Conservation Flashcards

1
Q

How are artworks presented and conserved?

painting

A

Conservators focus on preventing acidic canvases, brittle paint, and drying timber. Structural interventions (e.g., re-stretching a canvas) and cosmetic repairs (e.g., fixing cracks and discoloration) are common.

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2
Q

How are artworks presented and conserved?

Acrylic

A

Flexible at room temperature (20°C), risks cracking below 10°C or becoming soft with heat. Conservators remove surface dirt and address chemical reactions like greyish residue on the surface.

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3
Q

How are artworks presented and conserved?

Handling and Storage

A

Wrapped with non-adhering materials, D-rings for hanging, specialized transit frames, and environment-controlled spaces (humidity, light, temperature).

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4
Q

Investigate methods of conservation and care

A

Conservators ensure long-term preservation through condition reporting, climate control advice, handling, and transport guidelines.

Designing mounts, coordinating disaster preparedness, and using scientific tests to assess artworks’ conditions are key responsibilities.

Preventing damage like cracking or dust accumulation is essential.

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5
Q

What is preventative conservation?

A

Definition: Actions taken to minimize or slow deterioration, such as risk assessment, proper handling, environmental controls, and guidelines for storage.

Goal: Avoid future damage through careful management of temperature, humidity, and storage conditions.

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6
Q

Lux levels for different artworks

A

Paper: 50 Lux to protect the sensitive surface (e.g., photographs).

Acrylic Paintings: 100-150 Lux to avoid damage.

General rule: Block natural light to protect pigments and canvases from harmful UV rays.

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7
Q

What is pest control in a gallery?

A

Integrated Pest Management (IPM): Prevents damage by pests through clean spaces, no food/drink policies, and monitoring traps.

Galleries apply low-temperature or low-oxygen treatments to protect artworks from pests.

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8
Q

Optimum temperature and humidity in galleries

A

Temperature: 20+-2°C.

Humidity: 50+- 5% RH

Both are controlled to prevent cracking or softening of materials like acrylic.

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9
Q

How are artworks transported?

A

Special transit frames, climate-controlled containers, and packing materials like polyethylene sheeting are used.

Conservators advise based on artwork fragility.

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10
Q

How are artworks stored and handled?

A

Secure, dust-free environments, such as Solander boxes for paper works.

Handling frames for paintings.

Crates and archival boxes for transportation.

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11
Q

What is restorative conservation?

A

Repairs artworks after damage occurs, such as cleaning surfaces, retouching discolored areas, or repairing tears.

Requires collaboration with curators and historians to ensure authenticity.

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12
Q

What is a condition report?

A

Detailed physical assessment of an artwork’s condition when entering or leaving a collection.

Documents scratches, cracks, and other details to track the artwork’s health over time.

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13
Q

Ethical considerations in presenting artworks

A

Curators must verify authenticity and provenance.

Culturally sensitive objects need specific handling and consultation with cultural custodians.

Proper credit to artists, cultural sensitivity, and correct representation are critical.

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14
Q

How are unstable materials and obsolete technologies catered for?

A

Unstable materials: Controlled environment (temperature, humidity, and light).

Obsolete technologies: Content migration to current digital formats while preserving the original physical media.

Archival-quality materials and regular assessments are vital for preservation.

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15
Q

Exhibition design

A

planning and producing the layout and design of the exhibition and planning the ‘flow’ of the exhibition, including sight lines, spatial relationships, viewer interaction and interpretation. Exhibition design also includes the creation of display furniture, the selection of fixtures for artworks in an exhibition and the use of lighting throughout the exhibition. A curator and exhibition designer can work together on exhibition design.

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16
Q

Curation

A

determining the theme or story to be told in an exhibition. Curation includes the selection of artworks, writing the introduction to the exhibition, deciding where artworks will be placed, the designing of viewer interaction and interpretation, and the preparation of condition reports of artworks. A curator can work with the exhibition designer, registrar and exhibition manager.

17
Q

Conservation

A

planning, organising and undertaking the preservation and conservation of materials and objects in private, public and community collections, including art galleries, museums, other exhibition spaces and site-specific spaces. A conservator often has specialist scientific training in the conservation and care of artworks. The care of artworks in a gallery environment is often the responsibility of a team of people.

18
Q

Curatorial considerations

A

Curatorial considerations refer to the key factors and decisions a curator must address when planning, organizing, and displaying an exhibition. These decisions influence how the artwork is experienced by the audience. Important curatorial considerations include:

Theme
Space
Display
Audience Experience
Artworks’ Relationship
Conservation Needs
Accessibility

19
Q

Thematic connections

A

Thematic connections are the links that tie together different artworks within an exhibition or a body of work based on a shared concept, idea, or narrative. These connections can be established through

Subject Matter
Artistic Style
Medium or Technique
Historical or Cultural Context
Philosophical or Social Ideas