest Jacobean drama reflects?

A

Seventeenth-century anxieties about the racial ‘other’, the traitor ‘inside’, the plotting subordinate and abusive authority figures.
Dolan says that Othello can be linked to all these ‘spectres of disorder’.

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12
Q

What does Nicholas Marsh suggest Iago represents?

A

A new way of thinking about the world/ He is a typical malcontent of Machiavel, a dissatisfied and cynical man who will not stay in his place.

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13
Q

What does Ania Loomba suggest the central conflict in Othello is?

A

The central conflict in Othello is ‘between the racism of a white patriarchy and the threat posed to it by both a black man and a white woman’.

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14
Q

What does Ania Loomba suggest Othello is at the beginning of the play?

A

An honorary white but becomes a total outsider because of his relationship with Desdemona, which ruptures his ‘precarious entry into the white world’.

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15
Q

What does Karen Newman argue about white male characters (especially Iago) in the play?

A

They feel threatened by the ‘power and potency of a different and monstrous sexuality’ which Othello represents.

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16
Q

What does Karen Newman suggest about Shakespeare’s contemporaries?

A

They feared ‘the black man had the power to subjugate his partner’s whiteness.’ This makes the black male monstrous.